80Hz
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Everything posted by 80Hz
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Ha ha I agree, the level of bling is not for everyone!!
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Nut width is 42mm and the profile feels very standard modern precision to me. Skinnier than my other P at 45mm!
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I found a good deal on one of these locally and couldn’t resist snapping it up. Love the blue - looks great in person and on camera! It just took a little setting up to get it playing well. Sounds good too but I have a spare G&L MFD P pickup I’ve been itching to get into something.. hmmm 🤔 Apparently these were made with laurel fretboards, but this particular one looks dark and rich unlike a lot of the dried out stuff I see. Would these be considered Classic Vibe tier instruments? Happy New Year to BC!
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*** SOLD *** 1994 MIJ Ibanez SR 890 with Wilde (Bill Lawrence) PJ set £300 £250 with pickups or £200 £150 without pickups Moving on my Ibanez SR 890 to raise funds for a Jazz V my crappy L-1000 / Precision build. This bass has a lovely thin and fast neck, but I find it's a little too slim to be comfortable for my hands, which are more used to Fender dimensions. When I bought it the stock active pickups had some issues and the preamp was noisy (and on closer inspection, corroded) So I replaced the pickups and preamp with a Wilde PJ set, currently wired passive as 2 x volume + 1 x tone. The Wildes have a very clear and bright sound which I found to be a big improvement on the stock pickups. The sale will include the original active pickups, preamp, and knobs. The installation was a bit challenging for my limited skills, as the pickups are a tight fit to the routes, and my soldering is not the best.. it all works but might not be pretty! As you will see this wiring has left a spare hole for a pot. My plan was to hook up a G&L style low cut, but as it's a work in progress I'm selling it as a kind of "project" bass, which I hope the asking price reflects. If you had different pickups in mind I'm happy to keep the Wildes for something else and sell for £250. The knobs were custom ordered from Xentric Guitars - I have a second small pot which will be included in the sale. The neck is shimmed to get the action lower - it's good where it is, but the bass side of the bridge is down as low as it will go. General condition is very good - there is some light finish scratching and a few small dings / marks as you would expect on a 30+ year old instrument. Some fret wear but plenty of life left in the frets. Includes an Ibanez gig bag.
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Had a few pints here, looking at the for sale section, and trying to remember the name of the fella that couriers basses??
edit: Lenspeed logistics - I recovered the power of search 💪
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Mismatched top, would this bother you? Cort space 4
80Hz replied to 41Hz's topic in General Discussion
Bit of a poor show given that it's their name on the headstock (well, not quite 😉). The wood selections on most Corts (thinking A, B series) always looked nicely done to me. B stock batch perhaps? -
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A lesson in perfection - Freddie Washington
80Hz replied to musicbassman's topic in General Discussion
Wow, I love his confidence, absolutely impeccable timing, and there's such a great energy here with Scott. Thanks for sharing. Also this has done nothing so lessen my GAS for a 70's Precision (with a badass bridge, I think?) Edit now that I've watched further: yep, badass 🙂 -
NBD: 1998 G&L L-2000 - the one from the catalogue...
80Hz replied to wateroftyne's topic in Bass Guitars
Oh my goodness that birds eye maple! Your photos show this off really well. I saw the listing and was tempted myself. Let us know how the gig goes 😀 -
Ooh I love the figuring on the body - that's come up a treat 👍
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I've dealt with this company and it was a straightforward and hassle free experience - I think chances are good they'll sort out some kind of deposit / part-ex.
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We have the NW bass bash to blame - your L-1000 and GreeneKing's L-2500 convinced me to look for something L flavoured. Wants / needs, etc..!
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I did not - but thanks, you're right, that's an excellent price. (currently got my eye on an L-1000.. we'll see!)
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Cool 😀 there are some low lows there for sure, even though I'm watching an audience recording of the FOH mix, I think.
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Their set is on teh YouTubes - lots of vintage P bass goodness 🙂
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@Jean-Luc Pickguard Yes I have noticed worse tinnitus during periods of high stress, so I can relate to the “feedback loop”. I’m fortunate that mine is low level and not really disruptive, and probably average for my age. I would add that in my experience earwax plays a part. I spend long amounts of time wearing headphones, as well as ear plugs, and that can move earwax around leading to issues.
