iamtheelvy

Yeah, my thoughts exactly... I generally use a .88 on guitar and a 1mm on bass... But each to their own... :-)

I always have a few spares on the mic stand, but not excessive numbers... On a slightly related note, watched this video recently: http://www.musicradar.com/news/guitars/therapy-bass-player-michael-mckeegan-reveals-his-rig-625040 If me eyes do not deceive me, those are Dunlop 0.6 and 0.73 picks that he holds at the end. Are these really considered heavy...?

Well, we've had confirmation that the pub is going to pay us slightly extra to cover the additional charges the system makes for the transaction to go through, so that's ok, but it's still an enormous hassle to go through for not very much money...

[quote name='E sharp' timestamp='1446123419' post='2897067'] Being brought in by Greene King , across the board . [/quote] Good (in a bad way) to know...

Our thoughts exactly... Seems major overkill for our beer money...

Hey guys, Anyone heard of or had experience of Invapay (http://www.invapay.com/)? My band have just come up against a venue that insist on using this as their method of payment, but looking into it you'd be singing up to pages and pages of Terms and Conditions including fees and VAT payments etc etc... We've never had an issue with cash in hand, or bank/paypal transfers before, but this seems to assume that we're set up as a business! To make it clear, the money we make from gigs barely, if ever covers the cost of rehearsals, equipment, fuel etc, so this is not our living, but we don't want to be losing additional money!

Interesting... I've heard a lot from people raving about Aguilar's HiFi qualities, but I suppose it's all individual perceptions...

As a thought, has anyone tried running a Aguilar preamp into a Markbass power amp? Best of both worlds, or major faff for no benefit?

Bringing up a bit of an older thread, but it's around the decision I'm looking at at the moment. Currently using a Markbass 115 cab with a GK 1001-II head and looking to move to a lighter, smaller amp. I like the tone at the moment, but would prefer something cleaner/flatter/more transparent. My OCD side would prefer to keep it all the same company, but I'm quite tempted by the Tone Hammer 500, especially as I'm also considering the TH preamp/DI pedal for when I'm playing ampless.

My church board currently consists of an OC-2, Darkglass B3K and reissue DOD Meatbox. Seeing how far I can push the concept of 'bass'...

Andertons here too. GAK have only just got stock in so may have been delayed up til now.

Well, gave it trial run this morning. More extreme settings were fun, but a little bit overkill for the setting. More experimentation to be had, but I found quite a good subtle setting with low Octave settings and a slight boost to the two eq knobs. This gave a subtle boost to the sound without being overly effected. It may sound like too much, but this actually sounded good used in conjunction with my OC-2, using the Meatbox more as an eq pedal to emphasise the octave effect.

Couldn't say, not having the original model, but it's pretty powerful!

Btw, the above seems to be the best setting. On an unrelated note, I'm just off to replace my amp now...