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EBS_freak
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Everything posted by EBS_freak
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Another thing to try, is when inserting the inear, pull back quite hard on your earlobe so it opens up the ear canal a bit, then twist in the in ear... and hope for a tighter fit! -
ACS haven't heard of bite blocks? Behave! Anybody in the IEM business - and certainly folk who have been in it as long as ACS have certainly will. Their social media even shows the use of one during the taking of impressions. @SteveK - where are you based?
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What is that control plate covering up?
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100% use a 1 inch bite block every time… well… the only application where you don’t need a bite block is if you are an audiophile type who sits still to listen to music. Those who complain of a rubbish seal generally have not used a bite block. I remember cringeing at the trade shows when I was working with the CIEM company - and we would see other stalls taking impressions without a bite block or having full blown two way conversations as the impressions were being taken. One way ticket to a pants fit.
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Surely it's got to be Donna Lee?
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Love Me Do - The Beatles In my early days, I just worked through The Beatles complete scores book, pretty much in line with albums.
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Oh man 😵 The world is a bit darker without Dr of the bass. Rest in peace sir.
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At least Im not alone!
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1000 pounds - competing with some high end powered 10 PA cabs there.
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But why?
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I can understand that.
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`you run in mono?
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The digital aspect of the Mipro will have even the best analogue compander based IEM system beat. The EW is likely to have a further range and due to the lower frequency rf - better for passing through walls and stuff. If you are worried about drop outs and interference, the 5.8 system is going to be way more stable than a 2.4 system. As I say, if you have line of site and can keep the units close to the stage, right now, I’d go MiPro.
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I see Thomann have started stocking it now (£469) - https://www.thomann.co.uk/mipro_mi_58rt_58_ghz.htm I believe there's no additional costs on the published figure...? (I haven't bought from Thomann in years)
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I dont think there is an antenna combiner for these yet. Before you spend the money - I have the full paddle setups on my Sennheisers and Shures... and even for some sizeable stage, the inbuilt ones are good enough to the point I dont bother with the external paddles. You can always find somewhere at the back/side of the stage to put them. As long as you have line of sight, you're likely to be golden.
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Stretch a little to the Mipro MI-58RT (<2.2ms latency - digital - sounds better than any analogue system. 5.8 - so make sure they are by the performance area XSW is dog compared to EW300 G2+ - stay away
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Have your "music" build on an external SSD. Remote boot from that on a gig - that way you can always run an "outdated but stable" version. When it came to software and gigging... I was of the mind, if it works and is stable, dont mess with it.
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yeah, you have a rear firing sub - tbh, whoever is running PA here is kinda making a meal of it by the sub placement in the first place.
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Indeed, you'll be surprised how much can come out of monitors... and of course, the output from this will reflect back into open mics too...
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Indeed - additionally, being a trio, I'd hope they are running cardioid to minimise back spill. But the whole PA deployment looks like a nightmare anyway.
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...and most IEMs aren't either... just to add to the fun!
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Careful of this trap- mixing off the headphone jack doesn't allow for the impact of the room. The likelihood of mixing this way is your vocals will be too low in the mix where the punters are. You know when you hear desk recordings and the vocals always seem too high...? (They aren't when you account for the room)
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Sounds like you've got all this stuff sorted then. Good stuff.
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Id argue you can control the dynamics better because you aren't thumping seven shades out of your instrument to hear it because if you are standing on top of you amp and all the sound waves are travelling past your knee caps as opposed to your ear drums. The mixer is the one that is generally in control of the balance of the channels in the mix as opposed to the mixing... unless they are completely fking about with some offboard/DSP.
