Dood

Still wonder about this one! If anyone spots it, let me know!

[quote name='Twincam' timestamp='1454343205' post='2968742'] I like it. Good colours, some mojo its good that it has some fret wear so its been played and I'm liking the truss rod adjust system, does it still work?. Worst thing I hate about fenders is the heal truss rod adjustment pain in the ass. Always end up either scratching the plate and or having to take off the neck several times grr. [/quote] By luck more than judgement I replaced my pick guard with an off the shelf three ply with the notch cut out for the truss rod adjustment - and nearly all the screws lined up perfectly!

Super nice!!! I know I have mentioned this before, but I have a 40 year old Law-Suit P - and I love it. I found it, not in the UK, for what seemed like a price that would mean I'd be receiving a 'project' instrument, but even with it's bashes and wear, it still plays and sounds superb! Definitely a steal in my book. I'd have another tomorrow in comparison to the prices 'the real thing' are fetching.

Is the Zoom MS60B a 2015er? I think the Zoom B3 was the year before but both of those are pretty hard to beat for great sounds and value for money, though I totally had my mind blown by the TC HyperGravity Compressor pedal - though it has to be in conjunction with the TonePrint Editor software. Easily the best compressor (single) pedal, though I do have a couple of other real favourites. 2016 I hope will see the new bass compressor from TC on my board and I am looking for that illusive 'perfect drive pedal' too.

I was expecting to see a two word post when I clicked on the thread. 'Mute Switch'. I jest of course and agree that when a band member nails a sound or a groove and it is perfect for the song, everything just sounds better for it!

I do yes, but it's a detailed rat run of loops that I am messing with at the moment to get the tone I want. Peals, rack and effects stuff out the way, everything gets sent to a QSC Power Amp and a nice big Barefaced Big Twin II to make the whole lot loud and, hopefully a suitable replica of the sound I am sending via DI to FOH.

Ahhh, still in touch with Dave, he's doing alright

Danelectro's Longhorn bass (and even the reissue models) are made from 'Masonite' which is essentially strengthened cardboard. Still a great sounding bass if a bit quirky.

D'addario [b]EXL160BT[/b] 50-120 are great value for money as well as being ideal for the job, especially as you are already using EXL160 already. I didn't need to file the nut when changing from 45-105 to the EXL160BT and found that even Drop C gave me a good tension.

Actually, it's out now - the current issue of Guitar Interactive Magazine - www.iguitarmag.com

Yes, I have and there's a review video on it's way. Keep an eye on the link in my signature.

It sounds dull in comparison, yup. It can happen and no fault of the bass.

[quote name='Musicman20' timestamp='1453822254' post='2963118'] Makes me want to just go for a Shuker P bass to satisfy my craving for a perfect P. [/quote] Oh don't get me started! I craved the JJB and now I really want the Carbon-Lite... and one of the new Shuker Guitars too, which are beautiful!

[quote name='Bigwan' timestamp='1453824295' post='2963155'] Has anyone tried building a combined hpf/lpf pedal? Azure Skies over on TB seems to be making a bit of a splash with his. Some folk using the hpf like the thumpinator, others using the combination of both filters to replicate speaker cab frequency response before a DI. Looks like it would be a cool addition to a lot of boards! [/quote] Funnily, I'd spotted his posts too whilst looking for an HPF. I've a schematic for the Rolls SX21(I think) Crossover that Billy Sheehan uses. Could possibly doctor one of those, or even the Fdeck HPF also discussed on TB. The other option is something like the Focus pedal from VFE.

I sometimes surprise myself. For years I was solidly onboard all the time, (and I mean ALL the time it was practically unhealthy) even before the famous FBI database incident of 2004 - BassWorld anyone? However, thanks to a huge amount of upheaval this year, I'd say I have been away for longer than I have been visiting. I don't think that I'll be on as much as when the forum (BW that is) had a mere 30 odd users, but I won't ever leave. It's a bit like the Hotel California.

Aside from the product overview, I'd like to thank Billy for making the endorsement thing clear that I see SOOOOOO many people getting wrong. Who endorses who..

HG has four knobs on it and they can be configured how ever you want, including parameters other than that of the labels. The new bass pedal has just the one. So for a tweaker away from the computer / iPad them the HG maybe a good choice. That said, is set the new pedal up how I wanted and hopefully TonePrint editor will allow me to configure that control to do only the likely changes I'll need. Yes, that does suggest I'll have one, that is the plan!

Yup, all cool with me!