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NancyJohnson

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Everything posted by NancyJohnson

  1. I hate to quote the blatantly obvious, but these basses have been cropping up in the US eBay for the last month or two. If anyone is so desperate for one of these and can't wait for them to arrive here, then get online and take a punt on getting one from the US - exchange rates, while not great, are favourable right now, but factor in shipping and duties and you'll at least have one a few months before they come out here. I'm sorry, but in these days it's a global market; you shouldn't need to say something isn't available or put deposits down and wait patiently for a UK distributor to take their thumb out their ass and get things moving. We all know how it works here...we get it later than everyone else on the planet and pay double for it too. P
  2. [quote name='Jobiebass' post='571055' date='Aug 16 2009, 09:10 PM']Ive never heard a bad word about them. I was gas'ing for one for ages until I got this shuker (which looks a lot like it actually except its just got jazz pups) Looks like they keep their value a LOT too, £600 new, £500 2nd hand. I was really tempted to buy it new even without hearing it first.[/quote] I picked up mine from the US - eBay. £345 at the time - incl. hardcase. shipping was c.£70. Bargain. The guy (seller was thomasldh) was selling Aerodynes almost exclusively at the time; he was knocking out dozens of them. P
  3. Clarky I've had a [i]none more black [/i]Aerodyne (I'm holding it in my avatar), a Precision Bass Special and going back a few years, an old Ibanez Roadster all with the P/J configuration. I gotta say from the outset that my old Precision was a completely different beastie to any of the aforementioned basses; it was thirty-odd years old and the pickup hadn't a Fender issue in fifteen years, so in truth I can't really comment on whether the sound is replicated. To be honest (as is the case with all my basses), I'd always tended to play these guitars with everything full on...no quarter. The stock Aerodyne was easily the best of the bunch. While I can understand the merits of each pickup, I've always have always tended to put as hot as signal as possible to the amp and then let amp do everything else. I've also very little experience of current Precisions. Gotta say though, when I saw the bass I posted, my heart did a little flutter. Best P [quote name='Clarky' post='570619' date='Aug 16 2009, 01:19 PM']Sorry, bit of a dumb@ss question but does the P pickup on a Jazz-bodied P/J (like the one from Guitar Emporium above) acccurately replicate the sound of a P-bass or does its placement (which looks slightly nearer the neck to me than on a P-bass) mean slightly different tonal characteristics?[/quote]
  4. [quote name='RhysP' post='569913' date='Aug 15 2009, 01:52 PM']The song was sh*te as well).[/quote] +1. There's too many [US] bands doing material like this and TBS don't particularly excel at it (any more)...I remember when the whole emo thing was kicking off...JEW/Midtown/Drive-Thru thing. I genuinely thought that TBS had something when the [i]Tell All Your Friends [/i]album came out. Watching that video was a bit strange too; the musicians have a strange visual presence...visually they looked a little like Los Lobos, with Pete Wentz on bass and Albert Hammond Jnr on guitar. Lakland BTW. P
  5. I really like this configuration; I mean REALLY like. I've had a couple of J/P pickup basses and can't really say anything negative about them. I can't justify any more basses though! £999 at The Guitar Emporium. P
  6. Highly recommended trade with Ville. Smoooooth. P
  7. I've had a DJ5 since last December. I hate to say I can't comment on P5, but I just didn't like what it looked like when I saw it, it just looked [i]wrong[/i]. I've tended to use the DJ5 as my first choice bass since then. It's comfortable and versatile. Love it. P
  8. I built something from parts about a month ago. To be honest it was a lot of fun sourcing stuff from here and the US, but on the downside, the sourcing of parts kind of preoccupied me a little too much...it was rather like an addiction. That said, it plays really nicely (with a minimum of tweaking), although I'm waiting for the control plate to come back to me so I can really fire it up. There's a [url="http://basschat.co.uk/index.php?showtopic=53575"]thread[/url] over on the build area of the site. It cost about £120.00 all in. I'd like to do another, but my good lady says five basses is enough. On the upside, I've had two requests to build others. One from a mate and another from a student I teach. I might. P