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I do like the hybridisation of a traditional body with what appears to me like a fairly extreme fan, pickup angling etc. I dig the sunburst one 🙂 Little touches like how the bottom edge of the J pickup meets the pickguard show the attention to detail (try finding a Jazz where the control plate and pickguard align well... not to be found in my house anyway 😆). They're out of my budget, but I don't think the pricing is crazy. I mean you'll have no trouble dropping upwards of £2k on a traditional P if you're so inclined! And we live in a golden era for cheaper basses. Plenty of strokes for different folks.
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I think your sticking point might be around “due diligence”. What diligence are you expecting from the buyer? Just to be sure that they like the instrument when the sale takes place? Or do they need to be doing due diligence of your QC? Once we get into “buyer beware” and two week windows etc anxiety levels are going to be rising. Let’s be clear: you seem to be implying that these are early builds and there might be things that aren’t 100% perfect. Fair enough. Especially given your price point. I have no doubt the bass left you with a nice fret job. It’s also plausible to me that a fret may have lifted over a couple of weeks: I was playing a P bass last night that has definitely changed with the warmer weather and become buzzier. And that’s just sitting at home out of sunlight. Your offer to sort the fret is entirely reasonable but if I was your buyer I’d be asking myself - is there anything else I’ve missed? I think that’s where the refund request is coming from and where a bit of reassurance is needed in future.
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First and foremost I hope this doesn’t discourage you from moving forward with building basses. I’ve been admiring your daphne blue jazz (but I already have two jazzes 😆). It’s bad luck to have a difficult customer experience out the gate. What I get from your post is that you want the customer to have a nice buying experience but then not have buyers remorse! Maybe you offer one free service, to be redeemed within a year, with each instrument (adjusting selling price accordingly)? Or match whatever statutory obligation for returns/refunds is common? There’s a bit of a reassurance there rather than, for the buyer, this sense of slight anxiety that they’re buying something from a builder who, as yet, is “unproven” - despite what they may feel about the instrument in person on the day. Personally I need a bit of time to warm up to an instrument and decide whether it’s for me. I think this echoes the point about selling a service, which may be far removed from your aim to enjoy building basses and cover your costs. If it were me I’d accept the instrument back irrespective of who’s right and wrong in the situation, offer a full refund, chalk it up to experience, and live to fight another day. Path of least resistance and all that, which may well be better for your heart, if not your wallet.
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If anyone is looking for another MJ-1 I've just listed my metallic black one in for sale 🙂
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I have my eye on something else, so this Soloking is for sale on the one-in, one-out protocol! Purchased in the Andertons blowout sale and basically as new. Just a few hours of bedroom play, never gigged. No notable damage that I can see. I changed the strings, lowered the action slightly and oiled the fretboard. Pickguard is still covered. As you can see I still have the Andertons box + inner box so it can be couriered. Happy to send via Parcelforce with their standard cover - buyer pays actual shipping, which should be under £20. Or you can sort out your own courier. £100 is firm payable in cash or bank transfer (no Paypal). I paid £150 new in the blowout sale so I think 2/3 is fair. Absolutely stonking bass for the money.
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34mm condensor mic capsule replacement good ones ?
80Hz replied to funkgod's topic in General Discussion
Go for it - it's rewarding and educational, I learned a lot about microphone design and functionality from the MicParts kits I built (your video there is even-more-DIY!) Also I wasn't trying to discourage the OP from doing a capsule replacement, just that a) it might not be necessary, and b) it's not something I'd attempt on a valuable mic. </derail> -
34mm condensor mic capsule replacement good ones ?
80Hz replied to funkgod's topic in General Discussion
Your mic might just need servicing, and the symptoms you describe could also be a preamp issue (i.e. the preamp board in the mic, not an external preamp). Capsules don't really wear out unless they've been physically damaged or anything strange has happened like being stored in a damp environment. Dust and grime can build up eventually if they've had a long service life. Capsule cleaning is a specialist job best carried out by the original manufacturer or a professional. With those caveats - I've built a couple of microphone kits from the same guy who makes Roswell mics, and I'd have no issues using his replacement capsules. All good quality stuff. I'd have a go if it was an inexpensive and replaceable mic, but I'm not about to fiddle with any Neumanns 🙂
