Beer of the Bass

[quote name='xilddx' timestamp='1373977286' post='2143736'] Timbre does not go beyond frequencies. [/quote] True, but the bit that's hard to replicate between different instruments with EQ alone is the way timbre varies over the course of the note. I think this is what Lowender was alluding to.

Yeah, I've looked at the Mastery bridge, and while it looks good, it would absolutely blow my budget for this project! I'm a bit concerned that the Mustang bridge only comes in 7.5" radius though. I haven't got my neck yet, but it will likely be flatter than that. Some folk use tune-o-matics, but the spacing is wrong for a Fender. The Warmoth modified mustang bridge looks good; [url="http://www.warmoth.com/Modified-Mustang-Bridge-Chrome-P616C700.aspx"]http://www.warmoth.com/Modified-Mustang-Bridge-Chrome-P616C700.aspx[/url] I'm planning on leaving off the rhythm circuit controls on mine, and I'm trying to decide if I'm brave/foolhardy enough to order up the pickup flatwork and magnets and wind my own! I have a roll of 42 gauge wire stashed away, so it would be an option.

I realise this thread goes back a while now, but what was the white coat that you used before the red? I'm looking at the Molotow paints at the moment and can't find a dedicated primer in the range. I've got Jazzmaster guitar body, and I think it's going to be one of the more bilious greens!

Surely inductance wouldn't be an issue unless you were using wirewound pots, which I have never seen in an instrument. Ordinary carbon pots as found in guitars and basses aren't coils, so I'd think they wouldn't behave as inductors to any great extent. I can just about imagine capacitance varying between pots of different design, but any amount of capacitance which would audibly effect your signal would also be measurable. Anyone want to try it?

I'm thinking of doing this one in a solid colour, using Molotow spray paints, as they're cheap and LukeFRC on here has had good results with them. I still need to find a neck...

Right, I've made some progress in my Jazzmaster aquisition plan. Rather than springing for the Squier, I've bought a decent looking unfinished alder body from an eBay seller (it's one of these; [url="http://www.guitarbuild.co.uk/product.php?product=91"]http://www.guitarbui....php?product=91[/url]). I'll finish this and add other bits as and when I have spare cash. I haven't decided on pickups yet, as there aren't many affordable aftermarket Jazzmaster pickups out there, though there's nothing to stop me using some other type of pickup with a custom pickguard. Almost anything that gets that bright, clear single coil sound could work for me. I'm going to use the original style tremolo tailpiece, as that was one of the things I liked about the Squier.

[quote name='Dad3353' timestamp='1373567977' post='2139181'] Fixed..? If comparison is to be made, I should suggest to at least compare rubbish to rubbish.... [/quote] I didn't intend to compare the music, he's just an example of a performer with somewhat androgynous appearance, who I actually do remember watching on TOTP with my gran. My point being that "girly" looking men or "butch" looking ladies have existed in rock and roll for decades now, to the point that I'm surprised anyone needs to comment on it.

Mind you, regardless of whether it bothers anyone, it is a little like my Grandma watching David Bowie on top of the pops and saying, "Is it a boy or a girl? Where's the tune?". I don't know about anyone else, but I'd like to think I'm not quite at that stage of incomprehension of "yoof" culture yet! Although I probably am, in ways I don't even realise...

I've not been particularly impressed with the Crate taxi amps on bass when I've heard buskers using them - they've just sounded like a distorted mess, although perhaps they were running on low batteries. The Phil Jones briefcase sounds great for a battery powered amp, but is more expensive than you'd want for the occasional busk. Double bass can be a good option for busking if you're away from noisy traffic, but you have to want to play double bass in the first place. Making bass work outdoors can be a bit of a problem. I find myself getting jealous of tuba players!