  9. Should hopefully be able to make it. 01. Silverfoxnik: Roscoe Beck V, Wal Pro2e, BC Rich Eagle, Fender Jazz V Deluxe, plus my recently acquired Eden Metro Rig 02. Merton: Status Retroactive, Mikey's Singlecut Fanned-Fret Prototype, LH500 and Barefaced Vintage 03. OBBM: StRay5, MB F1, UL212, something else. 04. Hamster: BFM Omni15 tallboy, Barefaced Compact, Fender P with Thumper & Villex PTB 05. Alex Claber: '87 Warwick Streamer, RIM Custom 5 with 36" scale and Q-Tuners, Avalon U5/QSC PLX3002, GB Shuttle 6.0, Barefaced Compact, Big One, Midget, Midget T, maybe Big Baby. 06. Johnnylager: Spector Euro 4LX, KSD Jazz, LH-1000, Barefaced Big Juan, DHA Custom Shop VT2-Twin-EQ-Bass with Tech Tube valves & whatever other effects I have at the time. 07. Happy Jack: Lightwave Sabre VL, Hofner 500/1 (1964), Hofner 500/5 (1959), PJB Bass Buddy + headphones. 08. MacDaddy. Custom Shuker (hopefully!) and possibly Hamer Blitz or Iceni Zoot. 09. Stingrayfan: G&L Tribute L2000, Yamaha BB614, Hartke LH500, Warwick 4x10 10. Chris B 11. Cetera: Pre-Kramer Spector NS-2, Wal Mk1 Fretless, Fender/AllParts 70's Jazz, Tech21 Landmark600, GenzBenzNEOX212T 12. Andyonbass. ACG Recurve, ACG J-Type, Pair of BFM Omni 10.5's 13. Waynepunkdude Fender Jazz, SX P Bass, DHA-DI-EQ & Ampeg SVT 5 Pro 14. Jakesbass Alembic MK5 Deluxe, German Blockless Wonder 1880 Double Bass (and the '78 Jazz if anyone wanted a go) 15. 51m0n (& Plux if he's not gigging): Bergantino AE410, MarkBass sa450, Focusrite Compounder, Roscoe Century Std V, (If Plux isnt gigging) Berg HT210, HT115, Hartke LH500 16. Floyd Pepper - Markbass LMK, Bergantino HT112 & EX112, Stingray '91 2eq, Lakland DJ4, Stagg EDB, Epiphone Jack Casady and a Fender '54 RI Precision 17. davidmpires - Markbass F1, Barefaced Compact, Spector Euro LX 5, T-Bass by Status 18. molan - MTD 535, Spector NS5XL, Zon VB4, Alembic Rogue, Traben Bootsy Signature (!!!), Epifani UL502 & some Berg AE1x12's + who knows what else I may have by then 19. Platypus - Alleva Coppolo Jazz 5, Celinder Jazz 4 fretless, Tecamp Puma 1000 + a cab of some sort. 20. Prosebass - Current Builds at the time, Hofner S7B, Laptop , sequencing software , + amp and cab 21. Monz - Stingray 5 (la bella flats) Matamp GT200, Simms-Watt PA 100, Matamp 8x10 + Whatever else I have bought buy then 22. Alien - Schecter Stiletto 4, Peavey Grind 6, Hartke HA7000, Alien Audio 2x10 + other toys. 23. EssentialTension: Lakland Skyline Decade, Fender Tony Franklin Fretless Precision (and who knows what else) 24. silddx - Warwick Corvette $$ 4, Warwick Corvette Standard Ash active fretless 4, POD X3 Live, (I am praying I won't have it by then, but I will bring the Kopo Lina fretless 4 if I do!) 25. Phil_the_bassist: MMSR5 w/JE preamp, Sandberg Cali JM, Steinberger synapse5 w/ extra pup, various fuzz pedals and envelope filters, whatever amp I happen to own by then. 26. Stingray5 - My StingRay5, StingRay fretless and Tune TWB-6 plus any other basses in my signature pic if people let me know. I also have an Aria AMB-50B acoustic bass if anyone fancies a go? Could also bring my GT6-B. Plus ('cos it's small) a BLX-80 combo. And some cans...? 27. Urb - 1 x Sei 5 String Single Cut - 1 x Sei 4 string Jazz bass - EBS and Boss pedals 28. dave.c - Spector Rebop 4DLX EX, Spector NS2000-4, Gibson SGZ,Hartke LH500, Hartke Hydrive 410 29. WalMan - Wal Pro1/Custom conversion, G&L L2500 US, MarkBass CMD121H, Epifani 1x12 (not the neo one but I can't remember the initials just at the mo), Bass Pod xT Pro, Marshall SuperBass 100 head 30. Bottle - Ibanez ATK-305NT, Gallien-Krueger MB2-500, EBS Pro-line 4x10 31. Nancy Johnson (Paul) - Waterstone TP-12 Tom Petersson 12-String bass. Tech 21 Landmark 300/Ashdown MAG 4x10/Ashdown MAG 1x15
  10. Yep, the same bass - I love the beginning of Don't Rush, but aside from Lizzy (which we do in the band but with a different arrangement), I haven't listened to those recordings in a while. New strings, straight into the desk. Yummy P [quote name='stinson' post='556921' date='Jul 31 2009, 10:43 AM']Stop teasing me with this thing! Is this the bass used on the Last Thee Standing recordings? If so it has an absolutley monster tone, not sure what else you were using with it. Very tempting [/quote]
  11. I had English Garden on vinyl and CD. God knows where it went. Five star album. P [quote name='RhysP' post='553212' date='Jul 27 2009, 09:08 PM']See if you can find the original version by Bruce Woolley & the Camera Club, there's a lot more guitar in it (it's more sort of XTC-ish). It's on the album "English Garden".[/quote]
