wateroftyne

I joined Bassworld on December 14th, 2004. Crikey.

If you lose someone who has touched your life in some way, you're bound to react differently to losing someone you've never heard of. It ain't rocket salad.

Acoustic = not loud enough to pin the punters to the back wall. You would hope.

Presumably it's not going to be Steamhammer...?

And here's a couple more rough'n'ready clips: http://www.youtube.com/watch?v=I355TrHI80s http://www.youtube.com/watch?v=Q97ifS0q3cg

[quote name='Westenra' timestamp='1481106662' post='3189689'] Ah, honesty is always the best policy . Was thinking of buying the orange one for sale on here, how does it work at low volumes? I spend most of my time jamming in my bedroom so I don't want to be shaking any windows! For reference I currently have an ashdown LB30 paired with a barefaced compact and have volume set at noon. [/quote] It's fine at low volume - the fan isn't intrusive, 'cos it only runs when the going gets tough. Mind, it's probably happier shaking a room :-) My God though, it's a thing of beauty...

Forget about the original fittings - get it fixed. Or... stand it in the corner and let it gather dust.

[quote name='Westenra' timestamp='1481067225' post='3189526'] Sounds lovely! Excuse the ignorance but what's the difference between this one and the orange fronted one? [/quote] There's loads of difference... umm... errr... OK. Just the colour, and the fact it's covered in tolex to match my cabs. ha ha. Oh, and the light behind the badge :-)

Look what's landed on my doormat :-) http://www.youtube.com/watch?v=IjtagG6vp0o

"So, young man... you want to buy a refill for your water cooler...? Well, here it is. It's my last one, so it'll cost you."

[quote name='stingrayPete1977' timestamp='1481024310' post='3189008'] Because you'd be mixing in those circles. [/quote] I'm confused

[quote name='stingrayPete1977' timestamp='1481021611' post='3188976'] It's because you can't read you aren't invited into those gigs [/quote] But how would they know you don't read without asking first...?

[quote name='lowdown' timestamp='1480946741' post='3188267'] Larry Graham is about as far away from 80's pop as you can get.Thankfully. [/quote] No, I think there are people out there who are a lot further.... http://www.youtube.com/watch?v=pgmRzvQV6eQ

[quote name='gapiro' timestamp='1480943365' post='3188212'] I think also , a lot of people know some theory but don't know they know it. Eg if you're playing a song in F Major , you probably instinctively know that a Bb sounds right, as does a C [/quote] I think that's a given, otherwise the droves of players out there who lack an understanding of theory would sound pretty shabby after the count-in :-D

[quote name='paul_c2' timestamp='1480939412' post='3188161'] Surely its only "not complicated", if the basslines are not complicated? I freely admit I'm pro-standard notation, for two reasons basically: 1) The burden of remembering basslines/music in my head is lifted - I don't need to be so familiar with the line to have remembered it; but familiar enough to play it well, given the part (as standard notation). For me, the "gap" in standard between sight reading and playing is relatively small. Most musicians can play better than they can read, obviously, but for some the gap is larger than others. Since the typical stuff I play is a couple of steps easier than my ultimate ability, it means I can fairly quickly get "up to speed" and pass off a convincing rendition with minimal practice. More complex stuff, it starts becoming less about the reading and more about the practice/repetition. 2) Its a standard language of communication across (almost) all musicians, so ideas, music, etc can be easily shared amongst musicians who play different instruments. Obviously, reading music is only one part of music theory, but in itself it would help learning about other aspects of music theory. [/quote] I don't just play 12-bar day-in, day-out, if that's what you mean. I can respond to both of your points by saying that, in the musical circles I move in, music isn't shared as notation, nor is the theory behind it discussed to any great degree. This approach won't work for everyone - I get that - but it works just grand for me.

[quote name='josie' timestamp='1480884028' post='3187841'] It was specifically the little chromatic A - G# - G run that threw him - three notes with two semi-tone intervals. Obviously not a blues man (sadly). [/quote] Yeah, but it's such a characteristic of the riff, how did he miss it?

[quote name='josie' timestamp='1480882275' post='3187809'] A slightly different example: "my band" had a go at "Sunshine of Your Love" on Friday. I had it nailed, because I knew the bassline was a pentatonic minor scale. The lead guitarist, who is a much more natural and skillful musician than I, has no idea what one of them is, and it turns out had been playing it wrongly for years. [/quote] To be fair, Sunshine isn't exactly a tricky tune. You don't have to know it's a pentatonic minor scale to nail it in a few seconds. If the guitarist missed that he was playing it wrong, I suspect he isn't as natural or skilful as you give him credit for...

[quote name='paul_c2' timestamp='1480879137' post='3187782'] I've always wondered how people who can't read/write music communicate ideas amongst each other? It must be a horribly restricting and inefficient process to have to play something, then listen to it and basically memorise it (and fraught with inaccuracy). Or somehow describe using numbers, or tabs, or something? [/quote] It's not complicated, honestly. If you work in circles where reading is the the norm, I can completely understand why you might think any other approach is a terrible restriction. But it's important to be aware that there are circles where it's not the norm, usually where exactly replicating an existing part isn't the primary goal. That's not to mention folk and roots music, which has survived for years on a mouth-to-ear basis.

Roll the tone on the bass back a bit to lose the clatter, and don't go nuts with the EQ.

It's been a while since I posted a Hips clip.... We played last night, almost all-acoustic, in a train station waiting room up at Harry Potter country. Here's a clip... [media]http://www.youtube.com/watch?v=qCMWp509-yE[/media]

^^^^ Whoops - Mr. Tractor beat me to it.

If you're interested in the wider question[quote name='thebigyin' timestamp='1480843305' post='3187401'] Morning Folks What's your feelings on Theory??? [/quote] For an answer to this specific question, [url="http://basschat.co.uk/topic/293119-theory-yes-please-or-a-bit-of-a-yawn"]you could start here[/url].

[quote name='leemarseillebass' timestamp='1480783237' post='3187126'] We have lights, backdrop and PA, it's a full thing we take. [/quote] Again, that's not unusual for 'round here (or most places, I imagine...?)