fleabag

SOLD

For sale due to going ampless , GENZ BENZ 9.2 SHUTTLEMAX IN EXCELLENT CONDITION AND WORKING ORDER FEATURES: • Ultra Light 3.75 lb Design • Power: 500W/8 ohms; 900W/4 ohms • Analogue 12AX7 Tube Preamp • Digital SMPS (Switch Mode Power Supply) •High Current Class D Amplifier •3DPM (Digital power management) •Patented pending PHAT topology • Active eq w/Parametric Mids •3-Band Signal Shape Circuit (Footswitchable) •Phat technology • Signal Mute Switch (Footswitchable) • Tuner Out • Extended Range Input Gain for Active/Passive Sensitivity • Limiter Circuit • LED Status Indicators • Speakon® Speaker Outputs • Internal Fan Cooling • Full XLR Direct Out Interface • Aux. Input • Headphone Jack • Effects Loop •Optional Footswitch available •Dimensions: 2 1/2"H x 10"W x 10 1/2"D (6.35cm H x 25.4cm W x 26.7cm D)

CALINE SNAKE BITE REVERB PEDAL IN MINTY CONDISH. Tried it , didnt get on with reverb on bass. I'm selling all my pedals anyway, so it's getting the chop with the others. All sacrificed in the name of lighter travel. Original box and blurb. Free post

The primate is yours then, Andy

LD SYSTEMS ME1 100G2 IN EARS in superb condition. Tried once at rehearsal and found i cant stand things stuffed in my ears. About 55 quids of accessories are included OEM supplied phones have not been used, as i bought some other phones, which are included. I also bought some various size silicon ear pieces which also have not been used. Power needed is 12-18v and the power supply is included. The receiver doesn't come with a pouch, so i bought one and that's also included SPECS: MEI 100 G2 BPR Receiver SPECS: Channels: 96 (8 groups of 12 channels) Transmission method: FM, stereo Frequency response: 80 - 15,000 Hz THD: 0.25 percent Audio output: 3.5 mm TRS Max. audio output level: 100 mW Indicators: RF (LED) Operating time: > 10 hrs. Controls: volume Operating voltage: 2 x 1.5 V AA Width: 65 mm Features: incl. batteries Height: 95 mm Depth: 25 mm Weight: 0.1 kg MEI 100 G2 T Transmitter SPECS: Type: Transmitters Modes of operation: mono/stereo Rated HF output power: 10 mW Inputs: 2 Input connectors: XLR Input impedance: 8.5 kOhm Antenna connector: TNC Controls: volume headphone Operating voltage: 12 - 18 V DC Width: 212 mm Height: 38 mm Depth: 90 mm Weight: 1.1 kg

BOSS LMB-3 in great condition. Giving up my whole pedal board for lighter travel. Other pedals for sale. Original box / blurb Postage included Review from that pedal tester on Talkbass Boss LMB-3: This workhorse classic from Boss gets overlooked far too often. Sometimes because it's a Boss, and sometimes because it says "Limiter" in the name. In reality it is one of the most reliable and versatile compressors in its price range. The first thing to clear up is the "limiter" label. A limiter is just a compressor with a very high ratio, and usually with the threshold set high so only the taller peaks are affected. The LMB-3 can be used that way, but its ratio can be adjusted anywhere from 1:1 (a clean uncompressed boost) through light to medium smoothing and squeezing (e.g. 2:1 to 8:1), all the way up to infinity:1 hard peak limiting. So it actually covers a much wider range of dynamic response than most pedals labeled "compressor". And the threshold knob covers a decent range, allowing it to affect just as much of your signal as you want. The predecessor of this pedal, the LM-2B, was more accurately called a limiter due to having a fixed very high ratio. The tone of this pedal is very clean and dry. It's not a "fattening" effect, aside from the inherent results of compression. Boss sometimes gets a bad rap for its buffered bypass switching, in this case there is no problem--the bypass is transparent, unity gain, with perfectly flat frequency response. The fact is it sounds pretty good and does its job like a champ, and you can find one used for very cheap any day of the week, so it's a great value. It's also hard to find any other pedal in this price range that works so well as a peak limiter, for aggro playing, slapping, or peaks from an envelope filter. I would not hesitate to use one on a pro gig, as long as the inherent EQ shaping is suitable.

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