dave_bass5

[quote name='paulwillson' post='1230146' date='May 13 2011, 04:55 PM']how much were you looking for? ben toying with the idea of having just oone cab [/quote] I need to get the cab back and see what condition its in. Its fully working and never been pushed hard but i dont want to price it too high as the carpet covering is a bit tatty (although not ripped IIR). I guess £300 will be a ball park figure but let me check it over first, it might be a bit less. These cabs are very loud, i had a Epifani UL212 that sounded great on its own but was nowhere near as loud and punchy as this cab. It does have a mid bump, and a certain tone that you cant really EQ out, but if you like this tone then its really all you need for a small one cab rig IME.

I'll be selling my Schroeder 1210R soon. I should be getting it back off my drummer next weekend. Its a 1x12 and 1x10 with tweeter. Its one of the original, non light versions. Very punchy and bloody loud. EDIT: Sorry, just realised you want to run it with another cab. This is a 4 ohms cab so no good.

[quote name='Musicman20' post='1227723' date='May 11 2011, 04:24 PM']Cheers![/quote] Just dont go plugging any of it in or turning any lights on and all will be fine ;-)

[quote name='Musicman20' post='1227701' date='May 11 2011, 04:06 PM']SL900 turned up as well yesterday. Tested it, all works fine. I was right to return the other as with the same cable, this fitment is MUCH tighter and doesnt move.[/quote] Thats great news. Things are looking up.

Good news about the bass Gareth. Cant wait to see the pics. So, thats all sorted, just the amps to get now then (and the other incoming basses of course).

[quote name='Sibob' post='1227230' date='May 11 2011, 10:17 AM']I've got a HW Precision on an indefinite loan and it's great, no vibe to speak of really, but feels and sounds really nice! I've not gigged the CV Precisions, just the Jazz Si[/quote] I had a HW-one P in black and loved it but as i still had a HW1 Jazz sitting around i ended up putting the neck on the P and loved it even more. This was the first time i had played a P with a Jazz neck on it and it certainly opened my eyes.

[quote name='Thurbs' post='1227153' date='May 11 2011, 09:33 AM']Great news...[/quote] Yep, its for the best. It sounds like the new singer has also brought new enthusiasm to the band so its a win win situation. Good luck.

[quote name='Cyrene' post='1227132' date='May 11 2011, 09:13 AM']Well I've only ever played two basses, the two I have at the moment: the HW1 jazz and the CVP 60s. I love them both and they are not going anywhere. According to the guy who fitted my flats and set them up (a bass expert in Boro) he said he preferred the CVP in terms of playability. Apart from the thick gloss coat, it's been a great buy (nearly new off BC)[/quote] The HW-one Jazz is a great sounding bass but you really cant beat the CV necks IME. Ive not directly compared my CV P to another P, but from memory I prefer the tone i have now to the Lakland Duck Dunns ive had in the past, even with Fralins in them. The first DD costs me £950, the second (hand) cost me £799 and the CVP cost me £270, maybe thats why i like the CVP more :-)

[quote name='Sibob' post='1227113' date='May 11 2011, 08:40 AM']The CV's are great for the money, the fit & finish is easily on par with the MIA, and the parts and sound are excellent for the price. IMO it did feel cheaper in my hands than my MIA though, and the tone wasn't as full or complete as my American Standard. Si[/quote] Exactly what i found with my CV Jazz. At one point my CV Jazz had Wizards in it and it sounded really nice, but when i put the same pups in my HW-one it sounded very different. The bass seems to have a certain quality to its tone, no matter what pup it has. I felt it was quite a warm, round tone. My HW-one on the other hand was very growly and the burp was fantastic (if you like that sort of thing). The MIA's i had were the best of the bunch. Tone wise i felt they were in the middle, not as warm as the CV but thicker and punchier than the HW-one. Looks wise they were fantastic. I will own a MIA 3TSB/Maple again one day. Im not a lover of thick gloss, although i wouldn't let it put me off a bass, but the thin coating on the MIA is really nice.

