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shoulderpet

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Everything posted by shoulderpet

  1. Anyways I have had the bass tube screamer for a few days and I love it, work the gain about 11 o clock and the blend(mix) set to 9 o clock it nails that very slightly overdriven bass tone I was after and the bass knob compensates for any loss of low end. The band all said that my bass sounded great too.
  2. Thanks, the Bass tube screamer arrived today but I may get a Spark booster anyway as they are fairly inexpensive and popular so I am intrigued.
  3. Thanks for the replies So after giving it some thought I decided to go for a bass tube screamer, my thinking being that it was better to go for the one I wanted than you go through a few different pedals to settle on one that I liked. Starting to regret it now though. I could not find anywhere in the UK that had one in stock so I ordered from musicstore.com (formerly DV247) as I decided I was fine to wait the 3-4 days quoted. A week goes by and I speak to UPS who tell me the parcel is pending customs clearance, the person I speak to seems nice but clueless so I decide to email musicstore.com to see if they can investigate at there end to see if there is anything they can do( have dealt with ups loads in the past and it's very common for them to be missing documents and not bother to contact the sender to resolve) Musicstore emails me and tells me they cannot do anything to speed up delivery times, the next day I receive an email from another staff member at musicstore who says that the parcel is with ups and customs and they are speaking to ups to resolve. Ups emails me and asks me for a copy of the invoice which I email them, a few days pass and I email them to chase up and they again request the invoice despite me sending them this days ago so I send to them and tell them that I sent this to them already Emailed musicstore to tell them this and hoping that they will then put pressure on Ups to resolve this, 2 days passes and no response, is now today's date and I email both Ups and musicstore as it's now 2 weeks since I placed the order. Musicstore emails me and tells me that they cannot do anything to speed up the delivery. I know delays happen but I can't help but feel this has been handled pretty badly and had I known 3-4 days would turn out to mean 2+ weeks I would have looked at alternatives.
  4. I swear by these straps, been using these for years and never had one fail me, keeps my bass locked in place https://www.daddario.com/products/accessories/straps/guitar-and-bass-straps/auto-lock/auto-lock-guitar-strap-black-padded-diamonds/
  5. Look ok to me but I can understand wanting to get lower action. When it say the action is rubbish, what is stopping it from going lower? Is it fret buzz or are the saddles as low as they will go?
  6. Hi In my quest for the best "always on" overdrive the bass tube screamer has come to my attention. As someone who always boosts a good 10db on my low and high mids I think this pedal could be a good fit however I hadn't to admit that when it comes to pedals I am a cheapskate and I just cannot bring myself to spend the £160 asking price, is there anything that sounds like a tube screamer for less money than this that doesn't lose low end ? Thanks
  7. Don't do it, you know you will regret it later
  8. Anyone here play Eton Rifles regularly? I play quite a few fairly challenging songs with my band but for some reason I am struggling with the bass run in the verse from the D to the high E on the G string, sometimes I play it really cleanly and other times it's a bit sloppy, it's a bit hit and miss as to if I play that part cleanly with no slop or fret noise, any tips?

    And it's me and my limited abilities not the setup of my bass

    1. Sean

      Sean

      This part of the song is a bar of C to a bar of D and repeats.  C/// D/// C/// D///

       

      My approach to this is playing the D on the A string with my 1st finger (this is 5th position), the D octave on the G string with my 4th finger, slide that up to the E on the G string. You're now in the 7th position and you use your 1st finger and 4th finger to play that E-D-B-A box pattern lick. If you're using your 3rd finger and 1st finger to play that lick, it could be the root of in the inconsistency. 

       

      Just keep running through it consciously (as slowly as you like without a metronome) until it builds muscle memory and say the notes to yourself as you play them.

       

      Until it becomes second nature, in a live gigging situation if you could just repeat the pattern that is played on the C chord or even just play root D to octave D. I've never gigged it but have played it live on guitar where the bassist played a simplified version of that part that we agreed on. 

