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NancyJohnson

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Everything posted by NancyJohnson

  1. [quote name='16Again' post='37814' date='Jul 27 2007, 01:57 PM']They sound great but look bloody awful, imo. [/quote] That's what I feel about 4001s! Sorry! P
  2. If it came down to it, what price are you looking to move it for? I'm not interested in the J-Retro...been there already, all my basses are passive now. P
  3. Around three years ago, there was a thread on the alt.guitar.bass newsgroup about how Monster Cable had trademarked the name Monster and consequently issued hundreds of cease or desist lawsuits to companies who had the word monster in their trading name. They were pretty indiscriminate as to who they went for, what size they were or what type of business they were in or how long they had been operating for. Rumour has it they even went after The Disney Company & Pixar (because of Monsters Inc.), The Chicago Bears ('The Monsters Of Midway'), pinball machine makers Bally (who had a gaming machine called Monster Slots), along with a ton of small independents too; Monster Vintage (vintage clothes), the makers of Monster Garage (a TV show) and a company called Snow Monsters that makes soft toys. I've never owned a Monster Cable (I've laid a few though), but I understand their stuff is pretty expensive and pretty mediocre to boot. I think their aforementioned actions pretty much made my mind up that I didn't want to use their products. P
  4. Morning! Some of you might be interested in nice recent interview with Geddy over on [url="http://www.bassplayer.TV"]Bass Player TV[/url]. It's in three parts, an interview, a five/six minute piece with Geddy and his basses (all Jazz, all Signature/vintage/custom shop stuff - I was simply drooling at that bit) and a further five/six minute piece with his tech, showing his rack and the basses again. P x
  5. Hello all If you're in the mood for a change of look for your bass, suggest you try Pickguardian in the US. I've just recieved a custom scratchplate for my Waterstone from them and it's a beautiful piece of work. They do a ton of different guards, loads of acrylics and materials, great communications. Contact Tony Dudzik. Link: [url="http://www.pickguardian.com"]http://www.pickguardian.com/pickguardian/[/url] Cheers P
  6. [quote name='MacDaddy' post='35764' date='Jul 22 2007, 11:40 PM']wouldn't like to paint it though...[/quote] ...stolen from the wonderful Steven Wright. Now where did I put my powdered water? P
  7. I've seen Fender Highway One Jazzes and Precisions on the 'Bay for around £250 (from the US)...these seem incredibly good value secondhand, but obviously you have to factor in shipping and duties. Aerodyne Jazz basses (the versions with the pick guard) are great value - see my avatar - I owned one for a while until a disparate cash shortage forced sale. P
  8. As some of you know, I play a Waterstone 12-string bass once in a while. It's a rough Les Paul shape and I suffer from a bit of neck dive. The strap point is on the side of the body about an inch north of the neck joint. I'm curious...does anyone know of a bracket that can be retro-fitted (screwed!) into the neck-position strap point that could extend the strap button position towards a more Jazz/Precision friendly position? I'm sure Steinberger had a bracket like this. Cheers P x
  9. Am I too late to recommend a SD Basslines Quarterpounder? When the original failed on my 79, I thought active EMGs would be the best option, so ran it on a 19v circuit. Awful. Pulled that out and put a passive Quarterpounder in. I get everything from a great full-on Rickenbackeresque clank to lovely dubby 60s sound. You can pick these up for about £40 shipped from the USA on eBay. P
  10. [quote name='NancyJohnson' post='32134' date='Jul 15 2007, 06:10 PM']I lurve bass slolos. P[/quote] Awww, come on Nik, play the game mate. P
  11. [quote name='bass_ferret' post='31675' date='Jul 14 2007, 09:40 AM']Most people are left or right handed. I guess the acid test is which hand do you masturbate with?[/quote] Right now, I really can't think of anything quite sharp enough as a reply to this question. I've been married over twenty years you know. Much love P x
  12. This is mine: I'm waiting for a tortoiseshell scratchplate to come from the US (and it's taking a while) as mine shipped without one. The US retail is c.$1,400 and you'd have to factor in shipping and import duties on top of that. I run this through a POD with a little bit of distortion then through the POD's lo-cut filter which lets the octaves ring and most of the regular bass string signal through. One note: it suffers horribly from neck-dive, but a decent leather strap (with an untreated underside) helped. P
  13. Forget Dean and buy a Waterstone Tom Petersson 12-string. I was going to sell mine on a couple of months ago, but it's kind of gotten a new lease of life in the last few weeks. It's a great bass and yards better than those Dean models. Yards I tell you! [url="http://www.waterstoneguitars.com"]www.waterstoneguitars.com[/url] Cheers P x
  14. [quote name='NancyJohnson' post='31871' date='Jul 14 2007, 06:43 PM']Now this might be all wrong but... In the late 70s one of the guitarists I played with had a WEM/Watkins/Wilson? guitar...I think it was called a Rapier. He bought it in kit form from WEM in Chertsey, Surrey, and assembled it himself. I'd always thought that that was from where Watkins operated from, they always had loads of WEM stuff there and you could buy spares, valves, speaker grills, cloth etc. from there. Perhaps someone can confirm or deny whether they operated out of Chertsey...it would be nice to know a little more. Coincidentally, several of the older guys in our musical circle back then had WEM amps as well; I used to borrow a Dominator model ffrom one of them and he used to have a really nice white Watkins bass (a solid body, in a Les Paul style). Cheers P x[/quote] Just followed the link from above and read through the history...Caxton House in Chertsey. That was the place! My dad used to get his fishing bait just over the road from there, that's the only reason I knoew about the place. Fantastic! P
  15. Now this might be all wrong but... In the late 70s one of the guitarists I played with had a WEM/Watkins/Wilson? guitar...I think it was called a Rapier. He bought it in kit form from WEM in Chertsey, Surrey, and assembled it himself. I'd always thought that that was from where Watkins operated from, they always had loads of WEM stuff there and you could buy spares, valves, speaker grills, cloth etc. from there. Perhaps someone can confirm or deny whether they operated out of Chertsey...it would be nice to know a little more. Coincidentally, several of the older guys in our musical circle back then had WEM amps as well; I used to borrow a Dominator model from one of them and he used to have a really nice white Watkins bass (a solid body, in a Les Paul style*). Cheers P x EDIT *There's one of these on the Basses link from higher up this thread. It was a Wilson Type-W.
