asingardenof

It's been a little while now but as I recall the main issue we had was that soldering the pickups to the back of the blend pot was a frigging nightmare. The solder just did not want to stick no matter what we did. Eventually we managed to rough up the surface of the pot to give the solder a better surface to attach to and that seems to have worked. Other than that it was just niggly issues: Wiring the battery harness was a pain Actually fitting everything in the control cavity was extremely fiddly There's also a free-floating earth wire you need to secure to the inside of the cavity so the bare wire touches the back of the shielding on the scratchplate, and if you forget about it you'll get an almighty hum until you take it all apart again to find out where it is You can rewire the blend pot so that the knob turns the more conventional way (i.e. clockwise = front pickup, anticlockwise = rear) because for all his wisdom Roger Sadowsky is wedded to the idea that they should work the opposite way. Soldering the pickups to the pot was so frustrating that we forgot to do that, so now I have to turn the knob both ways on a gig to remember which way round it is Overall though I'm extremely happy with how it turned out.

Second gig in a fortnight at a WMC near Bradford last night. We've played there before and went down well, so there was no reason to think last night would be any different, and so it proved to be. Our new songs are bedding in well, and the onstage sound was vastly improved over the previous gig so we could all hear each other and ourselves. Not a large venue so I went with the Elf as amp this time, and it sounded great, the first time I think I've used it for a gig since having the Sadowsky preamp in the Sire, and I'm definitely looking forward to doing that again. An appreciative but not lively crowd, apart from a hardy half dozen or so who were enthusiastically dancing at various points, with the other thirty-odd punters remaining resolutely glued to their chairs all night when they weren't at the bar. We lost a few towards the end but went down very well and have already been booked again for next July. A few minor mistakes, but we've become quite good at styling them out now so nobody noticed, it if they did they didn't mind. Back home to the joyous sound of our neighbours having a domestic. Which was nice. Obligatory "last night's office" photos below. I don't know why our guitarist insists on using that stand at every gig. Last night she was complaining that it was just firing at her arse all night so I don't know why she didn't just put the Katana on the stage like I did with my rig and save herself a foot of floor space.

Yep, that about sums up my gigging career to date.

I'd did that last week, had to forgo my drive pedal which is only needed on our second encore which we weren't sure we'd get to. It starts with a bass solo and I could barely hear it so had to go au naturel.

Gah! This is what I get for trying to update while having a conversation with someone.

One song we play a semitone louder lower than the original recording, but I hadn't yet figured out how to play back the track at a slower speed maintaining the same pitch when practising, so I'd practise with the original and make a mental note to drop the key when we played live. I'm sure you can all guess what happened next.

Our sound guy is our keyboardist, but our "soundcheck" usually consists of our singer wandering about the venue with his wireless mic checking if he can hear us OK. Keyboardist and drummer have monitors which apparently all sounded OK, but some sequenced bits need remixing to make them more prominent. I'm thinking I might need to invest in one to give myself a fighting chance.

Are we back to ranting about Scott Devine again? If you so forgot "super awesome"

If Ashdown will ever make a standard ABM with a smaller form factor then I'll stop doing this.

You've got to be careful with that sort of thing though, because the man who invented the Graphics Interchange Format thinks his invention should be pronounced "jiff", proving that inventors aren't always correct.

My personal unit-related bete noir is newspaper style guides that don't allow for the degree symbol when they write about temperatures, so they have them in Farads or coulombs.

Oof!

We Got The Beat - The Go Gos

I bought my trusty Squier Precision from John Scheerer & Sons in 1998. At the time it was based in the Merrion Centre in Leeds, and had been trading for around 140 years at the time of its closure about 15 years ago. Photo credit: https://highwooddrums.co.uk/news/140-years-a-musical-instrument-institution It's now a Costa.

I call them "dodgy routing covers"

I have a cheese grater called "AGHyafeckinbastid!"

Saturday we played our much-hyped (and I mean much-hyped, I don't think as much effort has gone into promoting a gig since I've been a member) gig at The Hop in Wakefield. Our guitarist Jen is a local to the area (three of the others are all from over Bratford way) so had been going mad with excitement for the last month and there had been a great many posts on "the socials" including from her employer. She had gathered a huge list of shout outs that she wanted to do but which we had to quite sensibly curtail - I made the point that with the amount she wanted to do we may as well ditch the set list and just do shout outs! The venue was reasonably compact but a nice size, and the stage was a decent size. It was a warm evening so we managed to get the AC turned on above us, but it was pretty useless and so it was a pretty sweaty one. I decided to go with my Sire V7, Ashdown ABM and the trusty Barefaced cab, with the Elf on standby just in case. During soundcheck everything sounded OK but the on-stage sound during the gig was very hit and miss - there were a few songs where we were relying on some sequenced drum tracks to keep the drummer in time, and thence to keep the rest of us in time, but there were a few songs where he could barely hear it and so we went a bit wrong on a few occasions, notably during the bass solo of Club Foot where I made a right hash of things. For the most part though things went pretty well, playing-wise, and our newly-prepped track Shout was amazing to play live, as well as giving me a chance to break out the Mooer octave pedal I got for Christmas! The atmosphere in the venue was absolutely tremendous, and playing issues aside one of the best gigs I've had with the band. Our guitarist's husband even went so far as to say he thought it was the best one he'd seen of us. People were up and dancing and singing right from the start, and the number that did so only increased through the night. We played two encores and left them wanting more - I was at the bar getting a drink afterwards and two lads were talking to each other about whether we were coming back on or not, and were disappointed when I told them we were done. My next door neighbours came to see me and looked like they were having a great time, possibly too great as they left immediately after we'd finished. We'd priced ourselves as low as we'd normally go to get the gig, but from what I was told they took almost well over double behind the bar what they'd normally take on a Saturday night. We hope we'll be invited back after that, and we'll definitely be pushing for a bit more in the way of fee. It's an Ossett Brewery pub, and we were told that they would pass on our details to others owned by the brewery, so fingers crossed. I think someone from another pub may have been in that night because we got an enquiry over Messenger during our mid-set break. Hopefully this will lead to us getting a few more diverse gigs for next year.

I hate when that happens. When I was a student in the late 90s I encountered a 70s Fender Jazz in a secondhand goods shop in Leeds which was on sale for £750. I had some student loan money burning a hole in my pocket but unfortunately not that much so I had to pass. Ah well.