prowla

I found Uli Roth quite witty too. I also warmed to KT Tunstall more than previously; I had really disliked her stuff before. It was fun recognising the Denmark Street settings, as i wander along there probably once a week or so. As with all of the series, you can't cram the entire history of music and every guitar into a 1-hour show, but that wasn't an issue for me and I enjoyed it.

And the police too?

Either way is fine.

There are Rickenbackers and then the rest are rubbish.

I watched the drum one last night; it started with Cozy Powell and featured a Rickenbacker on the wall. Sheila E was rather good.

Out of courtesy, I won't be bidding.

It's now gone.

(Ah - I have to say I only turned on part-way through...

I never saw a Ric there, but I still enjoyed it.

There was a clip of her playing the Moog Rogue too.

Well, it was titled "On Bass", not "On Bass Guitar" and the presenter herself used bass synths. I have to say that when I saw the title I (mis)read it as "Drums'n'Bass" anyway, so wasn't surprised at the direction it took. I think it is pretty much impossible to do a show and cover all of the styles, mention all of the greats in every viewers top-ten, make sure you've listed everyone's favourite model of instrument. I think the recent drumming mini-series was excellent, but even that was subjective and quite superficial in parts. For me, I think of Tina Weymouth as the awful playing of Psycho Killer on the OGWT, but some of the stuff on that programme has perhaps made me re-think. The most amusing/ironic thing about the show for me was the ignorance and arrogance of the punks thinking they'd invented something musically, eg. playing lead bass on a Ric copy, whereas really all they did was put safety pins in their clothes and sugar in their hair (and I remember using safety pins to hold on my school blazer top pocket before punk came along).

If it is the generic non-enclosed bendy one (technical description!), don't push it back too far.

Yes - that was my reaction to reading this thread! Wiring a guitar is not hallowed ground, nor rocket science; if you don't know your SPST from your DPDT, then it's not a crime. Me, I used to think I knew something about electronics and UMIST even gave me a piece of paper saying I'm a bachelor in it. (Electronics, that is, not IT, because IT didn't exist then; however, that said, I do now work in IT!) My next wiring will be a 6-way toggle switch configured as 3+3 to do A/A+B/B for a pair of pickups in single-coil and humbucking, plus a couple of push-pull knobs do do things.

And my latest latest pair...

One show can’t cover every style and every genre. I found the synth section interesting.

I need to buy some strings for a couple of 5-string basses - any recommendations? I like Rotosounds on my 4-string (40-60-80-100) - do you know if I can get a B (120 or 125) on their own? Ta!

I watched some of it - the video clips of her have got me interested. Some of the stuff said in the commentary and by people interviewed was rubbish though - nobody played lead bass before punk came along, nobody held their thumb and finger together like a plectrum before Bernard Edwards... Huh?

That makes it twice as ugly!

"Upgraded" (not).

I drove one of those 'round Mallory Park - great fun!

(deducted)...

So that's something like £5m a year turnover.

The main issue I had with mine was that it was too big for me. The fact that it doubled up as a free workout was just a bonus; I used to hump two Marshall 4x12 and a Burman valve amp around in those days.