  9. Yes, what's the point of having a best bass and not using it, I know for me using my best bass makes me more confident which makes me play better.
  10. Honestly you couldn't pay me enough to use the Seymour Duncan SPB-1, I had one and couldn't wait to get rid of it, LOTS of bass, no mids, not a great deal of treble. If I was playing dub reggae I would have loved it but in a rock setting (and by rock I mean classic rock not heavy rock) I got absolutely buried, the SPB-2 on the other hand is a fantastic pickup, not a great deal of treble but lots of mids, decent bass, when I had one I used to run one without a tone pot and got a great sound from it. Nowadays if I was looking at replacement pickups I would try and get one with as flat a response as possible and shape the tone with EQ but that's just my personal preference.
  11. Sorry I should have responded to this thread, I looked into over the ear headphones but was having issues finding ones that were sufficiently non bulky and with good attenuation, in the end after some research I ended up buying a set of Shure iems that are due to arrive tomorrow, fingers crossed these work for me 🤞
  12. Thanks for the replies, as it is presumably the tips that cause the sound attenuation is it really worth spending a lot on iem headphones or should I focus my money on getting a selection of tips? I have not used iems before so this is so completely new to me. At the moment am looking at the Shure SE215 and the Sennheiser IE 100 Pro, I briefly considered the Linsoul KZ ZS10's but I found a mention somewhere of them being mid scooped which is a big no no for me.
  13. I'm looking at iems at the moment and is a bit overwhelming especially being a bit neurospicy, can you really get decent sound attenuation from a set of in ears? I was looking at a set of Shure SE215 and it says up to 37db of attenuation, I am sceptical but hoping I am wrong Also do you normally get a selection of different size tips? I am a little reluctant to fork out for iems only to find that they don't fit and are letting in a load of outside noise Thanks
  14. Hi I will shortly be moving to using iems for gigs. As someone with tinnitus I use ear plugs to prevent any more hearing damage and would like a set of headphones that I can use that will attenuate the sound level of outside sounds to a similar level. Having had a look it looks like drummer headphones is the solution however I see that a lot of these are very bulky, is there anything that is low/low-ish profile that will protect my hearing? Thank you
  15. I couldn't see that a thread has been created for this, looks like a very interesting bass. Medium scale, humbucker in the neck, single coil in the bridge position, looks gorgeous. https://www.gear4music.com/Guitar-and-Bass/Grestch-Electromatic-CVT-Bass-Double-Cut-LRL-Bristol-Fog/79HO?origin=product-ads&gad_source=1&gad_campaignid=22290702940&gbraid=0AAAAAD_kjLR1Nk-UwpcsIbHeg9fwsf-Mr&gclid=CjwKCAjw3rnCBhBxEiwArN0QE3co07vE79qIfly1XnMv8zcqzQ1OcvWp8yKhQTyojo_K_20krLm8DBoC8fkQAvD_BwE
  16. Post gig insomnia, the only kind of insomnia that I don't mind

  17. I will hard pass on any strings that are priced that high, I don't use flats anymore but when I did I wouldn't have paid that.
  18. Check that the pickups are passive before you take out the preamp, they most likely are but would be awful to take out the preamp to find that you needed it after all
  19. Heads up for anyone looking for a mini EQ pedal, Rowin is absolute cr@p, noisy as hell, cheap but not even worth the £25

  20. Thanks for the replies, much appreciated
  21. So, I am looking at switching as many of my pedals as possible to mini pedals as my pedal board is becoming too big and weighty. I now have my chorus pedal and EQ pedals sorted so am now looking for an overdrive pedal, what is out there that has a small footprint but doesn't lose low end? I would like to keep the cost below £100 but preferably I love a bargain so the more inexpensive the better. I see there are a lot of of mini overdrive pedals out there but they all seem to be made for guitar. Thanks
  22. "Zak made a few mistakes and he has apologised" 🤣 I know they are a professional band but the guy is human like the rest of them, I'm sure the others aren't flawless 100% of the time especially as Roger Daltrey himself has admitted that his hearing has seen better days. Sounds like maybe they have realised that they were being twats and are now looking to do a u turn in the least embarrassing way possible.
  23. I haven't heard them with Pino so I can not offer an informed opinion but doesn't Pino use flatwounds? Surely that has to be the polar opposite of what The Who would want for there sound?
  24. So, I got a set of these in medium scale for my Ibanez AGB200, put the strings on and then noticed some buzz on the D string, had a look and the other strings are fine but the D string taper starts between the nut and the 1st fret, either they have packed a short scale string or that is some seriously shoddy quality control.
  25. Looks good, have you used it?
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