[quote name='Prime_BASS' timestamp='1338855318' post='1680206']
If funds allowed I would have another bass no doubt but only to serve as a backup just in case, but it would still need to be different, so either another Sterling bass, or if one ever comes up a Warwick FNA.
How do I get on with one bass?
Fine, more than fine. I have a tool set and spare stirngs with me all the time, and if a string breaks during set, I can play without the string, no problems. I'm not jealous of other who do have more than one, becuase(for me anyway) I make the most out of that one bass, I don't need a P or a J for those sounds I can coax those out of my one bass with my fingers and some light EQ'ing, and after all the Audience doesn't really know anyway.
I like the way I sound with the bass, and with anything else (that doesn't have that kind of pickup in the sweetspot atleast) I just can't get on with.
In the future I'd like to be known for spanking the same plank since for ever aswell. But then having a backup just in case never hurts.
Miss my sterling............
[/quote]
So true, we anorak ourselves to death over this bass, that bass, this pick-up, that pre-amp.......but in the mix? if it's providing low end, the audience won't notice. It's personal comfort zones we are talking about.I always say the hankering for a P bass is because we have allowed ourselves to be brainwashed.." It's what Jamerson used, etcetc so it's the only way to go". Although I still can't find a P bass that blows me away. Anyway, I digress....
Yes I too have snapped strings and got by. a bugger when it's the E and the bottom end lacks a bit, but hey, it's not life or death.