Norris

I'm just going to have to listen to them on repeat at every chance I get to get them familiar. Sometimes it's as much to learn the structure, stops and starts as much as the chord sequences. It's not difficult listening though. Not a genre I normally involve myself. There again as a youth I played trombone in an orchestra, brass band and big band - and I wouldn't listen to a brass band out of choice even now The main reason for putting the effort in is the possibility of doing a fairly large gig next year supporting a major tribute band. I don't do "big" gigs often. That'd be fun

The drummer in my band has played in another band on and off for a few years and recently my guitarist has been helping out on their new album. The core of the band is a duo. Anyway we've got a gig coming up soon with both bands on the bill, and for convenience I'm playing bass. The other band is original Americana - a bit different from my usual weekend warrior 70s/80s "dad" rock. As I've also found out, it's a world away from the root & fifth country and western I was expecting. So I have a little under two weeks to learn 15 original songs, that don't have the usual I-IV-V chord sequences! Reputation on the line time! I'd probably enjoy it a lot more if I could shake off this lousy cold. They are good songs though and my first foray into original material

[quote name='Bilbo' timestamp='1478951616' post='3172892'] I guess its the same as painting. Here is a picture of a face - can you do something with it that makes it fresh. Chord sequences are only a part of the deal. The arrangement, timbres, vioces, melody, rhythm etc etc will all conspire to create a whole that is greater thatn the sum of it's parts. THAT is the Art of it. Being original is, in some ways, easier than sounding fresh using old material. [/quote] Eloquently put. The underlying chords are just a vehicle for the melody/riff/hook that makes a good song - at least they do in Western music. There are of course exceptions, but the majority of pop and rock songs will have some sort of chord sequence and usually familiar ones as they "work"

Maybe an old fashioned tea strainer might have large enough holes? Watching with interest...

There is beauty in simplicity. Keep it tasteful and don't overplay it. There are other non-country songs in your set for that

Most of the band-related posts on here will be gripes. People don't usually post to say how much fun it is. Not every vocalist/guitarist is an egocentric maniac. There are some bass-sympathetic keys players out there (although very rare ime)

http://pages.ebay.com/link/?nav=item.view&id=262676969453&alt=web He does two different versions - original spec or one functionally the same but with modern components. Edit: I'm in regular contact with him on another website. If you want to PM him I can give him a poke to make sure he visits BC to pick it up

Probably the best replacement pre-amps are made by Prostheta of this parish. They are available via eBay. I put one in my SB-1000, along with a replacement pickup from Rautia Guitars - about the closest reproduction you can get to the original

It's all down to how much the others want to improve. Every musician has room for improvement. Enthusiasm and a lack of ego can go a long way. And as someone mentioned, you can be in more than one band

Most of the ones that I have tried have been crap. However I was quite impressed with the Ampeg BA-108 that I recently got for my lad. It handles the low B on his 5 string admirably, seems full & tight when quiet, but has more to give if you need it. I'm tempted to get myself one now that he's taken it off to uni

I have an Indonesian Squier P-bass Special. Lovely thin Jazz neck, P body and P/J pups. If you can find one and don't mind the non-Fender decal it could be ideal. Cheap enough to replace the pickups for something to your liking. You can't have mine though!

"Warts and all" build threads are the best ones

I saw them a few years ago doing The Lamb Lies Down in its entirety - brilliant!

Just an idea - I'd practice shaking your glitter over a large area. If you put an A4 sheet of paper in a cardboard box, you could have several practices and recycle your glitter. I think the most difficult part (apart from building up lots of lacquer afterwards) is to get an even distribution

You would really need to take some measurements from your existing tuners, the post width being the most important. If I recall when I was looking for one for my Indonesian Squier, there are plans for each tuner if you look hard enough (it wasn't immediately obvious on the website iirc). There are too many variants to go by the description. With a few key dimensions you should be able to narrow it down to the best fit

A guitar part from Steve Hackett's Voyage of the Acolyte in the middle of I Feel Good (it fits so well!) Deep Purple's Lazy in the middle of Radar Love Hocus Pocus intro into Frankenstein by the Edgar Winter Band The Blue Peter theme in any song, in fact many depending on the level of boredom on the gigs that are not buzzing so much - usually perks it up when the audience eventually catch on

The body has a bit of a Peavey look about it

I've earmarked metallic flake for my third build, but at the pace I go at it could be some time. I was thinking CAR with gold flake I'm currently 13 months into my first build - a telecaster guitar (but with lots of details)

YOU keep the groove going. Occasionally it will mean going with the drummer, but mostly with the dominant thing going on - vocals or solo usually. Whichever keeps the flow.

An alternative to naphtha (which I think is a USA name) is lighter fluid. White spirit is an option but some brands contain heavier hydrocarbon fractions that may not evaporate fully

[quote name='Grangur' timestamp='1477254282' post='3160941'] Seeing all 3 replies are the same. It's a shame we all didn't know someone else was answering. [/quote] I think that qualifies as a consensus

[quote name='TimR' timestamp='1477116520' post='3159920'] Is this the whole project or just a particular song? I'd have been out after 4 weeks! [/quote] The whole project! We went through a few guitarists who had to get up to speed each time, until the drummer eventually decided that he wasn't into that kind of music! It's a shame because it was actually one of the best Floyd tributes I've ever heard - almost as good as the Aussie lot

After two years of weekly rehearsals... Keys/band leader: I don't think this is ready to gig yet Good bye

Could you have shorted out a few of the coils when you changed the covers? Fewer (effective) coils would mean less output. Does it improve if you refit the old cover? Edit: Or it could be a dodgy solder joint if you've played with it or disturbed it

Most pro musicians I know have a fall-back "bread and butter" band for when the tour ends, or even several. Plus teaching, guitar setups, etc. I'd go for it if I were you, but depending how much you earn and how frequently you play, you may well need another source of income