Rollin Thunder

Wow, I used to love moschops when I was a kid, though I was the only one to remember it. Someon shouls make make a distortion pedal in honour

I have used and saved as presets and used them as a base to tweak from. Still not quite nailed a Jon lord Hammond organ yet.

Been fiddling about using synths to get a Hammond organ sound,thinking Jon Lord or a bit Iron butterfly. Not quite getting there, but having fun experimenting. Has anybody got a setting for a patch.

Got this for sale, awesome pedal light drive to fill on, only selling as i have a helix stomp

Peavey max 112. 300 watts, 18kg very loud £280, I bought a rumble 100 and the Peavey to A B them and the rumble went back. Nothing wrong with the Rumble, but the Peavey beat it hands down in every department, the only thing the rumble has over it is a send return, but the newer Peavey has that now. Great sound on its own as well the Peavey but I mainly run it pretty clean with my stomp but not it. Its right price right watts (loud) cannot recommend it enough.

Fans not that noise, computer tower yes that's a fair comparison, it not seems loud at low volume practice, don't notice when it's cranked a bit.

I had a Mag 115, amazing sounding amp loads of features, sound wise hard to beat. How ever, fan can be a bit noisy at home for practice( fine for rehearsal/gigging)and its very heavy and award to carry, and the 210 is even heavier, it's a right workout moving it about, and I am a big strong lad. sound wise superb.

It looks like a really happy robot

It does not, I sent mine back with a strongly recorded bass line of complaint.

According to he spec on your amp it is 150w and 200w peak even though it's sold as 250w, so it's probably a good little practice amp but not a good gigging/rehearing amp. Use the Di out to pa speaker or to a powered cab, to get the extra volume you need.

This. And also speaker size is important, not just watts, a 250w 15” or 2x10 with push more air (volume) than a single 10” or 12” add an extension cab, Di out to an external pa speaker or unfortunately have to get a bigger rig, if you have a £150-£180 budget you can you an extention second hand or part ex on a bigger amp.

Love this pic might steal it

I like coil tapping the bridge pickup and having a slightly lower volume than the neck, get a great tone like that.

I've gotta one of these in wine and red, it's an awesome bass, everything from vintage warm to Spector style thump and growl. Love mine and some bargains about. Got mine from Dawsons too, ordered it in to collect from Leeds shop.

I had a second hand spectre, it was ok, nothing wow, bit muddy sounding, and harsh at the same time, moved it on. I have heard that neck thru models are better rounded warmer sound but still gave bite, my Gibson EB does that better than the spectre did. May try a NT model at some point in the future.

Bib throbbing purple ones that go to 11, obviously!

Beat me too it.

Not always a name that springs up in combo comparisons, but check out the Peavey max combo range. I gave the older 112 200w combo and it's immense. Bought a fende rumble on trial and kept the Peavey, much better amp, the rumbles are ok but too muddy sounding. The Peavey 110 are 100w and the newer 112 is 150w and is a cou Le kg lighter than the older one I have, but you don't really need to full 200w as it's really load, and all have Di out built in.

Like the scrambler, more bass specific effects is only a good thing, but i really like the Heir Apperent works great on bass, on its own or into a amp sim.

you know i have never played owned or even picked up a Ric and never even considered one, maybe i am missing something (not the cost of one tough) i love my Jazz and geddy played Jazz basses since late 70s early 80s anyway.

yep defo great pedal. i have one for sale in the classified check it out.

i always run my basses into active input, some are active basses with active on of switches, plus i nearly always have some pedals running into the amp, Helix stomp currency always on with minimum of a light compression. I just fine it easier than switching between active and passive and when switching basses, just just increase the volume on passive bass or reduce when switching to active and use master amp volume if required. That suits me best and i think you get a more consistent cleaner sound ( clean as in smooth controllable). if you have a active passive on of switch that usually -10db then just use that but separate inputs a always go into the active input.