Lunoxx

Oh my god the bass 😲 I need details, what model/colour is this?

Someone asked on Instagram about the price, and apparently it's approximately $39, so maybe around £30-35 here?

@keziahj 👀

Mideep control

How do use the Jive? I ordered one yesterday based on all the great reviews, but still not sure where to put it into my chain? Most people use it at the end but I was thinking of putting it at the front for some mild compression?

Not an expert on that topic but what about a JPTR FX Jive (last one on that page)?

What's the one in the top right with the red button?

Am I too late? They seem to be out of stock again.

Doesn't state the bore unfortunately.

Does anyone know any alternatives to barefoot buttons when it comes to small footswitches (8.5 mm). Most of the plastic ones (e.g. Mooer Candy) or the Rockboard ones are for 9.5 mm footswitches. However, my MC8 and some other pedals have the smaller ones (8.5mm), and one of my pedals even slightly bigger ones (~10.5 mm), and it would be great to find some cheaper ones than the quite pricy barefoot buttons.

Uh I've never heard of the Linn Adrenaline, but it looks very interesting. In what context do you use it, especially in combination with your helix?

Website seems to be down, at least I'm unable to download the installer for Edit 3.50. If someone was successful, can you share it with me via PM? Edit: the windows installer

Bought an Morningstar MC8 from Peter. Great (multilingual 😉) communication, the MC8 was securely packed and works perfectly. Thanks!

A couple of years I started using an excessive amount of pedals to create synthy tones, going the classic oc2-fuzz-filter route. Currently rebuilding my board but will upload a few pictures soon in the pedalboard thread. Anyways... I'm still playing my good old Fender MiJ Jazz Bass that's with me since 2008 with rounds. However, quite often I read in forums discussing synth bass tones that people prefer flats for this type of music, and certain types of basses (big discussions between p or j, some say that shortscales are perfect as they have plenty of low end and you only play in the higher frets anyways, etc...). I had flats on my JB a few years ago but didn't like them for the music I was playing then. However, now I'm actually toying with the idea of trying flats again to see how that affects the sound I got from my pedals. What's your take on this? Would it be worth trying flats again, or potentially even getting a second bass to have both options? I can get a nice shortscale for a good price atm, but don't know if it's worth trying or if the difference will be very subtle...

I'm planning to put some pedals underneath my board. Basically some stuff that's always one and which settings won't be changed at all. However, some of these pedals are switched off when I first power my pedalboard, while others automatically turn on when powering the board. Since I don't want to flip my board over every time I connect the power jack, I was wondering if there's a way of changing the turn on/off behaviour of pedals? I know that for some of the newer digital ones you can choose this in the global settings, but I assume for analog or more simple pedals, you just have to take it as it is, right? On that note, does anyone know whether the small TC Electronic pedals (e.g. Spectracomp or Spark mini) turn on automatically when powered?

My thoughts exactly. However, you could also build a pedalboard including your ME50B, e.g. have an individual Octaver and fuzz pedal at the beginning of the chain going into the ME50B. Maybe stick with the multifx for now to explore the world of effects, find out what you like/need, and then check out some individual effects and test them against their counterparts in the ME50B.

Hi, thanks for the response. You're absolutely right, and I'm fully aware of that, but I'm fairly sure something's wrong with my T-70. Easiest example: If I turn everything down in one of the T-65 circuits, and only open the clean channel, I should only get my clean signal (with maybe a tiny bit of noise interference from the octave up feature that I would fully tolarate). However, that signal is quite distorted. Generally, all the "unwanted" noise that I get from my T-70 doesn't sound like the synthy octave up sound but clearly like a headroom issue. A friend of mine is further able to emulate the classic Nerve OC2 sound by putting the filter between 2 and 3 o'clock, however this also results in a distorted signal for me despite identical settings. Anyways, thank you very much for recommending Owen electronics. I'll contact them and see what they think about my T-70

Hi all, I've purchased a COG T-70 through the forum here a few weeks ago but unfortunately it seems to have some headroom issue. If I play as gentle as possible, or turn down the volume of my bass to an absolute minimum, it's fine but as soon as I turn up the volume a little bit or play normally, the T70 starts to distort the signal. Even if everything is turned down and only one of the clean channels is open, the signal distorts quite noticeably. As to the best of my knowledge COG shut down a while ago (at least temporarily) and I don't know anything about fx circuits and how to fix them, I am searching for someone here in the forum who can either fix/help me fixing my T70, or some suggestions for shops/people to get in contact with. As I've only moved to the UK last year, I'm a bit lost who to talk to for these kind of issues... Thanks in advance for any help, Cheers, Chris