Stub Mandrel

Saturday's gig guarantees an appreciative audience!

Just a thought... I think your demo videos have the bass too low in the mix, you want to be a bit more prominent in a video that aims to showcase your playing. I also agree with the suggestion of taking five or six varied songs and editing together 15-20 seconds of each for a short, snappy showreel.

No way, definitely the Nordics...

As someone who has had no trouble finding bands at ~60: Find your local music scene and speak to people, and jam when you can. Don't be afraid to use social media. Don't be too precious about what you will or won't play, especially at first, a band needs to get a couple of sets together to get gigging and start building a reputation, once that's done you can refine your offering.

Non-sequiteurs'r'us

Only alongside a cab.

James Oliver with Mark Kemlo and Norman Watt-Roy at the 100 Club.

Nah. Old guys rule

Open mikes and drop in to local music shops just like in the old days. Gobto gigs and talk to people especially the bands (when they are not busyn but you know that). Get known as a musician.

I have a TGI unit for about £40 you get 18v, 12v, 1 amp 9v and several isolated lower amperage 9v outputs, and a wall wart and cables including a positive earth changer.

Slightly off-topic, but this morning Facebook reminded me that five years ago I played Mandolin through an Ampeg SVT...

We're off to see James "mad as a box of frogs" Oliver with Norman Watt Roy at the 100 Club tonight.

I do wish my phone would let me open pdfs...

Unless you play one of these...

Take the win!

It's best when used as intended... for dead simple three or four chord vamps.

It's quite a surprise/revelation to find yourself doing this on a fretless.

I teaches harmony, but it's usually pretty pedestrian on the rhythmic side.

The round tops suit momentary switches being used as limit switches i.e. operated by something like a door or moving plate which may approach at a slight angle. This may be why the small, rounded style is associated with them.

My understanding is that you use the same notation for the major key and its relative minor. Minor chords are denoted with an 'm' e.g. VIm would be Am in C.

Is there a visible difference? My PA amp has 4-pole outputs but I can't see any obvious difference (maybe this just means my bass amps/cabs are 4-pole as you suggest).

Run it around the bridge and the end of the neck. At the bridge round the corners, at the neck follow the profile if the edges of the body.

Then YouTube offered me this. From the ridiculous to the sublime: