Sibob

The ZCat stuff looks interesting, I'd be interested in what you think of it if you order?! I've gotten a quote from Max at SFX, so that's an option, he makes great pedals. I've also got a quote pending from these guys: http://buzzelectronics.co.uk/index.php They don't make a blender, but am asking about custom, I'm not fussed about fancy paint etc lol Si

Another vote for octave + EQ My last gig I was running through a big PA, plenty of subs, I was boosting 62hz and it was shaking things off shelves I've now switched my EQ pedals and will be boosting 50hz :-D I'm messing around with the idea of producing some Meatbox clones......30hz boost anyone? Si

Are you aware that the band has that line up all the time? For all we know the drummer and bassist could be deps, unlikely perhaps, but I've certainly been on gigs with 2 or 3 other deps, seat of your pants but nice and organic Si

Yeah just talk to Newtone, they'll sort you out with whatever you want! Simples Si

Hi guys, As is tradition, here's a last minute invite to my covers band, Re:Cover's, gig at O'neills Think we start about 9 or 9:30pm Maybe cya there Lovely Si

His white Yammy looks very cool, shame its a 5 Nice little collection for a well-off Pino fan though Si

[quote]I think 'Cats', in the jazz fraternity, refers to hardcore jazzers who can do it, as opposed to those on the periphery of the jazz scene who are not there yet. So, say Jasper Hollby could be a 'Cat' but I wouldn't be as I am not in that league. So if someone like Branford Marsalis or whoever called you a 'Cat' it would be a compliment. So old farts playng Jazz in pubs in Sheffield who call people Cats are kinda poseurs. Personally, I think you have to be a Cat to decide who else is so its a minefield and if you try to call someone a Cat who isn't, you coudl look a bit of a dick. I can't call anyone a Cat yet because I am mere cannon fodder. Alternatively, I could be talking total bollocks! [/quote] I think you just proved my point?! lol Si

Someone said it earlier, but modern players referring to each other as "Cats", really makes me cringe, it just sounds so try-hard lol Si

Add me to the list if you want Would be good to get a little network of deps going. Am only over in High Wycombe, so places like Clapham are about a 30mins drive on a clear day Noice Si

This is my fave: http://www.youtube.com/watch?v=z9KMgg7T_sg&feature=artist Si

Is it quite strong wood? I wouldn't want to stamp on it in anger in fear of splinters lol. Looks great though, very 'Pedal Train' Si

You can't really compare the Squier brand signatures to Fender brand signatures, they're aimed at utterly different markets The BB signature looks nice, wonder if the bassmute will be standard.....assuming it gets made at all Si

Perhaps it varies from pedal to pedal?! I know Boss generally suggests it, I've also known a few pedals LEDS to not work on a standard PSA, whilst being fine daisy-chained off a TU-2 etc They are quirky, so it doesn't surprise me if there's inconsistencies in the flaws lol Si

Let's give this bass boost a go then Si

Wonderful looking P Nice one Howard! Si

You also might need to rethink the OC-2 if it is an older Japanese pedal. They much prefer being daisy chained from another Boss pedal (like the TU-2 or LS-2) due to it needing the older ACA power supply. I don't know if the Pitch Black would work in the same way?! Si

I had my CoPilot FX Orbit built with a blend, so I have a blendable gated fuzz, with a blendable ring-mod....all in one pedal Si

I've been messing around and I can cop pretty similar tones with either my MD-2 with GEB-7 boosted at 800hz, as well as an ODB-3 with the same EQ'ing. Obviously slightly different sounds, but both pretty close to that recording. No blended sounds. Of course that's just in my lounge at home, those tones will sound very different in a live setting. I'd put money on him using different gear to get that studio tone to what he uses live. Oh the other thing which is important, which I'm sure you're doing, is using a plectrum, makes sooooo much difference! Si