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Al Heeley

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Everything posted by Al Heeley

  1. most single-unit stompbox pedals are designed to be used in front of the pre-amp, but there's no hard and fast rule for this. Processors and rack-mount units are most often used between preamp and power amp in the fx loop.
  2. theme to Skippy the Kangaroo. It's a corker. Crocodile Dundee theme Anything featuring a guest digeridoo artist
  3. [url="http://cgi.ebay.co.uk/4PDT-Footswitch-Stereo-True-Bypass-Right-HERE-/280659441823?pt=Guitar_Accessories&hash=item41589b389f#ht_1100wt_1141"]http://cgi.ebay.co.uk/4PDT-Footswitch-Ster...#ht_1100wt_1141[/url]
  4. Be interested in a price for the 2x10 if you were to split 'em
  5. cool, put me down for a white one - just that wood floor pattern and the fanned frets does weird things to my eyes
  6. cool, put me down for a white one - just that wood floor pattern and the fanned frets does weird things to my eyes
  7. Just bought a Boss Looper pedal off the Bunny, excellent comms, prompt postage and first rate condition - many thanks!
  8. +1 for humerous spoofs
  9. If you've not used a router before to do this, then stick to chisel!
  10. Make a good clean template first then use that as the guide, stuck to the top of the bass body with good double sided tape. Use a router bit with a guide bearing collar, then you will get a nice clean rout.
  11. Here you go, get a box, a 4pdt switch and 6 mono jack plugs. A = clean bass to amp, kbd thru fx to DI, B = bass thru fx to amp, kbd clean to DI
  12. I'm pretty sure this would do it, if you wire up a 4pdt switch as follows, the send to fx and return would be common to both keyboard and bass sides of the switch, when fx is not on in bass side the signal goes clean to amp, and signal diverts to fx for keys, when u press the switch the bass signal goes to fx then back to amp, the kyb goes clean to DI
  13. this would allow either the bass or the keyboard to feed into the pedals then back to respective outputs. The fx loop would be shared but only by one active instrument + output at any one time
  14. pretty sure u could wire it with a 4pdt switch which in effect works as per 2 switches working in synchrony together. This would take the 2 inputs and route one of them thru the pedalboard and back, but input a would always end up going to output A and input b would always end up going to output B.
  15. so do i understand correctly? You want to be able to switch the pedals between being in between the bass + amp and being in between the keyboard + DI ?
  16. For about £15 and 30 mins soldering you can make a simple effective A/B pedal that will do the job. I can knock one together for you if you want. You can use them either way: one input to choice of 2 outputs, or choice of 2 inputs to one output.
  17. Unless some kind person saves this bass pretty quickly, it's heading for the Breaker's this weekend. Parts will be dissembled and scattered over ebay. Grab yourself a huge bargain and save the bass from a shocking fate!!
  18. From a redundant piece of kitchen worktop I made a board to fit the base of my Hartke cabs. Stick a shallow lip round it then fix 4 sturdy castors to the corners (screwfix.com - better choice and price than B&Q) Since its easily detachable I can pile on the cabs and push it to the premises, putting it back in the car when unloaded, which saves drilling into the base of the cabinets. the kids can toboggan down the road on it when I'm not using it, which is an added bonus. Trouoble is, my driveway is on a slight slope and when I'm unloading the cabs from the boot of the car the tray keeps rolling back underneath the car, which is a darned nuisance. Maybe a couple of locking castors would have been a better plan. All in all though a neat and cost-effective way to save my back and entertain the children
  19. gorgeous - my all time favourite benchmark iconic bass, have a bump, i already have one and the wife won't let me have another.
  20. whooo, theres a few quids worth of kindling there!
  21. Have to disagree Wil, but there's more than one way to skin a cat of course. Saddle height should be adjusted to match curvature of the neck radius, of course there must be correct height between 17th or 20th fret and bottom of strings, then the truss rod should be adjusted to tweak a lower (or higher) action - within the boundaries of common sense - excess fret buzz being below the minimum. That's how I do my setups and they are pretty damn slick
  22. Neck relief is the correct way to go, as long as your neck is true. A little bit more tension in the truss rod. With a well set-up bass you should not need to adjust saddles for string height above the frets, it should be done via small tweaks to the truss rod. If your neck has pretty low action already then you will have to rout out a few mm to sit the bridge lower. If you say the bridge feels too far forward then is it the right bridge for the bass? Is it a wrong spec replacement?
  23. I bought a replacement rick bridge + saddles a few years ago for a build, there were shallow slots cut in the saddles. If the strings are not being held sufficiently and you cannot change the string angle, then I'd cut em deeper.
  24. I don't think you can have too many jazzes. Sadly I'm out of wall space, this one has to go as a condition of me buying the new Geddy Lee JB.
  25. -*bump*- Now offering a free cadburys cream egg to the lucky bidder. And I may throw in a packet of jaffa cakes. This is a snip for a good solid bass. Is it time to get the screwdriver to work and sell it for parts on ebay? <snivel.>
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