  12. I'd like to try a Thunderbird for a jam just to see if I actually liked it...but even then I doubt if I really liked it I'd go the whole hog and get a Gibson; probably one of the new Epiphones, I'd like some lighter cabinets...my 4x10 is breaking my back!! P
  13. For the life of me I don't know why people love old strings. Anyhow, been on my Lakland for three jams, lots of life left and unboiled! PM me if you want them. P
  14. OK my final post here. The pickups just don't seem to be doing what I want; it's way too quiet, so for now they're out and a pair of MIJ Jazz pickups (that came with the body) are in. Everything is as it should be...the output is nice, loud and duuurty. They don't look so pretty in those massive cavities, but they'll do for now. Maybe some day I'll try again. Steve (Spartacus), cheers for your help and the PMs...at least I've become a bit more adept with a soldering iron, if nothing else. Best P
  15. D'Addario make an SL (super long) string - I had issues with the Lakland. I paid £24.50 plus about £7.00 shipping for two sets of EXL170-5SL from the US (eBay). They last for ages. P
  16. I always use a wide Levy's - black, neoprene material. Cheap, comfortable, long, long-lasting. P
  17. [quote name='Spartacus' post='540608' date='Jul 14 2009, 07:05 PM']OR IF YOU WANT TO SAVE SOME TIME CHECK IF THIS WORKS AS PARALLEL WIRING 1. Desolder the white and red leads from the pots. 2. Solder the black/yellow to the same point where you soldered the red in your pic 3. Solder the white/red together and solder that to the lug where you soldered the white in your pic How does that sound now?[/quote] First off, let me just put on record that the information on this forum is priceless, so thank you for this. I've gone the route above...the output of the bass has increased significantly and dare I say it, it sounds quite lovely, but (always a [i]but[/i], eh?), the bass is pretty noisy; some buzzing/humming. In an attempt to troubleshoot, I de-soldered and re-soldered each pickup in turn and then the tone control and none of this has really had an effect. Tried bypassing the tone altogether, still humming. Checked the ground wire to the bridge (on and off) and it's still the same (I've never soldered to the bridge). **Edit** Well after I posted last night, I took another look - the issue with the noise may just have been something to do with simply being too close to the amp - by this I mean my other basses are just very quiet. If I move away from the amp, the buzzing pretty much disappears, which is fine. It might be down to the pots being a little old, too much soldering etc. I have some new pots around and may go the route of taking everything off at some stage and use new pots, but right now everything seems OK. I'll repost later today if I suspect there's any problems! Thanks for your help...much appreciated. Cheers P
  18. OK, updates. First off, I've attached three photos, one of the plate, another of the bare cables from one of the pickups and finally the meter (that I loaned from work). Don't moan about my soldering skills! While it's messy, nothing is touching anything it shouldn't be. OK the readings. I did three readings with the meter set to the x100 ohm setting and recorded where the needle sat. The readings were: Cable colours/needle settings Red & White - 130 Black/Yellow & White - 80 Black/Yellow & Red - 80 In answer to another question, the black and yellow wires are pre-soldered to each other and were simply taped up and left to float. The red wire in both cases was soldered to the back of the pot, the white was soldered to the centre tab on the pot. Hopefully this means something! Thanks in advance... P
  19. Never really been a big Rick' fan, but all-black 4000 series are stunning. Lovely. P
  20. I've soldered the black and yellow together and run the red and white wires as per the Jazz diagram that Dave posted. I have sound - better sound - but the output [of the bass] is very woolly, a bit distorted and somewhat farty...there's not a lot of output either. It's very quiet. Both pickups are working independently now, in as much as I can turn the volumes up and down. The tone control works, but only really goes from super-woolly to woolly. On the upside, the earthing is fine! Not a buzz or anything. I'll have to put this on the back burner for a day or two - busy over the next two nights. Any further suggestions appreciated! Best P
  21. Cheers for the replies...soldering iron will be on in a couple of hours - I'm just back from Italy and haven't eaten anything in about 20 hours. Must get some food in me. P
  22. Can I just bump this if anyone can help. Cheers to Dave for the Fender schematic - already had that one! Cheers P
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