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Everything posted by dclaassen
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I can't say I ever kept a bass I hated (cough-Ric-cough), but... Gibson RD Artist--amazing tone and incredibly versatile tone set, but the weight almost destroyed my shoulder...oh, and it would pick up CB Radio traffic... Yamaha NE2....great bass-really stupid, fiddly hard to use input jack...just silly IMO Spector Spectracore....horrible cheap input jack...getting ready to put a good one in... Any P bass---the neck Any (actual) Jazz Bass---the constant single coil buzz.. G&L L2000 tribute...just a general feeling of discontent with the neck, the tone, and everything Any bass that makes you take the back panel off to change the battery... That's it, I think...
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EMG humbucker
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My Spectracore does pretty well….added bonus is the ability to blend between the piezo and soap bar.
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Very much this for me as well….
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Well said, sir, and very correct! When you do get the rare chance to perform with those types, enjoy it!
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I have been playing a five with the country band, but am taking my Jazz 4 to the next gig. I really wonder if anyone (at all) will notice. I think we switch things around for ourselves. I do know that nobody is more obsessed with tone than a bass player, and nobody else (except the sound guy who will make it sound....uh.....different) cares. I'm still going to do both, though....
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After a lot of backing and filling, I’m going to start using the 4 string jazz in the country band, a fretted and/or fretless 5 for jazz or other more complicated things. If I was to dep in a new band, I’d use a 5 because I think faster in 5. 4s are generally more fun to play though. J and Pedulla have Elixer Nickels, Spector has LaBella low tension flats.
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How many of us are in bands that have broken up?
dclaassen replied to Jonesy's topic in General Discussion
I've been in a couple of bands that have broken up in slow motion...:) -
As an American who has lived here in the UK for 20+ years, I find that the two cultures are very different. I come from the rural Midwest (Nebraska) so have a view that is skewed by limited exposure to more urban forms of music. The bands I played in while in the States did classic country, guitar rock, and very little else. I don't know if that's macho or not....maybe utilitarian and/or accessible might be better words. I had never heard of Status Quo until I came here. for example, and anything Southern Rock, except maybe very popular Skynard and ZZ Top, and pretty much unknown to the guys I played with. This is not said from a judgmental view...I'm retiring here because I love it, but simple observations.
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I can tell you that our prefereces for classic rock are a lot different. I was playing with a group of guys my ages (all Brits, except me) and asked if they do any Seeger....they did not know who that was. Lots of differences in music from the mid-60's to at least the 80's. Also, country music...what is the deal with Country Roads? Nobody would play that as a country song in the states (remember what Charlie Rich did with JD's CMA announcement), but folks go wild for it here....and they've never even been to West Virginia.
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Fender custom shop new models… who cares!
dclaassen replied to Boodang's topic in General Discussion
I’m not convinced that the CS master builds are for me, and I’m a gear snob. I’d take a Pentabuzz and a Mexican P with any change. -
It takes a while to get used to the longer scale fretless. After quite a bit of work, my intonation is kinda tolerable.
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Music Man HD150 Head ** PRICE REDUCED TO £450** - *SOLD*
dclaassen replied to shug's topic in Amps and Cabs For Sale
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Been teaching school music since 1980 and loved almost everything about it
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Played full time around the midwestern US many years ago. It was fun then, but would not be now.
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Coated string options and questions.
dclaassen replied to fretmeister's topic in Accessories and Misc
Horses for courses…I’ve had brilliant results from Elixers, both on my fretted 5 and my Jazz. Last for ages, nice balanced tone, and feel nice to my fingers. I put Black Beauties on another bass and don’t like how sticky they feel. YMMV -
Can’t tell you how many times I’ve set up for recording then forgotten to turn it on!
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34 for fretted, 35 for fret less. I also like 2 octave necks
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- scale length
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I have on both sides of this story. When I was playing for my living, I did play full time, in every bar and club that would hire us, and made good money, but it is a young man's game, IMHO. Now, I love playing with other good musicians, and will be looking for opportunities to dep in as I find that an interesting challenge. I am turning down anything I am not going to have fun doing.