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dave_bass5

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Everything posted by dave_bass5

  1. [quote name='martthebass' post='811422' date='Apr 19 2010, 03:15 PM']See your point Dave. Haven't played an SB34 so I can't comment on neck dimensions. The Sterling I had was a good match for a Jazz neck as I recall, the string spacing though, by the time you got to 12th wasn't far off the Ray (or a modern Fender P). At the bridge I think it's 19mm like a Ray. A Sterling also doesn't sound much like a 2EQ Ray (tho I don't get too hung up on the 2EQ vs 3EQ thing on Rays - I've had both and haven't found the difference to be so great as to grossly push one ahead of the other) because of the ceramic pups. It's a nice (though aggressive) sound but it isn't a Ray.[/quote] Cheers for that. I must admit im not too hung up on 2 or 3 EQ either, i did find my Sub to be a bit closer to a P though so that would sway me but its certainly not a deal breaker. While i have never played a Sterling i did find that when i first saw the Ed Friendland video reviews of the SB14 and Ray34 i really liked the tone from the SB14, probably more than the Ray34 but im finding the Ray34 to sound fine so again, not too hung up on what it is. Its really the headstock end of the neck that i find is a bit of a struggle to be honest. Up by the 12th i find i actually like a bit more room. I may just keep an eye out for a nice SR4, whatever neck it has.
  2. [quote name='martthebass' post='811304' date='Apr 19 2010, 01:25 PM']I'd agree with you Dave that the Sterling neck can be described as 'to die for' but the last couple of Ray's I've had have had very playable necks - nice and shallow front to back. I thought the gloss neck on my current 30th might have been problematic but TBH it's pretty spot on. If your not that familiar with modern Ray necks Dave I'd go and have an hour with one before you dismiss it - at least it'll tell you wether you deffo need a Sterling.[/quote] Cheers. As ive just posted, im not discounting the standard SR4, and if a nice one came along i'd probably jump at it but as im not too comfortable on the Ray34, and its supposed to be a close match to the SR4 i thought i would see what i can get hold of. Ive been gigging the Ray34 exclusively and its doing a great job so i know i can live with it if i have to. I just dont want something that will be a duplicate to what already have. As im skint getting rid fo the DD is my only option to get something esle, hence the reason for this thread. Buying new is not an option and as there aren't many SLO's around i' ll probably end up with a SR4 of some sort. Possible a 2EQ if i can stretch to it.
  3. [quote name='thepurpleblob' post='811295' date='Apr 19 2010, 01:21 PM']Ahh... interesting. I didn't know you could have that. I've never found the SR4 standard neck particularly chubby but I've never played a Sterling (would be very interested) and hate Fender Jazz necks.[/quote] Its not so much the size of the neck im having a bit of trouble with, its more the string spacing (at least, thats what im putting it down to). Im fine with 5 strings as i guess the spacing is a bit smaller but with my Ray34 its just more of an effort. Not the end of the world though, but like i say, i just wanted to at least try and get a more narrower neck. I love Jazz necks although something in between would be ideal. Maybe a better quality SR4 neck would be easier to play. Its an option (as is getting a SR5).
  4. [quote name='thepurpleblob' post='811278' date='Apr 19 2010, 01:07 PM']So you want a StingRay with a Sterling neck? I'm confused (doesn't take much). I've got a house full of MusicMan stuff (ok, I exaggerate a touch) and have never heard of an SLO. What this a factory thing?[/quote] Its an option you can request when you order/buy a SR4. Its in the SR4 spec list on the EBMM website. "Neck Option: Slo Special - Sterling neck profile" I might be happy with a normal SR4 (and will probably end up with one) but thought i'd try this first.
  5. Finally got mine today Ped. Cheers. It looks great, ill wear it with pride. So now i have the same T shirt as one of the local thieving postmen ;-)
  6. Cant help with the colour other than to say i hate sunbursts but ive been wondering, can you get a SR5 with a different shaped scratch plate. More like the SR4 one? The White one with tort does look nice though.
  7. A SLO special means its got a sterling (Jazz sized) neck on it. Ill update this thread when i do change it to for sale. Ill give it a few days first. I just figure ill be less out of pocket doing a trade rather than selling the DD first. Of course if i do see something i like for sale only i might change my mind a bit quicker.
  8. I got my DD in Jan this year from Absolute Music. It was pre owned but in 100% perfect condition. Comes with a Lakland Levys gig bag. Ive gigged it about 4 times so its still in fantastic condition. No scratches or marks that i can see. Depending on what im offered i could add some money to the deal as well. Happy to ship although a meet in London would be preferable. Ill post some pics later this evening. Please, no other offers. I dont want or need any other bass other than the ones im looking for. Cheers. EDIT: Price wise im looking for £630 ono. Buyer pays for postage if i need to post this.
  9. [quote name='uzzell' post='810415' date='Apr 18 2010, 04:31 PM']Can I just ask what makes it 'custom shop?'[/quote] It might be the neck. The standard necks dont have dots on the fretboard. I think its costs about £120 extra to have these (could be wrong though) I would love this bass but have nothing to offer, not even money :-(
  10. I cant understand why this hasn't sold yet (other than why i haven't brought it;-)
  11. Im well thanks, hope you are. No problem about the PM, i had forgotten all about it anyway. After going through a bad phase with the DJ5 im happy with just the 4 strings at the moment. Im struggling with my Ray34's wider string spacing/neck as it is. It seems like after each gig with the Ray34 i decide to sell the DD and stick with the Ray34 and/or get a sterling or a 2EQ SR4, possibly even a Slo but then i pick it up and smile when i play it. The DD is such a nice instrument. I doubt ill hang on to it till the end of the year but i really dont want a 5 string at the moment. I just need to get a few more gigs under my belt with the Ray first before i make a final decision to get rid of it. Good luck with finding one.
