stevie

It's an observation that those asking for advice about equipment would do well to bear in mind. The "I own one therefore it must be good" response it fairly commonplace around these parts. On the passive/active question, I'd say it is perfectly possible to engineer a passive flat response cab that performs as well as an active one with DSP. But you need to start out with very good components and not stint on the passive crossover/shaping circuitry. Nowadays, it's a lot easier, and probably less expensive, to do it with DSP.

Voice coil size is just one way of seeing through the exaggerated claims made by manufacturers of audio gear. As the technology currently stands, a 2" coil should handle up to 200W, a 2.5" coil up to 300W and a 3" coil between 350 and 500W. There are other factors involved apart from voice coil diameter, but I wouldn't be confident using anything smaller than 2.5" (unless it's in multiples) for bass backline. Your TKS 112 has a 2.5" coil, by the way, Funkshui. (I'm talking bass drivers here, not compression drivers)

This isn't WAV, but it's very good quality nonetheless:

Sorry to hear that. Looking on the bright side, you may have learned one of the great life lessons: "know your limitations".

The key specification in that very nice TS210 cab is the bass driver voice coil. It's two inches in diameter, which means it should realistically be rated at about 200W.

I did this with a Yamaha - changed the Jazz bridge pickup for a Duncan Musicman pickup (Alnico version, MM something). It worked really well, but only when wired in series - otherwise it was a lot quieter than the P-bass pickup. It was a much better combination than with the Jazz pickup. I tried a Delano Musicman first but didn't like it at all.

You're welcome. Just send me a PM when you're ready.

I've had that before. It's something to do with the photo server you're using. You should be able to edit your post and delete the http text.

If you're ever in the Dorchester area (you're not a million miles away) I can measure the T-S parameters of the Epifani driver for you. By the way, this thread is still ongoing. We're working away in the background to finalise the lightweight version of our 12" cab. Watch this space.

I thought you were looking particularly trim, Phil.....

https://sbsav.co.uk/shop/44811-krk-rokit-rp6-g2-amplifier-module-amp-pcb-board.html They also sell spares, but by the looks of the amp you should be able to use caps from any reliable source. There is quite a lot on YouTube about fixing these, including this one which may be of interest:

Overhang normally doesn't bother me. But given the clash of colour schemes, not to mention the sideways logo, and I have some sympathy....

What a great day out! And a great venue in the Somerset countryside. It takes a lot of work to organise an event that ran as smoothly as this one. So, many thanks to Mike for all his hard work and impeccable organisation, and to his wife (and/or daughter ) and helpers who prepared such lovely food and served it with a friendly smile. I can still taste that apple cake..... For anyone who half-considered coming but didn't, I can say that the atmosphere was very relaxed, and that everyone was really friendly and welcoming. So make sure you make it next year. People were keen for you to try their basses and amps, and there were some fascinating products - old and new - to play with. I tried out some of my fave Ibanez basses, and was surprised at how good an old Mk IV Trace Elliot 150W head was (bloody good!). I spent most of my time in the techie room, as Graham calls it, auditioning cabs and discussing the finer points of Linkwitz-Reilley crossovers (not really) and collecting opinions on the voicing of the latest incarnation of the Basschat 12 (a project that will no doubt continue as long as there is Basschat). John put in a lot of work for the cab shootout, even though it didn't quite go as planned - but lessons were learned . And Phil's cab building demonstration was an eye-opener. He built a complete, working cab in 42 minutes. Amazing! Thanks to all who contributed to making this such a brilliant event!

That's very good of you, thanks. I'll just try the top four strings.

Would anyone be bringing an Ibanez Premium 4-string bass by any chance? I'd be interested in finding out what the difference is between my SR500 and the Premium range.

I was just bemused by the fact that you needed a rehearsal to get your sound. As others have mentioned this too, I am probably missing something. Is this because you use so many different sounds or because the Klemperer is so complex? I bought a new bass a couple of months ago. Completely different sound, but I knew how it would sound in my band without having to take it to a rehearsal. Whenever I play an amp that somebody else has supplied, I take a few minutes to get the balance right without disturbing anyone else - and that's it. But I use one basic sound throughout the gig - more or less.

I'm not sure where you get that idea from.

Strangely enough, I played through my first Laney bass amp today. A 15 Richter cab with a 300W RB7 Richter 2x10 combo. The fan was a bit louder than I would have liked and the bullet tweeter was as useless as bullet tweeters usually are. On the other hand, the controls were well thought out and it was easy to get a good sound out of it. Overall, I enjoyed the experience and I'd be happy to use it again. It seemed solidly made and well finished and looked the part.

Fascinating.

Currently out of stock, but no reviews anywhere. Given that many other Harley Benton products are amazing value for money, why would one not get one of these in preference to the Mesa Boogie version at three times the price? I suppose they could have cut corners in places, but the power amp section is the same. Isn't it?

"When I was a boy of fourteen, my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty-one, I was astonished at how much he had learned in seven years." Attributed to Mark Twain (but not actually by him).

Very true.

And your dad was right!

What a damned awful racket that was!