stevie

[quote name='Moos3h' timestamp='1327252809' post='1508377'] <snip> I found the EQ section very frustrating. The build quality also felt very cheap to me, all sharp edges and iffy printing for some of the labels, the Ampeg and Orange gear feels a LOT better made, for what that's worth! [/quote] That's what the review says, although it's overwhelmingly positive.

Our keyboard player has decided to invest in a decent keyboard amp (hooray!). We are a backline and vocal PA band at the moment playing pub-sized gigs. I've no idea what his budget is, although he's not short of a bob or two. He would like a reasonable bang for his buck and will not spend silly money (although his keyboard was two grand). He has been told that Roland combos are good but perhaps overpriced. Then there is the option of a small mixer, power amp and PA speaker. Can someone point me in the right direction?

Just bought a pair of cables from Andy. They arrived quickly and were exactly as described. Nice one.

It could be one of several things, of course, but you should check out the L-pad used to control the volume of the tweeter. As you've had the tweeter turned down, the L-pad has been on its maximum setting all the time. Just adjust the control a little with the amp on. If it crackles, you've found the culprit.

Just sold a set of tuners to Tom. What an great chap to deal with!

I can't see any reason why this should be a problem, apart from the fact that the kit will sound a bit dull.

That's how most people play it and how Dire Straits played it live. I much prefer the original bass line as recorded, which has half as many notes. It's good though, and you seem to have the bass sound spot on.

If the problem is the bottom panel of the speaker cab transmitting energy through the air to a resonant floor, wouldn't it be easier just to brace the bottom panel of the speaker cab (assuming the cab has rubber feet at least)? I can't see how a Gamma pad could possibly make any difference on a concrete floor though.

[quote name='4 Strings' timestamp='1326300193' post='1495160'] I know the whooping, merry women at the various dos we play at would struggle to tell. [/quote] I don't know about that. Did a club gig last week and this gorgeous blonde came up to me and said 'Your amp sounded great. I bet you've had your valves cryogenically treated, haven't you?' I replied, 'No, I haven't, but my leads are 99.9% pure OFC.' She nodded knowingly and took my arm.

I'm doing a similar thing for my band. I'm sure there are plenty of people on here who can tell you what brands are good and what aren't, but for starters.... With your budget, I'd definitely go second hand. Although you can usually get nearly new PA for around half the new price, I think you'll probably end up with something older for that money. If you get decent brands, reliability shouldn't be too much of a problem. Put as much as you can into the speakers and go for a vocal PA only - i.e. forget about bass cabs. A 12 and a horn is probably the optimum configuration for vocal cabs. For pubs you should be able to get away with 250 watts of amplifier power, although more is always better. Check that all the inputs on your mixer are working and check for noise from the control knobs, especially sliders. Avoid piezos and bullet tweeters in your speakers (like in the old HH PA cabs). Make sure the horns are working on your PA cabs - listen to some music through them. There were some very cheap Peavey speakers for sale on here not so long ago that might be worth checking out.

And what did your measurements reveal?

Give Roland Lumby a call. I've used him over a number of years and there's none better. And he'll give you an honest opinion. His number is here: http://matrixamplification.com/index.php?view=article&id=16&option=com_content&Itemid=4&limitstart=1

[quote name='markstuk' timestamp='1323963069' post='1469261'] I remember when the gramophone was invented ... [/quote] That would make you about 140.

Anyone else have that problem? It opens up fine on my machine, although that's not surprising. I didn't think PDFs needed special fonts.

[attachment=94751:Merry Christma.pdf] You'll have to change the suffix to .pdf. This it will open.

I'm doing my best to attach a PDF but not having much luck.

Bought a mixer from Nick on Sunday. It was sent off on the Monday and arrived on Tuesday. Great service, and it was packed up really well. Can't recommend highly enough.

All you have to do is ask yourself why it costs 400 quid. You're answer's right there.

I'd agree with that.

What cabinet material are you using, David?

[quote name='wal4string' timestamp='1319219453' post='1411540'] If you can recommend a better site to hoste the files please let me know. [/quote] Try Dropbox. It's free, gives you a couple of GBs of space, works very smoothly and people can download immediately without having to wait. You can use this URL (which gives me extra storage space on my Dropbox account) - http://db.tt/vrB3x5Vy. Stevie

It's a Fane. It looks like an OEM driver and quite a high spec one judging by the size of the magnet. 140 is unlikely to be the power handling - I'd guess it's at least 200W. You can't tell whether it will handle bass by looking at it in a photo, I'm afraid, but if it's a mid driver the suspension will be very stiff.