Baloney Balderdash

It's not a real problem, unless you suffer from OCD (actual real OCD that is). You would need custom made pickups to address this perceived/imagined "issue".

Well, he used Marshall amps, so Joyo British Sound, or if you absolutely want to spend more the original Tech 21 British. With some tweaking it should be able to get you pretty close. Though an EHX English Muff'n tube overdrive/distortion would be perfect. And then you would want to often strike whole chords instead of single tones. That and pick and roundwound string of course.

Also looks like his pants shrunk in the wash (together with his socks and leather jacket, which suggests the latter is actually some kind of synthetic leather), but since it was his only pair, which the holes in them confirms, he had to wear them anyway. I also believe the really uncomfortable shrunk pants explains his expression in that photo. Seems like he couldn't even afford a pick either. But I guess that does harmonize well with Glarry being a cheap budget brand.

I left my Behringer TU300 tuner pedal with a blank canvas and a set of basic brushes and acrylic paint colors, and when I got back to check 15 minutes later it had created an almost perfect 1:1 replica of Robert Ryman’s “Arrow” (1976). The Dia show is a spiritual time capsule :

Just get an all brand Harley Benton P Bass! Seriously! The Harley Benton GuitarBass Vintage Series that I bought had a graphite nut, and that with perfectly cut nut slots from stock, how often do you encounter that on a stock instrument even at a much higher price range. The fretwork was practically perfect, I have t set up with about 1.8mm (~ 0.07" <5/64") at 12th fret on the lowest string and about 1.4mm (~0.055" <4/64") at 12th fret highest string, with a very minimal, basically flat, neck relief, and there is not fret buzz anywhere whatsoever. The stock pickups sounded great, and I feel no need to upgrade. It feels, plays and sounds amazing, and the finish was flawless. Their basic P Bass sounds great too, and if you should be unlucky to get a dud one just return it within 30 days with shipping costs covered by Thomann and get another one send to you or all your money back. Harley Benton PB-20 SBK Standard Series : https://www.thomann.de/gb/harley_benton_pb_20_sbk_standard_series.htm 111£ Or for just 4£ more with an additional bridge J pickup: https://www.thomann.de/gb/harley_benton_pj_4_sbk_deluxe_series.htm

Johanna Elina Sulkunen - VIII Layers :

So you don't know what the common expression "amp-less setup" mean, despite me meticously explaining exactly what that does imply, and your intention of consistency of tone, which I, obviously wrongly, though was your main objective, is not relevant or important, right... And you chose to focus on single words, which you insist to misinterpretate, rather than reading what I wrote in its actual full context. Got it... Sorry for trying to help you.

No, it doesn't. In order to that you need full frequency flat response cabinet or PA speaker. In combination with a preamp and poweramp or preamp and active PA combination will do that exactly, just like I explained. Any reason it has to be a regular amp, seems kind of backwards to me. And why would you need to go through 2 preamps, unless you insist on using a regular amp, for whatever reason, which is beyond me, which will have a preamp build in, unlike a poweramp, like i suggested? It seems to me that you either didn't read what I actually wrote or didn't understand it, cause that is exactly what I explained how to achieve. When I wrote you needed a preamp, it means you need a preamp, not that you need an additional preamp, if you already got one that can drive a poweramp. A regular amp will have a preamp build in, unlike a poweramp. But absolutely most crucial for consistency of tone and for this to work is to run it all though a full frequency flat response cabinet or PA speaker, or, if practicing with headphones, a set of studio grade, that is full frequency flat response, headphones. Exactly as I already wrote once.

Yes, I utilizes and "amp-less" setup, predominantly exactly for the reason you mention, to keep as much consistency as possible tone wise between practicing at home with a high quality set of studio grade headphones, recording, band rehearsal with power amp and full frequency flat response PA speaker, and live going DI to venue PA. Check out my forum profile for a detailed description of my setup: https://www.basschat.co.uk/profile/50585-baloney-balderdash/?tab=field_core_pfield_1 What you need for this to work is something that simulates the amp, something that simulates the cab part, and then eventual, to actually to obtain consistency, for home practice somekind of headphone amp, for example a mini mixer, and a studio grade set of proper quality approximately full frequency flat response headphones, and for band rehearsal a power amp and then an approximate full frequency flat response cab or PA speaker, or active PA speaker.

These simple rubber washer strap locks works great, these specific ones are Harley Benton, which are the cheapest, though they don't cost much regardless, and Fender and Ernie Ball makes identical ones, comes in grey color too: Works like this: Super easy to put on and take off, but as said works really great and effective.

Then I'd suggest calling a Doctor and getting it removed ASAP!

Absolutely horrendous bad taste.

From Denmark! The title means "Friend" in respectively Kurdish and Danish, and the lyrics is in both Kurdish and Danish. She's Danish/Turkish/Kurdish.

Our Broken Garden :

J Bass is not really my idea of a bass, and certainly even less is your tone, too burpy and thin sounding to my liking, but looking beyond that fact the stock bridge to me does sound better. More top end definition and better overall articulation, the high mass bridge sounds dull and inarticulate in comparison, almost like dead strings.

Learn chords and scales, and practice improvising/writing bass lines on the spot.

HoTone MP-300 Ampero II Stomp!

Behringer GDI21, Tech 21 GT2 clone, for distortion (or alternatively Behinger HD300 Heavy Distortion, Boss MD-2 Mega Distortion clone) : Behringer SF300 Super Fuzz, for fuzz. Joyo Orange Juice, for overdrive.

I really like these knobs, PRS ACC-4246 Lampshade Knobs Clear : Though at the moment with a piece of respectively red and green electrical tape (also known as insulating tape) cut out to fit the top of each knob, like this:

As the title says this is the thread to flash those of your basses that are equipped with a tortoise pickguard! Used to hate sunburst finish, and especially tortoise pickguards, but after I got this Harley Benton GuitarBass (take on the Fender Bass VI concept, though, with its much flatter fretboard radius and fixed TOM style bridge, really having more in common with the Schecter Hellcat VI), that doesn't come in other finish option, it has really grown on me, and I actually really like how it looks now, at least on this instrument:

One that would be capable of running standard VST effects, and multi parallel processing.

I actually really like the visual design of these basses.