Misdee

[quote name='miles'tone' timestamp='1419815668' post='2642999'] Thanks for the info and helping to clear that up! Makes sense now, cheers [/quote] No problem, my friend,pleased to be of service! I'm a big fan of AJ's playing, but to be honest with you I much prefer his work on the pop records he played on in the 70's and 80's to the jazz and fusion stuff he has done subsequently. I can appreciate the amazing musicianship, but for the most part, that music is just not my cup of tea I'm afraid. This is the track that made me aware of AJ, and his playing on it is a masterclass in taste and subtlety: http://www.youtube.com/watch?v=qSx2HIi4dFg I love his playing on this track too.: http://www.youtube.com/watch?v=7RuxkqOg_jQ

[quote name='miles'tone' timestamp='1419278409' post='2638342'] Thanks for that. Not sure where I got the P bass thing from actually, always thought the O'jays stuff was a P. Great Jazz tone on the above vid. Any clips knocking about with AJ playing said Stingray? Edit: answered my own question.. Yes there are. Can't really see him clearly at all, but he is there sat behind the keys with a tobacco burst/maple Stingray: Chaka Khan Live TV Performance 1981 Whatcha Gonna…: [media]http://youtu.be/CIvYtfp66ro[/media] [/quote] Actually, AJ played and recorded primarily with a Fender Precision Bass right from the beginning of his career as a session musician in the early 1970's up until the late 1970's. All those tracks he did for Gamble and Huff such as the O'Jays were done with a P. He started using the Jazz Bass as his main instrument much later in the 70's. I've certainly never heard of him using a Stingray ever, so that is a new one on me! But I think that the answer to this riddle may well be that for some reason AJ is playing Hamish Stuart's Stingray. Hamish is playing guitar in Chaka's band and I recall seeing him playing an identical Stingray with AWB around 1979. I remember watching AJ play his Jazz Bass with Chaka Khan and it was very noticeable that he played right over the neck pickup and got a very P-like tone. He started using a six string on the Al Di Meola stuff in the very early 80's, but dissatisfied with the recorded tone of his Smith Bass he re-recorded most of Electric Rendezvous with his downtuned Jazz Bass.