xgsjx

Test it without the looper before assuming it's defo the looper. Most likely it is, but there's also the PSU.

Have you tried this without the loop?

The Roland ME50b is about as simple as it gets. If you know which effects you want, then I'd go for separate stompboxes.

Last time I used a chainsaw it was painful. Not so much for me, more so for the ex guitarist.

[quote name='RAY AGAINST THE MACHINE' timestamp='1362575193' post='2001495'] Used to be ..rock covers (I'm a metal head ,) Wanted to play in electro metal( ministry /front 242 etc ) never happened. If I were to join a band again, I'd go for tangerine dream meets tool kinda band. [/quote] Satsuma Spanner?

Worth asking for a chord chart, but if he hasn't got one (which may be most likely), then learn 2-3 songs. Sit & listen to a couple that you think you can create a good bassline to that will show your skills (use a mix of simple & complex to suit the song). I listened to a few tracks & worked out the chords when I joined a singer/songwriter & he liked the basslines that I came up with, so it should be a doddle for you.

If you're wanting an Ibby, have a play on an SR (now the prestige range).

I started on keys & did a couple of solo gigs in the late 80s playing instrumental stuff like Tangerine Dream & JM Jarre. Then decided to join a band in the early 90s & played rock covers (GnR, The Cult, Led Zep, etc). Then went on to do some thrash (Napalm Death, Megadeth, Metallica). Then in the late 90s, got into computer music & spent a lot of time writing chillout/trance (& even some happy hardcore). Joined an originals rock band in the mid 00s that ended up doing all sorts of stuff, from rock, punk & blues right through to reggae & jazz. Me & the singer from that band then made another band to do songs that wouldn't fit in that band. A mix of folk, americana, jazz, blues & experimental. Spent a few years playing in the church band. Now trying to form an acid jazz/breakbeat band (maybe with some dubstep thrown in there for good measure).

[quote name='plunkrock' timestamp='1362472207' post='2000075'] I hope that's your finger... [/quote] Do you really think I've got a hairy finger? It's actually my thumb!

Here's mine...

I got shown these for the 1st time at the start of January. The would be singer sent a link for the Cromeo one (he would have made a good singer too, but he felt he would let us down). We was gonna do a cover of Can't Get With That. Thanks for reminding me of them

Well done Lowdown. Nice track & well deserving of winning. Interesting choice of pic. I might try something completely different, we'll see what the pic throws at me.

Load of codswallop! I've listened to most of the bands on here & they're all dire. Sorry I couldn't resist that. I was gonna put more, but thought against it. There's a lot of good music on here.

[quote name='Jah Wibble' timestamp='1361985324' post='1994074'] Ah cheers XGSJX, some great advice. Yeah am definitely after a filthy/evil synth sound, but want to put together some un-usual sounds too- been in touch with the fuzzyroucious guy a few times, gonna have to put in a order at some point. As for the SA BEF, bought it in the US and didn't but the hot hand as the store didn't have one to try out. Do you use it? Any good? [/quote] A few folk say a compressor is good for helping the synth sounds, but I've not tried one that I like (as yet anyway). I find the essentials for a decent synth sound are octaver (or your synth), dirt & a filter, but like I said before, playing about with gear is the order of the day. I don't have any SA gear, but there's a Facebook group dedicated to making wobbles & a lot of the guys on there have SA gear & Will Cady from SA is a regular on there (he's at the London Bass Show this weekend). Have considered getting the Hot Hand 3 to use with my Moogs though. Here's the group page... https://www.facebook.com/groups/265330523479274/

Well tonight was the night & it went.... It did indeed, went. Singer texted me last night to say he can't make it as he's working late, this is the guy who told me that 9:30 on Wednesday would suit him best as he finishes at 8PM! Guitarist Facebooked me to say that he's cut his thumb on his right hand & can't hold a pic, so will give tonight a miss. DJ Facebooked me to say that he has his tax return to do as it needs to be in for Friday. Drummer was fetching his friend along who is a multi instrumentalist & a singer. I texted him at 6:30 PM to ask if they're still good for tonight & got a text back at 8pm to say he's in Dundee (@25 mile away), but good for tonight. So I thought a 3 piece would still get a good jam. 9:30, I turn up & texted him to say I was setting up. 10pm I get a response to say he's having car issues in Dundee & would arrive asap. Replied saying "no probs" & then sent another at @ 10:40 to ask how things was going. Never heard anything back so ended up leaving the studio & paying for it at @ 10:50. So a waste of an evening (though I did get a lot done to the kitchen today). I'll see how things pan out when each of them ask how tonight went & I tell them that no one turned up. But I can see me scrapping the band idea completely if this one doesn't work.

