SumOne

That's a good video for showing different synth sound techniques without using a synth pedal. The mxr envelope filter only sweeps up though - he kept saying to use it for things like chameleon that use downward sweeping filters.

Pushing the limits of what can go in a Reggae thread, but this is new from the Bug and Logan:

I'm not really an Oasis fan, less so a Liam Gallagher fan....apart from his quotes: https://www.google.com/amp/s/www.shortlist.com/news/best-liam-gallagher-quotes-funny/amp

Am still loving my TM5 SL after owning it for about 6 months - it's my favourite Bass I've owned. Tapewounds are the finishing touch:

A month into owning a Stomp and it has replaced: Tuner EQ x2 (a 7 band and a parametric) Preamp/DI/Cab sim (Bass Simplifier) ......and it will also replace my Chorus/Phaser pedal. Replacing more pedals will start being a bit of a compromise though due to block space/footswitch control/tones etc. so I think for me the Stomp isn't going to be a 'replace my whole pedal board' type of thing (I didn't expect it would though) but is certainly very good and replaces quite a few pedals and acts as a hub for a other pedals to be put into it's effects loops. Overall if anyone is wondering about getting a Stomp I'd say go for it - I'm very impressed. But it doesn't replace everything without some compromise - especially without buying additional footswitch controllers (and even then you might run into trouble using up all the blocks if you rely on it for everything), the more pedals it replaces means more of a preset-planning mindset is needed rather than 'one footswitch per effect' mindset to get the best from it.

Nice! Ideally I'd like the real one but I was only ever considering a far cheaper pedal-form copy: the Boss RE-20 (about £200 new, or £150 second hand on Reverb).

Yeah, doing the whole mix via laptop speakers would be a bad idea (I guess unless your whole audience listens on the exact same laptop speakers), but a check on how it sounds through them at some point is probably useful. To the original headphone question: I mostly use closed backed AKG ATH-M50X, but also open backed Sennheiser 599, and KRK Rokit 8 monitors (and then other things too towards the end). I'd recommend any of them.

Yeah, that is probably more sensible!

If you want to make the Helix Stomp volume control less likely to be accidentally turned then a lego tyre pushed on does a good job:

I found the EHX Switchblade Pro useful for this sort of thing - put the phaser in a loop and you can control its level and how much clean is mixed in, also how much of the second loop is mixed in and if it's parallel or series. And then it can switch the loop order e.g. Phaser before/after overdrive.

There is a place for high-end neutral monitors and headphones but it's probably worth checking via the ways listeners are using too. A lot of people nowadays are listening to music via laptop speakers, phone speakers, alexa devices, cheap/tinny in-ear headphones etc.and from low quality/compressed sources like YouTube so a couple of amateur producers I know take that into account - basically by listening via those methods.

Nice one. I don't have Reaktor and all the ones on the video seem decent and fairly similar to each other, generally €69 -99. It's in the price range where I'm quite temped to get the hardware though....a bit more expensive but more potential to use live and more resale value if/when I move onto the next thing!

Yeah, the Reaper bundled effects plugins aren't great looking or always intuitive. But all the main DAW stuff I really like and I guess can get a lot of decent free VSTs to make up for the ones most lacking.

By any chance has anyone found a good Roland Space Echo (RE 201) VST? The cheapest I've found with good reviews is £58, https://www.pluginboutique.com/product/2-Effects/49-Echo/3252-Outer-Space- It's mostly for dub production rather than Bass playing, although could be useful as a pedal too: can get a 2nd hand Boss RE-20 pedal for £150 so am tempted with that (I particularly like the 'twist' function on that pedal which does increased repeat rate and intensity - not something available on pedals like the NUX tape core, and can't get the Helix Stomp to replicate it). ... thought I was done buying pedals, but it's an investment right?!

I got Lee Perry's Revolution Dub album on vinyl at the weekend. It's a low-fi recording and some of his craziest stuff - some frustrating things like sudden harsh shouts and massive panning, but when it works it it really works - this is one that's skating just on the right side of sanity and is great, I feel stoned just listening to it: It must have been one of the first times samples were used (sounds like a nature documentary in the intro).

The most 'in the moment' and life changing musical experiences I've had have been listening to DJs at clubs and raves and festivals, hazy memories but some of those times were so far beyond my day to day life now they seem almost from a different life.....No gigs have ever topped that for me, always seem a bit too 'real' to be life changing (thinking about needing to get to the bar/toilet, people barging by, bands starting late and not playing the tunes you want, thinking about the queue for the coats and missing the train home etc) but a few excellent live band experiences have been at festivals where I've been more in the zone: Prodigy at Download 2006, Kraftwerk at Big day out 2003, Pulp at Glastonbury 1997.

@51m0n We've got quite related names! Yeah, I didn't expect it but Reaper is actually winning for me at the moment after hours of frustrating Cubase and Reason hassles with ASIO drivers because I have a lot of things with their own drivers competing (I already have Traktor, and Helix Edit on the Laptop), but Reaper and Fruityloops dealt with it with no issues at all. The simple test I've been using is seeing how long (or how frustrating it is) to import a wav break, timestretch and loop it, automate some reverb, and add a few synth notes on a piano roll and add an automated delay to them. Reaper has been the winner at that, intuitive stuff and works as it should with no hassles, which is surprising as the reviews I'd seen basically say it can do almost all the things other DAWs can do but is un-intuitive and lacks visual appeal - personally I'd say the opposite! (well, it's not as flashy looking, but I find that a bit distracting/cluttered on some other DAWs).

Red Red Wine: First I thought UB40, then realised Tony Tribe did it before, and only recently realised that was a cover too - it was originally by Neil Diamond.

Edit, I see @MacDaddy already said this. Worth saying twice though! Both versions are excellent, I didn't know about the Gloria Jones version for years after knowing the soft cell version though.

If getting to Tottenham wasn't such a long hassle for me I'd be heading to this tomorrow.

I like that a lot of DAWs are giving free 30 day introductions because they are all pretty good and do similar things - it's mostly down to how you like to work and what you find easy and intuitive. I went full on with the downloads and currently have Reason, Reaper, Fruityloops, Ableton, Cakewalk and Cubase all competing (I used Logic for years but got fed up with Apple so have gone Windows now). Personally, I think Cubase is going to win it for me.