That's one amazing piece of work there Ross. As a 4 string limited player (better word than musician in my case) I wouldn't actually know what to do with one (except prod at the strings making noise) but I can really appreciate the ascetics and the quality of the work.
I never drop my basses but I'd be paranoid of dropping that on its lower horn.
I think the back in particular is visually quite stunning.
So Ross, are there any pics of your own beast out there?
Found the thread, loving that top horn design.
[url="http://basschat.co.uk/index.php?showtopic=8147&hl=fleeting&st=80"]http://basschat.co.uk/index.php?showtopic=...eting&st=80[/url]
If I were well wealthy I'd love to commission a bass from Jim and Robbie to compliment my ACG (or three). There's something about daring to be different and treading a slightly more interesting path imo. We bassists do seem to be, in the main, a very conservative lot.
I'm sure Jazz basses are all fine and dandy (I do have one) but the idea of getting yet another Jazz/Precision lookalike made doesn't appeal. If I wanted a Jazz I'd be straight on the phone to Warmoth anyway as I did with my totally immense 54P/Jazzneck/Darkstar.
Peter