essexbasscat

Thanks DB5. Active monitors do offer the flexibility of accepting a signal mix suited to the individual band member, which is a huge plus. By slave outs of the mixing desk, are you referring to auxillary sends ? While the active route appears to be very simple, I wouldn't mind learning more about the in and outs of passive and passive/active combinations as well.

Hi there After years of faffing about and relying on others to provide the PA (and inevitably accepting the influence that goes along with it), I'm now at the point of studying PA's in general to inform choices about what to buy, what to avoid etc. Monitors are the current items under scrutiny. Reading around the topic on old threads throws up quite a few different recommendations, which generate yet more questions. While writing this up, I've realised I have more than a few questions about how to connect monitors to the desk, combinations of active and / or passive, mixtures of signals into monitors, amplification for monitors and the implications for load etc etc. Some folk advocate passive systems, as individual parts appear to be easier to upgrade without scrapping whole sections of the PA. Others promote active components, often citing ease of connection and fewer things to carry. There seem to be fans of both camps. Is there a comprehensive guide on the topic ? I'm going this route rather than starting off numerous threads at this point. I've no doubt I'll be asking for clarification on some issues along the way, but this seems to be a good way to start. All contributions appreciated Thanks all

Mark bought my Ashdown ABM300. We had a good listen through his cabs, sounded better than when I had it ! Recommend him to anyone THanks for everything today Mark Tom

I bought an OBBM cable from Mark, sound as a pound and a nice price too. Thanks Mark Tom

[quote name='BigRedX' timestamp='1357162879' post='1918574'] Unless you have [url="http://www.truetemperament.com/site/index.php?go=0&sgo=0"]true temperament[/url] frets, only the 12th fret harmonic should be in tune with the fretted note. [/quote] !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Is it just me that thought his vocals weren't that strong and didn't project very well ? he was also a bit low in the mix overall

Just fitted some deep talkin flats on the classic vibe P. Down went the action and Slip, sliding away, slip sliding away.......... More resonance that I expected too Happy bunny

[quote name='JTUK' timestamp='1356284501' post='1908793'] know what you mean.... My AAA rig gets heavier every time I upgrade it....to the point that my B rig is TF550-B and 2 Berg NEO 112's. And I don't think I'll get any thanks for saying this...but my A rig slaughters it. Not that I am saying the B rig sucks... far from it. [/quote] Please specify AAA rig !

Seriously, listen to a whole range of stuff before you spend. There's a crowd of BC'ers that have been in your position and spent a mortgage trying to get 'their' sound back after selling their heavy rig.

Just rediscovered this one after several decades. Now having a proper party playing along and no mistake ! what a tune [media]http://youtu.be/YIhNgmJ0kvo[/media]