Terry M.

Check it out. Figures can mean very little in the real world once you get your hands on a bass. Go with an open mind mate 👍

Not a Sei owner but I'm a regular visitor to the Gallery and John is indeed an undercover comedian 😂

Awesome basses. 22 frets if I remember correctly 👍

Was it the "downsized" body style before the American Deluxe with the full sized body and active passive switch? I've always liked those if so.

As I mentioned previously Phil,try a Squier Affinty Active Jazz Bass V. You don't like it fine,back on the shelf it goes. Like it and your wallet will only be £279 lighter. I have one on my lap right now wondering if it's some elaborate hoax and is actually an expensive bass in disguise,a social experiment if you will 😂

I agree with all of this. In particular your Stingray 5 string reference.In my experience they have never been anything less than excellent 👍

Yes it's very unlikely to find an American Fender in his budget that is true. I mentioned it just for the sake of highlighting that the Mexicans can actually be excellent basses if the right one is found.

This is why I think trying before buying is the best option. I tried a Cort Modern 5 in a store and the B string IMO was awful on it,and that's a 35" scale bass!

Squier and Fender B strings whether Mexican or American are hit and miss. Some American B strings are worse than some Mexican ones. I've proven this in stores. I would advise to try one of any and then deciding based on end result. Good ones definitely exist.

I'm personally useless with electronics but you're right,it shouldn't be too complicated or expensive.

Really decent basses these. I tried one in Andertons and really dug the sound. Just a shame I'm not really a fan of separate volume controls 😉

I definitely hear you with regards to weight,choice of strings and even choice of bass. The five string marketplace is smaller compared than the four string market for sure. Good to hear other views 👍

You say your 6 string does all. Why do you need a 4 string then out of curiosity and not a 5?

Not really the look I'd go for but I'm sure they are excellent machines.

Incidentally the closest 6 string I came to buying was an Anaconda Ultra J Essence. I think the 19mm bridge spacing was making it feel as familiar as my wide necked Warwicks. I appreciate that's just too wide for some hands though. I was flying around on it but again,the high C string didn't suit my ear or feel.

That explanation makes a lot of sense to me. No 6 string fan fretted active basses for you for Christmas then 😆

Very good point sir. My personal reason to stop at 5 is I want the lower notes afforded by the B instead of the higher ones by the C. I neither enjoy the feel or the sound of the high C string on any 6 string I've tried,therefore it would be pointless me owning one. I want more bass not more treble.

Ha ha yes you called yourself out indeed to be fair 😂 I know the op can speak for themselves but I'm sure no harm was intended. I think from the point of view that on a 5 you can do everything you can on a 4 and a bit more but not vice versa makes the topic valid and responses will vary. I find I learn a lot from these discussions. There's really no right or wrong 😁

Did you feel the op was being judgemental and claiming superiority? I didn't get that vibe personally.

Fair play if that works best for you 👍 Simple for me is viewing anything with a minor 3rd as some type of minor scale with whatever alteration is required. So the Locrian as I've explained then comes with only two alterations as opposed to five when viewed as a variation of the major scale. Interesting.

Dedicated 5 string player here. One advantage is on the second hand market where loads of bassists try one and don't get along with it and can't wait to get rid of the thing. I've nabbed a few bargains based on that alone. To each their own which has been said before. Play what makes you happy.

Just Googled Gus basses as I've never heard of them. They remind me of Danelectro basses.

I learned them by thinking of the 2nd Dorian mode as minor scale with raised 6th,3rd Phrygian scale as minor scale with lowered 2nd,4th Lydian mode as major scale with raised 4th,5th Mixolydian mode as major scale with lowered 7th,6 Aoelian mode as natural minor scale and 7th Locrian mode as minor scale with lowered 2nd and 5th degrees. I find them useful when working with composers who write modally as the notes to "avoid" become obvious.