Happy Jack

This cab isn't just for DB but it's enough of a boutique DB item that it's worth posting the link to the sale thread here too.

Basschat first got interested in these over 10 years ago - I blame @Clarky It was that thread that led to me ordering a matching Crazy 88 from Guy Trigg (who seems to be no longer a Member here): https://www.facebook.com/trickyaudio/?locale=en_GB He was/is building them under licence from Greenboy in the USA: https://www.greenboy.us/ https://www.greenboy.us/cabs/view.php?model=Crazy88 Just to confirm those dimensions in metric: H 57cm x W 27cm x D 35cm, Weight 12.5Kg The cab is 4 Ohms.

So here's a game I play roughly once a year. I list a whole bunch of kit for sale (really not wanting to sell any of it you understand) and once a couple have actually sold 😩 I let the remaining listings slide down below the radar. Until the next time. I'm not selling because I'm desperate for the money, and if I was John Entwistle then I'd just keep the lot and have an ever-expanding collection, but the reality is that almost all my gigs are with PA support so my Crazy 8 is perfectly adequate as a stage monitor. Common sense says that this gorgeous cab should get back out in circulation. I have no interest at all in trades. Replacing a cab that doesn't get used with a different cab that won't get used seems like a complete waste of time and effort. On the other hand, much of my amplification is pretty non-standard or left-field and therefore hard to price, so I'm not absolutely wedded to the figure stated. I'm in Harrow HA1, close to Sudbury Hill on the Piccadilly Line, and I gig regularly throughout Beds, Bucks, Herts & Middx, with occasional forays into Surrey. Pickup in person is always preferable to despatch (from home, or a mutually-convenient pub, or at one one of my gigs), but I've had nothing but good experiences with DPD so if you live more than - say - 50 miles from Harrow then that's an option. Here's something pretty exotic. It sounds great with electric bass (particularly fretless) and quite outstanding with DB. It's not pristine. It's played enough gigs to pick up some scuffing to the grille and a couple of marks (see below) but it's a solid 9/10 on the cosmetics, and definitely 10/10 on performance. Simple, recessed carry handle so your amp can sit atop it. One side completely clean. The other slightly less so. That chip is about the size of the end of your thumbnail. Assuming your thumbnails are the same size as mine, of course. Can be daisy-chained and has a variable tweeter. Jeez! Would you look at the log scales on that!

Trying to wean myself off preamps for use at doubling gigs, so I'm listing a couple today. First up is this one: https://www.bassgearmag.com/radial-tonebone-bassbone-v2-pedal/ Famously built like a tank, it's a classic Swiss Army Knife of a pedal which does pretty much everything you're likely to need at a gig. The tone-sculpting allows either seamless switching between DB and electric or two different tones from a single bass, it has no problems handling piezo pickups, it's a great DI box, etc. etc. etc. Original power supply but - to my annoyance - I can't find the original packaging, even though I'm sure that I have it somewhere. 🙁 Condition is flawless & functional, very nearly pristine. That's why it's "very nearly" pristine ... four little patches of removable velcro on the bottom. Apart from that velcro, it's perfect. Everything works exactly as it should.

Happy Jack's Great Exotic Sale continues with this quite remarkable pedal. How to describe what it does? Best read this: https://www.soundonsound.com/reviews/audio-sprockets-tonedexter That review is for the original ToneDexter which is what I am selling. Original packaging, power supply & manual, as you can see. By its very nature, this isn't a pedal that gets chucked into gig bags and knocked about at gigs, so this is in pristine condition. If there's a mark on it, then I can't find it. Smaller than you'd think, too. You can't buy these new any more, but the V2 replacement is this one: https://www.andertons.co.uk/audio-sprockets-tonedexter-2-acoustic-guitar-preamp/?utm_source=google&utm_medium=organic&utm_campaign=surfaces&gad_source=1&gad_campaignid=20736322037&gbraid=0AAAAADujoUrZPlhasp7Z7MDPcIjO7Cnyt&gclid=Cj0KCQjwh5vFBhCyARIsAHBx2wzoSIwW07QUzI0kxlO4PRfLLAuySRBXjVY8ZKQoc6XWvrMM3LVfcRcaArDKEALw_wcB I used this a lot when I was gigging a Zeller ply bass and a Kolstein Busetto, both of those with utterly gorgeous tone, alongside my custom-built Ali-Kat aluminium bass ... which looks astonishing but can't even begin to compete on tone. These days, I no longer actually own a traditional DB of any sort () so the ToneDexter is getting very little use.

