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silverfoxnik

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Everything posted by silverfoxnik

  1. Good thread this! And it's got me thinking... Did a quick count up of existing gear and it's about £6k not including a few acoustic guitars.. All of it has been acquired over a 12 year period (when I started playing again after an 11 year break). So, in my self-justifying brain, it's an average spend of about £500 per year and, as I don't smoke or drink - nor do I have any other expensive hobbies like golf/cars/cycling etc - then I'm pretty comfortable with it. Having said that, it's real value to me is that it's absolutely priceless - I just can't imagine life without the opportunity and the equipment I need to make music with other like-minded people on a daily, weekly, monthly, yearly basis! And the value to my nearest & dearest is incalculable as I'd be even more insufferable to be around if I couldn't play the bass and make music.
  2. Just had the pleasure of dealing with Mac, who's bought a Yamaha amp from me. Great comms throughout and fast payment too... But most of all, Mac's a real Gent, so I'm really pleased that I've been able to help him find the amp he was after! Thanks Mac and I hope you enjoy the amp.. ☺
  3. Cool; will check your website out.. Back on topic, I A/B'd my V4BH against my Markbass LMIII and, whilst the LMIII is louder (and obviously lighter), the V4BH has so much more depth and warmth to it.. It's not even an e.q. thing either - it's just the fundamental tone it produces has those inherent characteristics.. So, GLWTS (again) ☺
  4. +1 I didn't realise it was a Bill Lawrence pick up, which are fabulous as you say. Makes this an even better instrument IMO.
  5. All good thanks Geoff; hope you are too? I'm assuming this is the same amp I owned for a while... if so, it's a beautiful sounding head with so much tonal versatility and with loads of power too!
  6. Great amp! And Geoff's a really good guy to deal with too, so you can't go wrong.. GLWTS
  7. I have a Berg 212 too and you're absolutely right, it pairs wonderfully with this amp.. Which venue in Bognor were you playing at?
  8. Hi ash, Is this likely to fit a Markbass LM3? Nik
  9. Great, underrated basses IMO and quite rare these days.. I bought one of Merton about 8 years ago and moved it on far too quickly because it wasn't getting much playing time because of my Roscoe Beck V. But I always regretted selling it because it was such a quality instrument. Anyway, at this very good price, I doubt this will be here long. GLWTS Steve ☺
  10. Sad news, but not at all surprising!
  11. Nice bass! Good seller too... GLWTS
  12. I have this amp too and can't speak highly enough of it.. I think if I tried to sell it, my band members would lynch me they like it that much! Paired with the matching 115 cab, it's delivers a lovely chocolatey warmth that reminds me of so many of my favourite records from the 60s and 70s. But by adding the matching 210 cab to it, it opens up even more and delivers a more classic, punchy tone that works for so many types of music. GLWTS
  13. Doesn't look like that to me in the clip, Chris... But whichever way he did it, his rhythmic & melodic sensibility was undeniable.
  14. Brilliant ! Great floating thumb technique too ... ☺
  15. Not sure what Mani's tone is to be honest, but I really rate this amp!
  16. I bought one these recently and have been so impressed by it.. The range of tones available is fantastic, - including the overdriven channel which is very usable - and it really has some power and dare I say it, 'heft'! 😁 It's so good in fact, that I haven't used my Ampeg V4BH since getting the Big Block... GLWTS
  17. Nice bit of vintage TE gear this -don't expect it'll hang around long.. GLWTS
  18. My name is Nik, I have incurable GAS and have owned at least 2 of Peter's ex basses... ☺ Thanks for sharing your story Peter, and it's good that music is going to continue to be a big part of your life. I saw a ukele orchestra play on the seafront here 2 years ago and they were absolute brilliant and so much fun! Maybe that's the kind of gigging experience you've got to look forward to from now on... Gotta say that it's always been a pleasure dealing with you and seeing your contributions over the years here on BC, so I do hope you'll still be checking in from time to time? By the way, whatever you do in terms of uke gear, make sure you get a Class D model with flats, LEDs, in-ears and loads of 'heft' ! 😁 Nik
  19. Back on topic, I use 4 and 5 string basses all the time and change between them during gigs. I've always enjoyed using both and feel that they have different tonal qualities which make a different impact on certain songs and styles of music. IMO, 5 string basses sound and feel different to 4 strings.' I had a SR4 and a SR5 years ago, and they were quite different.... As for a bass with 6 or more strings, it's not a bass ! As someone said earlier, it's a 'horses for courses' thing.
  20. Definitely yes... http://www.bassguitarmagazine.com/interviews/nik-west/
  21. +1 The only signature bass I've ever owned was the Fender Roscoe Beck V which I bought because of the way it sounded - I'd never actually heard of Roscoe Beck at the time. When I read up on the development history of the bass, it was fascinating to find out RB was involved right from the start, working with Fender to produce a ultra-versatile passive bass, which is what it is. Have I bought any music that involves Roscoe Beck since then? No. Have I gone to hear him play or watched hours of YouTube footage about him since then? No. I just liked the bass, so much so I ended up owning 4 of them over a 9 year period. Haven't had one for two years though as I found a non-signature model passive 5 string bass that I prefer the sound of.
  22. Very nice indeed! ☺ GLWTS
  23. That's a really cool looking Jazz! ☺ GLWTS
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