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Owen

⭐Supporting Member⭐
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Everything posted by Owen

  1. There it is!
  2. What matches your outfit?
  3. Same tuning, different instruments.
  4. That song is the product of a sick mind. I love it. Imagine a world where you are normalising really extended stuff for children with top drawer singers instead of Apple Loops.
  5. Andertons had a blue one which was clearly not shifting so they sold it for about £1100.
  6. Ooft. Orange. 5/5 from me as well.
  7. I have their Belgian show on in the background. MUCH respect to Vincent.
  8. Not a proper bass solo. No over-reliance on the pentatonic. What was he thinking?
  9. When I played it against my 66J, to all intents and purposes, they were neck and neck.
  10. I used to own this very bass. It is all you ever desired in a vintage Jazz apart from the eywatering price of old things.
  11. I am glad there people who can do this kind of stuff.
  12. It was going well until the BV requirement reared it's ugly head!
  13. I put some nicer humbuckers in this. Were they DiMarzio's? Possibly I just cannot remember. Anyway, £150 + shipping to your door. It is a bit dented, but plays nicely. It needs new strings.
  14. Of course, the elephant in the room here is that you already have the twin humbucker bass you love.
  15. There is an element of humour here, but I picked up a set of 12 year old Chromes and suddenly understood flats. I never had until that moment.
  16. I think the narrative you are looking for is as follows. "Do you crave that dull thud that only broken in flats can give you? Here they are, ready to go. No need to spend 3 years playing them. The preparation work is done."
  17. There is that.
  18. We have all been there. The struggle is real.
  19. Bongo. If you don't like the ergonomics, wait for 8 years like I did for a set of Bongo pickups and pre to come up 2nd hand. Then plumb them into a Stingray. I could not be happier.
  20. I have been following this recent burst of activity. I have played in good bands and bad bands inside the church. I have played in good bands and bad bands outside the church. I would expect nothing else. It is just people. I have been the best player in a band. I have been the worst player in a band. Sometimes people gel musically and create something which is greater than the some of it's parts. Sometimes they do not. Inside and outside the church. I have learnt to never underestimate the ability of the people in any room to not hear what I am hearing. I am not saying that my ears are the final arbiter of anything, but I am an experienced musician and I know when it is right and when it is not. I also know how to make it better. But not everyone is able to accept that/in a place to act on that/interested in my opinion. I am at peace with that. This is not a defeatist attitude. There are so many variables in any of these equations that I have long given up trying to mend it. Obviously I will point things out in rehearsal. If there is a car crash then I will broach it afterwards. If I am playing then we will not speed up or slow down. Unless we do, and then I will go with the flow because the moment is more important than "being right". The kick and bass will sit together no matter how often I have to adapt. People play for all sorts of reasons and many of them do not align with why I play. But such is life. Unless we are all on a mortgage paying fee then we have to be able to step back and do the best we can. Do I want it to be the best possible inside and outside the church? Obviously, yes. But sometimes it is not. It is astonishing how little people notice and also, the world will still turn. And believe me, I have played with the worst drummer you have ever heard. I even went in to practice with him individually. He was fine there. I made him promise to do what we practised. He promised but then got all florid in the service. Grim. The congregation were blissfully ununaware. One trick is to prime the PA engineer to mix in a specific way. Because we REALLY care about the music then we presume everyone does. Perhaps the leadership are clueless about the situation. A quick chat might change the whole atmosphere. Perhaps they have never had the luxury of people who know what they are doing. Perhaps they do not want to presume that people would want to, or be willing or able to put the extra time in. Sorry, I am sitting outside a party on taxi duty and bored.
  21. All change HB Spaceship 40 board https://www.thomann.de/gb/harley_benton_spaceship_40.htm £34 Sold Pelican 1550 case which fits the HB 40 very nicely - £75 Harley Benton Powerplant Iso-2 Pro £45 - Gone Harley Benton Powerplant Iso-2 Pro £45 (yes, there are 2) - Gone Chord OC-50 octaver + Distortion - Boss OC2 clone thang £35 - Gone Electro Harmonix Little Big Muff - £40 SFX Micro Fuzz - https://www.youtube.com/watch?v=dL_Nz19g6Kg&t=37s - £70
  22. More options and losing a feature I never used? That is not a difficult decision.
  23. Owen

    AI Mixing

    The "don't overthink it" is solid advice (as is the rest). I was messing with my latest thing before sending off stems to my mate and realised that I have always avoided using preset EQ/tone etc in Logic because it is not "real". If I have not done the work myself then I am clearly cheating. But then using AI to the same ends sits in the same definition. So for the next one I will stick presets all over it and own it like a boss! But having a forum to air ideas and discuss stuff is great. I am hugely opinionated about Double Bass stuff, but less so about recording. I have always just turned up, played and left. So thanks y'all for nurturing me through this. The world will be changed when I release my work to rapturous acclaim. Maybe.
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