As much as i dont really like P necks either i agree with the others that the CVP is a pretty small version of it, especially as it has vintage frets as well. Ive swapped my CV necks over as i do prefer a Jazz neck but every now and then i get the Jazz out (with the P neck) and i really only notice a difference when i go back to the jazz neck. Im trying to get myself used to the P neck so im ready for a man sized neck one day, but so far im too comfortable with jazz necks (and even they vary)

[quote name='Musicman20' post='1226136' date='May 10 2011, 01:26 PM']See, what people could do is just order a CV P and J, and get a deal for two, and not bother getting an American Standard.... But, the question is from me, seriously, HOW do they compare?[/quote] Well, you know my story. 3 MIA Jazz basses that weren't made properly, 1 CV Jazz that had no flaws that i could find. Tone wise, my HW1 and HW-one, MIA, MIM classic Jazz and CV Jazz all sounded different so i wouldn't say a MIA sounds better than a CVJ. The MIA's do feel nicer to hold of course. IME you can feel the quality, and the grain on the two 3TSB's was fantastic. The CV's have a very thick coat of gloss on them so dont look as classy IMO, but these days im paying less attention to looks (as opposed to faults in the finish of course) and more to tone and playability. I know i keep going on about them but i really love the vintage frets and it felt almost like hard work playing a jumbo fretted jazz.

[quote name='redstriper' post='1226128' date='May 10 2011, 01:21 PM']Do you really think that the CVs are better than the Mexican and American Fenders? Have you tried the Squier Vintage Modified basses and if so, how did they compare?[/quote] For me it is. I have a P bass thats got a jazz neck, with vintage frets on it. I cant imagine finding anything like that off the shelf from Fender. For me this is perfect. Ive never played a VM, mainly as they have jumbo frets, so they dont really appeal to me. I am trying to get to grips with the CV P neck on my CV Jazz, but again, that has vintage frets so not directly comparable to the VM. I know the frets are a personal thing, and not really a deal breaker but if i have a bass that has all the right bits on it, and plays like a dream i can live with the colour.

Ive settled down with mine. I use my CV P with CV Jazz neck for all my gigs now, and other than the horrible colour its become one of the most played basses ive ever had. There really isnt much to talk about now as i dont intend to change any more parts, i'm not having any problems with it and it plays like a dream. The only thin i have thought about is getting it resprayed, probably black, but as it plays so well i can live with the colour for now. I would love a Matt Freeman as i prefer black, and i really want a maple necked P but as im still not 100% comfortable on a P neck i cant see me getting one just yet. My one regret is the amount i've wasted on other, "better" basses over the past 5-6 years.

[quote name='stevebasshead' post='1225257' date='May 9 2011, 04:26 PM']Reminds me of the story (think it was on BC ages ago) of a band in the dressing room of a working mens club, guitarist is quietly tuning up in the corner. Club chairman comes in and does his nut, saying to the guitarist "you've known about this gig for [i]6 months[/i] and you're only just tuning up [i]now?[/i]...[/quote] Dont, my guitarist is normally late for most gigs (and he brings the singer and PA) and its always when we are pushed for time that he decides to put new strings on his guitar, meaning we miss our sound check. Bloody frustrating.

[quote name='Count Bassy' post='1225245' date='May 9 2011, 04:17 PM']Not enough that anyone would notice then. Seriously though, get a headless! The only bass I have that I can rely on being in tune 'out of the bag' is my Westone Quantum (headless). I still always check it though, why on earth wouldn't you?[/quote] LOl, Actually they would notice as the notes on the G string would be the only ones in tune with the lead guitarist ;-)

[quote name='DanOwens' post='1224889' date='May 9 2011, 11:11 AM']If you're not using a hardcase or using a Ibanez Gary Willis signature (with 3-point tuning pegs), then this is just going to happen.[/quote] I have to disagree, at least, from my experience. I have always used gig bags, and my main one is an almost unpadded old Levys gig bag. Its been on the parcel shelf of various cars, laying across the drum kit on the back seat etc and i have never found my bass (around 8-9 in total) to be randomly out of tune when ive arrived at the gig. The worst i have had is the G on a 4 in a line head stock going slightly out, less than a tone though. i do always check my tuning but vary rarely nee dto adjust it. I do still play randomly out of tune though, and do blame the bass.

