MattW

Thanks mate, that's really good of you to have a look for me! I've actually got some on order arriving in the next day or two (for the princely sum of £2.09 from eBay) which I think are the right ones, but if not then I may well give you as shout and give yours a try! Cheers!!!

To be fair I bought it second hand, and the bass was made in 2014, so I wasn't really expecting anything other than advice. What I didn't show was that Mark also gave loads of details about the bass and it's build, so that was really helpful and interesting.

Just thought I'd update this thread as had a reply from Mark. Wasn't able to help with thread size but did comment on the seizing issue which thought might help others considering a Limelight. Mine was an early one apparently so they have changed their methods now! "Re the saddle screws - unfortunately we tend to use several suppliers, and I know from experience that the threads can differ, so I can't give you a definitive answer sorry. Incidentally, we do the ageing on the bridges (in fact all metalwork) in a different way now so that the screws don't seize in like they used to."

Cheers, I wondered about contacting them direct, but as I bought it second hand I didn't feel like I could pester them. Will maybe fire Mark an email and ask for the spec at least!

Absolutely, functionality should be key. Personally I'd have kept the grub screws out if the relic process entirely, they hardly show so don't need to be aged anyway! Also a new Limelight is £1100 these days, so not exactly a budget bass. Replacements are cheap but just a pain to have to do.

Thanks Paul - the intonation screw is the same size/thread as the grub screws. Will order up some M3's and see if they fit 👍

Hi All, I recently bought a second hand relic Limelight Jazz - absolutely love it. However where the bridge has been reliced and rusted, the grub screws have seized slightly in the saddles, and about half of the slotted heads have now broken during adjustment as they need a fair amount of force to turn, and so need replacement. They are about 12mm long but no idea whether the are metric or imperial, and don't have suitable calipers to measure diameter. Does anyone happen to know the likely spec of these, or how best to go about working out what thread the are? Thanks! Matt

Very much this ^^ Had a couple of band mates years ago who joined the Met - neither of them felt they could hold down a band eventually as there was the constant risk of not getting away at the end of a shift if they made a difficult arrest late in the day, or we're having to secure a scene with no relief available etc etc

I'm not going to pretend to understand the science behind this, but I'm just working off the basis of experience and advice given by Dave Green at Ashdown. They've swapped out 8ohm for 4ohm speakers on two Combo's over the years, and both have had an increase in perceived and usable clean volume/headroom. Maybe it's due to the drivers themselves, I don't know, but I was very happy with them. However it's only really relevant to this if there was a 4ohm BB which there isn't, unless there was a general feeling that if I went for an AT212 slim that I should get an 8ohm so that I potentially have the option to use 2 further down the line!! That could be interesting!!

This is good to hear, certainly sounds a viable option then!

Hi All, I currently have a Barefaced Big Twin 2, and a Big Baby 2. Generally playing them with an RM800 these days, although will take my ABM600 sometimes The Big Twin comes out when I play larger venues, and the Big Baby for smaller pubs and rehearsals. I wish the BB was 4ohms though as it would give me a bit more headroom as a single cab. I've been looking at GR cabs for a while now, and the AT212 slim seems to fit bang in between the BT and the BB spec and size wise and is available in 4ohm, and am considering whether to sell them and get the GR as a single cab solution. Anyone used the GR who can advise on the pros/cons? Cheers!

Bought a mooer pedal from Matthew - super smooth transaction - would deal with again!!

Sold a pedal to Rhys - fast payment, good Comms, nice guy - recommend!

Totally this ☝️. Get so fed up of JMB most of the time - but then every so often a gem pops up. Got into a decent busy pub band a few months back on there, and prior to lockdown I landed a spot in a tribute band that was a lot of fun for a while. Probably 20 dead ends and 3 or 4 wasted evenings trying out for other bands to get those though.

Nice review, glad you are liking it!! 👍

So the original seller listed it as pending, and it's turned up again with another seller in Sudbury for £750. Guessing they bought it cheaper and selling on at a profit. Also selling for their Dad apparently. Still listed as unplayed (buckle rash says otherwise), but more photos for those wondering about its preamp etc: https://www.facebook.com/marketplace/item/620141369349375/

It was definitely passive as far as I could tell - no battery box to be seen!

Had a look and walked straight away sadly. Firstly it was fretless which the seller hasn't mentioned! Not a deal breaker but not really that useful to me as I don't gig fretless much at all. Secondly it was far from immaculate - not terrible, but definitely used. Action was also awful, but neck was straight so probably just needed lowering at the bridge. Apparently the ladies Dad worked for Status and built basses for Rhino amongst others - had some photos of his previous builds. Doesn't have any real info on the bass itself though or know about them (hence not knowing the difference between fretless and fretted!). I forgot to check the serial number unfortunately or I could have checked myself. Not for me, but if anyone else near Chelmsford is interested I can pass you the details!

No idea tbh. I think it's passive with a bolt on neck if that helps?! Hopefully will find out more when I see it. They are asking £800. I have no idea if that's good or not??

Hi All. This is for sale up the road from me and hopefully going to have a look at it today. The only info they give is they think it was made in 1988. Apparently it was owned by the sellers dad who worked for Status at the time and it's virtually unplayed. Anyone know anything about them? Any idea on value? Thanks! Matt