I should probably have mentioned that it comes with the original Owner's Manual.

I should probably have mentioned that it comes with the original Owner's Manual.

Very little used since Covid, time to move it on. Comes with all the little bits of cabling etc. Condition is as near pristine as you're likely to find. Full specs are here: https://philjonesbass.net/cms/product-ha-1/

Happy Jack's Great Exotic Sale continues with this absolutely lush microphone preamp. It's this one: https://www.soundonsound.com/reviews/warm-audio-tb12-tone-beast Original packaging, power supply & manual. Condition is pristine and flawless. I did a lot of recording during the Lockdowns (remember them?) which is when I bought it, but it's seen no action in the last four years. There's not even any "rack rash". They're still available new: https://www.andertons.co.uk/warm-audio-tonebeast-12-in-black/ Don't know if they still do the jokey slogans on the carton, though.

It's this one: https://www.gear4music.com/Drums-and-Percussion/Alesis-Nitro-Max-Electronic-Drum-Kit/5X88?origin=product-ads&gad_source=1&gad_campaignid=22254162605&gbraid=0AAAAAD_kjLRo3zwO3mh0fmvasQyqIkOBi&gclid=CjwKCAjwtrXFBhBiEiwAEKen1x5cMGLEUFPo8-kKRKrvLf-NHsy4ySpDH4t_qglX3ICtSswi_I5BhRoCX0UQAvD_BwE Almost complete leccy kit, all that's required is a drum throne and a kick drum pedal. When I took the photos I was intending to include the DW2000 but Paul the Drums heard about it and threatened to throttle me if I sold it. In fairness, the price wouldn't be so ludicrously low if it was still included. Replaced in my studio (The Final Junkyard) earlier today by a Roland TD-17 so this is now not only surplus to requirements but also temporarily available to post (although at quite a stiff cost, I imagine) because I have a bunch of drumkit-shaped cartons for a very limited period. Collection in person would still be better but, unlike a bass or an amp, testing would be decidedly tricky. The kit is 18 months old and works perfectly, up to and including my rehearsal last Thursday. It's done maybe 150 rehearsals with half a dozen bands, half a dozen drummers, and it's never ... erm ... missed a beat. Sorry. No sane drummer would ever choose this as their main gigging kit, but for rehearsals, home practice, or for a beginner it's ideal. Much lighter weight than the equivalent Roland or Yamaha kits, it's a very easy one person lift to move around a practice space or bedroom. It's also perfectly capable of gigging in confined spaces (small pubs, wine bars, etc) because apart from the small footprint it needs no floorspace to lay out all the hardware and cases required by 'real' drums. And no, the DW2000 is still not included.

Trying to wean myself off preamps for use at doubling gigs, so I'm listing a couple today. First up is this one: https://gearspace.com/gear/ebs/microbass-ii?via=gear_post_link https://www.gear4music.com/G4M/EBS-MicroBass-II-Bass-Preamp-Pedal/65B6 It's a classic Swiss Army Knife of a pedal which does pretty much everything you're likely to need at a gig. The tone-sculpting allows either seamless switching between DB and electric or two different tones from a single bass, it has no problems handling piezo pickups, it's a great DI box, etc. etc. etc. I've always run this off phantom power from the mixer so I'm including a new, boxed power supply. This has done a lot of gigs with https://www.lemonrock.com/damoandthedynamites so I won't claim perfect nick, but it's a solid 9/10. Everything works exactly as it should. Four little patches of removable velcro on the bottom.

The colour!

Very decent piece of rack gear, equally suitable for studio or live use (I've used it both ways). The two multi-way cable clips on top are there by self-adhesive stuff and will remove. I found them useful enough to choose to leave them there for the new owner. The original box is present, as seen in the photos, but not the polystyrene inserts. I'll use bubble wrap for postage. Original spec: https://www.behringer.com/product.html?modelCode=0602-AAI

Oooooh Matron!