[quote name='xilddx' timestamp='1373456927' post='2137755'] You know I know the difference. I know I drifted over that line, I don't usually, but in this case I did. I am terribly sorry for this moral transgression. I did say the bloke on the drums is pretty good though, so it's not all bad is it. [/quote] Sigh. I hate to be the no-fun, PC guy but misgendering is a classic playground bullying tactic. Even if the drummer [i]was[/i] trans (which I don't think she is), what of it?

[quote name='xilddx' timestamp='1373454188' post='2137708'] I am free to make any judgements I like, and you are free to judge my judgements. But I judge your judgement that I made any judgements as inaccurate. I expressed idle opinion based on that song and video in the OP, I think it's dull, typical LA shtick. I've checked them out and although I still find it very very dull, I see they have had some promotion and attendant success by getting some exposure and some decent gigs. Check out Savages if you like raw girl power with integrity, I expect a boatload of Siouxsie comparisons though .. [/quote] Can you see the difference between saying you don't like a band or don't see their appeal, and just flatly slating them? I'm fine with the former, but tend not to listen to those who do the latter. I would say you drifted over that line, and I suspect you would not respond graciously if someone was to describe your own music in similar terms. DV's guitar is kind of crude and rudimentary, but I think a lot of folk get off on the vocals, drums and sheer energy of the thing. There's nothing wrong with that!

[quote name='xilddx' timestamp='1373441943' post='2137529'] Awful. No commercial potential so they won't be making their own money that way. The bloke on the drums is quite good though. [/quote] So much hostility on this thread! The album seems to be selling well enough and they're getting higher profile gigs than most of us will ever achieve, so who are you to judge their commercial potential? The idea that something you dislike must have no merit looks a lot like pure snobbery, and I thought better of you than that.

[quote name='BigRedX' timestamp='1373411263' post='2137427'] Use a keyboard. [/quote] Yeah, I'd go with this idea. A good monosynth, with a couple of expression pedals for filter cutoff etc, and you could no doubt do something interesting. I think continuing to play music would be the most important thing regardless of attachment to a particular instrument, rather like the way Robert Wyatt adapted his music-making after his accident.

[quote name='kevin_lindsay' timestamp='1373321729' post='2136266'] Hugh Reed and The Velvet Underpants [/quote] A friend of mine was sacked from them. I have never quite found out why...

I've used a friend's green Russian muff which I repaired for him and owned the newer Bass Big Muff, and it's not a night and day difference between them if you ignore the blend mode on the BBM. I suspect there's as much variation between individual Russian muffs as there is between a given green Russian and most clones.

I don't think that would work on a forum this size. A lot of us are playing music that couldn't really be described as Jazz, Classical or Rockabilly, so which section would we use? Plus, there is no reason why players in one style might not have insights which are interesting to players in other styles.

I think you may be missing a fundamental point about musical performances (I mean that in the context of this discussion, not in general). Although you cite practical reasons for choosing the Pod, I think you actually use it because it's a piece of kit that you click with and find creatively enabling. This is quite a personal thing, and not everybody feels that way about the same bits of gear. If playing through a particular amp setup helps me to smile, relax and enjoy the gig, why on earth should I not use it whenever its feasible to?

How long do we give it before a certain poster pops up with yet another account name claiming to have bought one and raving about it?

[quote name='icastle' timestamp='1372887850' post='2131342'] For me Mumford are one of those bands that belong in the category defined by well intentioned people starting off a sentence with 'you'll like this, it's folk music'. [/quote] Yes, I think this is the thing that winds up a lot of people about them, especially people who like folk music. I feel this way a little bit myself, but I don't hold the band responsible for it - the hype about how they're somehow the future of folk comes mostly from journalists.

Regarding the AC128s, it looks like you're trying to use them as clipping diodes for a passive fuzz. Why not just use a pair of germanium diodes there? Although I've tried this and found it to be of little use due to the volume drop. Most of us want things to get louder, not quieter when switching in a fuzz!

It's not hard to see why the number of active female members on Basschat can be counted on one hand...

http://www.youtube.com/watch?v=Gw-TVrR8wZc