  16. That's a nice looking bass...very saucy. The chrome hardware looks peachy too (even though I'd have put black on it). Always thought that Tokai was probably the best of the bunch where it came to doing T-bird copies. That said, not for me...I'm gassing for a Highway One Jazz or a Geddy Lee right now. Hope it sells for you. Much love P x
  17. I don't want to be a fly in the ointment here...I mean, they look nice enough, some of the pickup configurations look interesting, but a quick glance at the price list (plus the option of a preamp for 200 additional euros) made my heart sink somewhat. Q. Why aren't people just getting a little tired of paying vintage prices for what are essentially a bunch of Fender copies? Sure, if they want to offer me an endorsement, I'll take a JMBass Custom 4-string, natural finish, with an additional MM pickup in the neck position too. No, make that a 5 string. I am on the cover of Bass Player after all. I deserve something free after all these years playing!! Much love P x
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  19. Here's another (oh, I've got a ton of 'em). I played in a punk covers band when I was about sixteen and supported a band at a college Valentine Day disco. The main act had a drum riser about four or five feet high, which had this huge kit on it, that our drummer used. Primed with cheap cider, we're pogoing our way through our set, dodging the phlegm and plastic glasses, when someone in the crowd throws a Party-Seven up towards the stage (for you youngsters, a party seven was a big can of beer that held seven pints). On it's way up, the can is spinning like a catherine wheel and the contents are squirting out...I arch my back, it misses my face by inches although I am wetted from the contents (sadly not beer, but wee-wee). It continues on its journey, before hitting our drummer full in the chest, knocking him off the drum riser mid-song. We were just falling about and in an instant that single event becomes local folklore. That drummer was Dick Beetham, who now owns 360 Mastering in London. Go check your CDs! Much love P x
  20. I don't know whether this counts as a bad gig or not... Quite a few years back I got roped into playing a short Sunday residency at a pub in Hackney. We got paid a pittance but on the upside we had access to unlimited beer and a nice Sunday roast. On the very last Sunday (and mid-set), there was some handbags over near the bar and then two fat guys started fighting, I swear I heard this guy's nose crack from the first punch (it still makes me wince thinking about it). Within seconds the whole place went off and there were maybe thirty people all beating the crap out of each other...it was like a scene from a Western, glasses were flying, someone was swinging a pool-cue around. I reckon it lasted under a minute and amazingly we kept playing. In hindsight it was hilarious, but at the time I was cacking my pants. Much love P X
  21. ...a rough and cheap Highway One Jazz is what I'm looking for...red too. Keep me in mind. P [quote name='dave_bass5' post='29858' date='Jul 10 2007, 04:45 PM']Its Red with a Rosewood board but im not thinking of getting rid of it just yet as its the only 4 string i have and i would like to hang on to it. Plus it looks a bit rough in certain places so i wouldnt get much for it even though i have looked after it.[/quote]
  22. [quote name='dave_bass5' post='29801' date='Jul 10 2007, 03:14 PM']I love my HW1 jazz although i dont use it at the moment as im in to 5 strings. I have one of the early ones but have put a BAII on it. Not sure it was for the better tone wise but the original bridge was very loose on a couple of strings. Its the only Jazz i have played so cant compare it to the MIA's but it does have a very nice jazz sound. plenty of growl. I also have TI flats on it and it does motown very well. As pointed out the finish leaves a lot to be desired. Mine looks like ui have had it since the 60's but its only about two years old. The pait seems to just fall off. I did read that this was meant to happen to make it look vintage but i dont believe its true.[/quote] What finish colour/board is it? Are you interested in getting shot of it at some stage as I just need something as a back up. P
  23. I saw this on eBay a couple of weeks ago. It's a Fernandes Thunderbird - it's a lot like the old Spector Thunderbirds Nikki Sixx played in the late 80s. Link: [url="http://i87.photobucket.com/albums/k129/mustang_axeslinger/lot17/mc14sixx/2.jpg"]http://i87.photobucket.com/albums/k129/mus.../mc14sixx/2.jpg[/url] Don't know about you guys, but this really popped my cork when I saw it. I loved the old Spectors that Sixx played...the Spector headstock on a T-bird body was something lovely...this milks that design. Much love P x
  24. There's a review of one of these over at bassplayer.tv. Movin' pictures and everything! P
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