  12. [quote name='artisan' post='808582' date='Apr 16 2010, 04:26 PM']good man. i'm shure you'll be well impressed with it,i almost sold my 'Ray before getting the Nordy fitted,am just glad i didn't.[/quote] Ill let you know how it goes. Im planning on using my DD this weekend and dont have a gig next week so plenty of time to get things sorted out. Im still finding the neck/string spacing a bit of a handful, thats the only reason i might get rid of the Ray34 but i think it will probably stay.
  13. [quote name='artisan' post='808551' date='Apr 16 2010, 04:06 PM']it's just a sh*te pickup thing imho. i spent ages mucking about with strings & e.q. settings all to no avail. bung a Nordy in & you'll love it Dave [/quote] Thanks. Im in the process of getting hold of a second hand one so hopefully it will do the trick. Im not even sure ill keep the Ray34 for long but if i do get rid of it ill hang on to the Nordy as i really want to stick with a MM.
  14. And back at ya with why only a MM and not a P (as an example), in fact the only other bass ive found this to be a problem on was my Sub (there's a connection there somewhere ;-) Ive got XLs on both my basses and even though i have a .50 G on the MM my .45 G on my P is loud and clear, all the way up the neck.
  15. [quote name='funkgod' post='808201' date='Apr 16 2010, 11:22 AM']iv talked myself into a corner here havent i,,,,, bugger[/quote] LOL, maybe. I would also add then why does a Nordstrand also work to fix this issue? Especially as, while its not an identical tone, its supposed to follow the MM design. Going back to the fingers vs pick difference. With fingers there seem to be more low freq, maybe these overpower the higher ones. A bit like turning the low knob up and getting the same weak sounding G sting. With pick playing the upper freqs come through more and i guess this helps the G cut through. I have noticed that as long as i dont cut the mids or treble on my bass or amp and dont boost the lows too much i can hear the G string quite well. The problem seem to be mainly below the 5th fret in my case. Up the dusty end it seems to be fine. And one more thing (the last, honest), this bass is the first ive owned where string volume seems to be very even. If i play (for example) a open D and a 5th fret A both seem to have the same amount of volume. Its like the fretted notes dont have an increase in level compared to the open strings. Its not a huge thing but it does make a nice difference to my other basses.
  16. I think strings might be part of it, just as EQ is but I have XL's on both my basses because I really like them. My DD has no problem with the G string where as my Ray34 does but I'm not going to change strings.
  17. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  18. It sounds fantastic. If i hadn't brought that bloody DJ5 last year i would be thinking very hard about one for myself now. Im really getting hooked on the SR tone. Ill probably get rid of the DD soon now as i dont play it any more.
  19. [quote name='Musicman20' post='807068' date='Apr 15 2010, 12:51 PM']I know....I really doubt ill end up selling this now Ive re-thought about it this morning. Its a beauty and is a very nice low weight. I agree, its blurry...I need to learn how to use her camera properly hahah. I should probably start just gigging it more and use the Classic for recording etc etc. I always wanted a 2 band and 3 band eq...so i should probably keep it. Ill leave it up for a few days then withdraw no doubt.[/quote] so how much do you want for the Classic then? Its only got 4 strings so its pretty limited. lol. Ill start saving now shall i ;-) Going OT a bit im thinking of getting a JE Retro 2 band EQ for my Ray34 if i dont sell it before my holiday. I can see the benefits of both 2 and 3EQ now and having this will allow me to change back and forth when i feel bored. You say its got a low action, any chance you could measure that at the 12th fret. Im just curious as to what a low action means to you. Mines at 3mm on the E and G and i would like it lower but not sure i can do that without a bit more clank. good luck with the sale if it gets that far.
  20. Another one bites the dust. Ill hold out for your Classic lol Another good shot Gareth but you need to up the ISO or use a tripod. Its a bit blurry :-)
  21. Fancy a Duck Dunn? Ive done two gigs with my Ray34 now and its definitely going to work. I dont have any money though so need to sell the DD first, and its bloody hard to let that go. Its so nice.
  22. [quote name='Grand Wazoo' post='803309' date='Apr 12 2010, 01:46 AM']Sorry I didn't realize how old the original post was... I must mark a day in my schedule to pay a visit to the Gallery. Eventually when my new Big Al 5 strings comes sometimes in July I will have to go and pick it up anyway. Waiting for a bass on order is one agonizing pain I tell ya.[/quote] When i ordered my DJ5 through the gallery the delivery date was spot on. It was only three weeks but even that was agonising (a bit less than the time i had it though)
  23. [quote name='hubrad' post='800995' date='Apr 9 2010, 04:17 PM']Maann! After a gig is usually the time I'm most in love with playing![/quote] Its more the packing up and loading it all back in the cars, 2 hour (sometimes) drive home, knowing ill be up by 8am because the kids are up.
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