[quote name='Musicman20' post='1225197' date='May 9 2011, 03:29 PM']Great news guys. Darren @ Bass Merchant has been very helpful and I have a new 3EQ Sunburst/Maple on its way for Wednesday in exchange for the 2EQ. I havent had a maple boarded bass for a while, and this will be the only one, but its good to have some variety I will eventually get another 2 EQ...but to be honest Ive always like both pre-amps, so no real biggie for me.[/quote] Gareth. Im not sure what to make of this. Personally i dont think its great news that you have to settle for something you didn't intend to purchase in the first place. I can understand why its happening, and of course no reflection on Darren, but it seems to me that due to the poor QC, and lack of any real help from the workshop the bass was sent to you are settling for second best. Just my thoughts.

[quote name='Musicman20' post='1224967' date='May 9 2011, 12:11 PM']It was great fun! Well, I've basically said I want a new bass (they have a few close to the spec in stock) even if it means a 3eq. It's either that or go down the refund route, but to be honest I just want a working bass. This 2eq was pristine, I've only had it a few months, and to develop faults and still be faulty after a repair is just not acceptable when they cost so much. Hopefully by weds I'll have a new replacement. I'll let you know.[/quote] Cool , keep us posted and good luck with it.

[quote name='Musicman20' post='1224935' date='May 9 2011, 11:44 AM']I've requested a replacement for Weds so I can use it Thurs and Sat. We shall see! Thanks chaps...appreciated! I'll definitely be looking into what 1x12s are around.[/quote] Thats pretty quick. Is this just going to be on lone then? The gig sounded like fun. I've played a few Cancer research gigs and the atmosphere has always been fantastic.

In my case none. I would let them burn and claim on the insurance. Then i would probably go and by a SBMM ray34 Classic. I would grab all my camera stuff, and if i had time, the kids ;-) Just saying.

Its about time something positive happened to you Gareth, glad it went well and good luck for the future gigs. I cant believe the bass is still playing up though. This is getting silly.

[quote name='waynepunkdude' post='1222241' date='May 6 2011, 03:04 PM']I'd say Matt Freeman is the better bass player.[/quote] Who?

[quote name='jim_bass' post='1221914' date='May 6 2011, 08:39 AM']So can anyone confirm that this is just a classic vibe p with a different paint job like the james johnston jazz which cost a load more that the CV jazz because it was blue. [/quote] Yep. same bridge, pup, neck size, vintage frets, etc. I know this is a Squier but i cant see what the fuss is about its price. Its not for everyone, and yes, its basswood but if that was such a bad thing why are there so many happy CV owners out there? It should of course have B. Foxton on the headstock ;-)

A lot of CV owners do change the pickups. I dont think there is anything wrong with the Squier pup but i have changed the one in mine (twice) because i wanted a different tone.

[quote name='gjones' post='1218975' date='May 3 2011, 06:41 PM']The reason I asked the question was because if someone asked me to advise them on jazz basses I'd have a list of models as long as my arm I would recommend to them(or warn them away from) but precisions.............I haven't a clue about. One thing I'm pretty sure of though is I don't like clanky P sounds and maple necks. I played a friend of a friends P bass years ago and it had that warm woody sound I associate with them from JJ Cale records. The closest I got to that sound was with the Mex standard. You're right I should try a few more and look for that sound.................I wonder if they've got a road worn?[/quote] As already suggested, try a Squier CV as well if you can. This has vintage style frets so they are smaller than the usual ones used by most manufactures.