That's a nice selection of pedals. I take it you're after a synth sounding setup? If so, try this to start with: Markbass SS > Bass Balls (or Blowtorch) > SA BEF (do you have the Hot Hand with it?) > Chorus Now it really depends on how you use things & what you want to sound like. You can add any of your other pedals to the chain & change any of the ones you have. I'd play with each of your pedals individually, without any others on. Stsart with bass > SA BEF > amp. Play about with it & find out if it actually filters how you want a filter to do so. Then try each of your other filters, one at a time. Then move on to another pedal & find out how it sounds & what it does. It's a slow process, but you'll get a lot of fun out of it & learn about what your pedals are capable of.

[quote name='Jah Wibble' timestamp='1361892084' post='1992558'] Well.....I've put it all together and it sounds............................pish. [/quote] What pedals have you got?

Someone has a good Billy Sheehan quote in their sig. Something like "You should only move to 5 strings after spending a good bit of time on 4. A minimum of 20 years". I'm still on 4 string despite having played for nearer 30 years. So on that note, I'm gonna suggest 6 strings (& maybe a drone string too).

[quote name='Slatfatf' timestamp='1361836818' post='1991883'] Mr Brightside, cack song.. I enjoy playing the bass part to it though. [/quote] I've just formed a new acid jazz/breakbeat band & our 1st get together with all of us is tomorrow. I did ask everyone to choose a song or 2 that they'd like to cover. The singer is the only one who's so far came back with a song, yesterday he sent me - Mr [s]Sh[/s]Brightside! I suppose it might make a good drum n' bass/dubstep song. Just listened to it again, maybe not.

That's if you like the sound of new strings. It's 2 year old strings for me.

For an extra £5-£15 you could get a s/h Boss OC2 or OC3.

A box even the size of a single Moog pedal that has the filter & LPF capabilities without the sequencer section of the Bass Murf, but with (internal) routing possibilities so you can send lows clean & play about with everything else would be an awesome pedal in itself. Forget the octave & chorus options, they are small enough pedals to not worry about.

[quote name='GarethFlatlands' timestamp='1361568168' post='1987857'] I'm not sure about the feasibility/cost of the expression or CV control although it has crossed my mind since I posted that. I guess the ability to turn the dirt on/off is tied to that feature, or would that be useful anyway? And can you explain the CV thing a bit more? I'm a bit clueless about that kind of thing. It'll probably be internal DIPs for the fine tuning of frequency selection but it's very much at the idea stage at the moment so it's very much up in the air. I like the look of sliders though and they'll be easier for onstage tweaking. I like it! As for the extra effects, not on the prototype but maybe one day! [/quote] With the Moog pedals, a lot of the parameters have CV control sockets, so instead of having to stop playing & bend down to turn a dial, you plug an expression pedal into the socket for the parameter that you want & can continue playing. I have a pot on my bass with just a TRS socket attached to it, I take a lead from the bass to the moogs & can adjust whatever I'm plugged into on the fly very quickly. Here's a long winded vid of my board that doesn't show enough on what the dirt side of things can do... http://www.youtube.com/watch?v=Z73FWmWNQbA

Now if you could have the filter controlled with an expression pedal & also have an envelope follower that has a CV in for controlling the amount. Have notched sliders for what frequencies you want to affect, the ability to turn the distortion on or off & have the filter still in place. Put an octaver at the start & chorus at the end , sell it for less than £300 & I'll buy it!* That would replace my pedal board as it stands now. * It has to sound great too.