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Steve Browning

⭐Supporting Member⭐
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Everything posted by Steve Browning

  1. John Paul Jones wrote no part of Stairway To Heaven. How different to a bass player in another band playing the song? Not a big fan of tribute bands though. A mate of mine was in a Who tribute and you could almost imagine him thinking he was Roger Daltrey.
  2. Thanks. I've been on board for a couple of years or so. I was originally supported by Kris, and Trent passed on my details when he moved on.
  3. That's good. I've just been passed to an artist relations team in the UK, so I guess it's all about to open up again here.
  4. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  5. Also, is there any cost involved in cancellation? Most studios require 24 or 48 hours notice to avoid a charge. If you're using a commercial venue and there is no (apparent) charge I'd be thinking the venue was told in advance. I agree that you need to lay it on the line for them. You have your own standards and you shouldn't compromise them.
  6. It was a nightmare getting off-site to get to the ferry. The ground was saturated. Still, Jeff Beck was great.
  7. Absolutely exceptional amp. GLWTS. You shouldn't need it.
  8. We are in the same club. It wasn't the main stage (hence 'technically'). The festival audience had the choice of my band, High Flying Birds or (under cover while it was peeing down) the Manics. Got me my Rotosound deal anyway!
  9. Quite right. Technically, I headlined the Isle of Wight festival at 52.
  10. I'm not sure that I ever did want to 'make it'. I always thought that Rory Gallagher achieved the level of success that I would have liked. Successful but largely unknown. I'm perfectly happy with the level of 'success' I've had, but the arrival of my first child made me aware that a regular income was my priority. Touring wasn't very lucrative and there was no royalty income for me either. That said, at 65, I'm still gigging regularly and also tour regularly with artists from the US, fitting it in with annual leave. I did a lot of work in Europe but haven't for a couple of years. Hopefully, there's a 3 week tour in Europe in January/February. I seem to garner a nice level of respect from people I respect and that has always been more important to me, I think. In some ways, getting the endorsement deal with Mesa is a form of 'making it', if it's a reflection of that respect (and I'm happy to think so!!). I'm not famous but I'm fine with that. I'm way too shy to have been able to cope with that anyway.
  11. Class G? Specially done for ventriloquists, I presume.
  12. Are there any combos where the amp stage is rack sized. You could flog the amp bit and install a power amp. Mesa certainly have done that in the past.
  13. I have had instances where a Hi-Mass made a huge difference to volume and sustain, and instances where it hasn't seemed to make any difference whatsoever. YMMV. Ultimately, we all have our own perceptions. Whether they're founded on scientific evidence or not, do we really care? We play what we play and we hear what we hear. If we're happy with our choices then that's all that matters. Maybe Barney Kessel was dying to use an Explorer or Flying V.
  14. Perfectly true. I wonder if the Red Special will still be in the May family 32 years after Sir Brian has passed?
  15. In fairness, I wouldn't say "nobody wants them". Spot on for the rest though. 😞
  16. I do find it mildly amusing the Sir Brian says it's all too painful and that Freddie's possessions are being sold to the highest bidder. Since Freddie's death, he has sanctioned the use of Queens music for such things as detergent adverts.
  17. Very fortunate to be a Rotosound endorsee, which is enormously helpful and for which I am very grateful.
  18. Thank you. I can just about tell myself it's too much for me. VGLWTS. It's a wonderful looking thing and I'm a huge fan of 5% overwound Fralin pickups (a new one is half the cost of this bass, as good as).
  19. I honestly thought you were going to say you were amazed to find the back of the bass was concave.
  20. My number 1 bass (the '66). I bought it at a time when headless basses were the thing and it had languished in the shop for ages. As soon as I picked it up it was like pulling on a sock, it just felt right. It always has. It doesn't go to gigs much these days (too valuable) but it's the one material possession I won't ever part with, in life. Just to add, I bought it around 1983.
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