wateroftyne

Love this! Originally Selmer Fiesta Red, maybe? That would explain the tort guard.

Ah... I'd heard about the car crash but didn't realise it was that severe. That explains the sunglasses on later vids. It's a shame. GG's band seem to do a great job. I was going to try and see them at Gateshead next year but the only seats left are rubbish, and Paul Burgess has retired, so decided not to. Another to add to my all-too-long 'I wish I'd seen...' list.

I wonder what the root of that is..? Also, it puzzles me why Stewart has dropped out as much as he has. How someone as talented as that can just... stop... is really strange.

Deceptive Bends, tho.. what an album. Band name source has since been debunked 🙂

And the intro to this is so contemporary - it doesn’t sound like it was recorded by a bunch of Mancunians in 1977, one of whom wrote ‘No Milk Today’ for Herman’s Hermits, while the other sang ‘A Groovy Kind of Love’ for the Mindbenders. It’s.. mindbending.

I agree. Can’t believe I haven’t heard it before now.

Somehow, over the last half a century, 10cc have escaped my attention. Of course I was aware of them, and some of their tunes, but it's only the last few weeks I've realised what a rich seam they are / were. Wonderful writing, arranging, performances, lyrics and artwork. Feel The Benefit is the soundtrack to my life at the mo, and it even has a bass solo around the 9:20 mark. Graham Gouldman is a hell of a player.

Yep, it's a shame. But - these things happen. The real test is how they're resolved, so we wait and wonder.

Prepare to be disappointed in your assessment…

Some people are easily pleased, I guess.

TBH I would have waited for it all to be resolved (or not) before posting about it, as that’s the true test of a business’ mettle, but of course the OP can deal as they see fit.

It sounds like you could tell us if that’s the case.

I’ve had a few custom models that have been pristine too, which makes it all the sadder to hear when it goes wrong. I had my latest spec all worked out and ready to pull the trigger, but this has made me reconsider.

I've been giving this some thought, and I'm now not sure I'd go if they come to the UK... mainly 'cos I doubt I could justify the cost.

Looks like MIM parts.. but on a US bass..?

Every now now and then the QC with this particular builder seems to miss the mark... it's a shame, 'cos they make some beautiful instruments.

They don’t own their catalogue. How the SW mix of Kings is marketed isn’t really their decision.

I agree. They started stitching together riffs, rather than writing songs.

Dammit I love these guys.

Whey ya bugger… didn’t see that coming. IMO... mixed feelings. The video is heartwarming. She’s an amazing drummer. Keys player is a good shout. BUT Ged’n’Al were already struggling to pull it off 10 years ago. I’d rather they got guest vox in, and called it an evening with Ged’n’Al. Mind, if they come to the UK, I’m there.

The general feeling is that if Fender does buy it, it’s to gain the right to use Leo’s name & image, rather than to continue the G&L brand. Time will tell, I guess…

Have to say, I thought Phil’s kit was jarringly loud on the title track when I listened on 5.1..!

Yeah, it’s a whole new experience. Mostly wonderful, frequently revelatory, but occasionally puzzling..! The hiss at the end of In the Cage. The remixed vocals on ‘32 Doors’ which totally changes the harmonic centre of the chorus. The completely MIA low synth swoop on ‘…burn it to ash’ on Back in NYC. There’s some strange choices. Otherwise… great.

Any fellow Genesis nerds picked this up yet? The Atmos mix - which is also on all the usual streaming platforms if you don't want to spend a silly amount of money - veers between wonderful and... jarringly puzzling. Curious to hear thoughts...