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JapanAxe

⭐Supporting Member⭐
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Everything posted by JapanAxe

  1. I use a piece of that tacky rubber mesh sheet that people use to stop things sliding around on their car dashboards - available quite cheaply from places like Wilkinson's and the Range. You might need to cut a hole for the cab handle.
  2. [quote name='icastle' timestamp='1428503043' post='2741891'] Ole! [/quote] Actually 'Ole!' is a misquote of 'Vale!', which sort of means 'OK!' *expires and joins discreet in mass grave dedicated to victims of own pedantry*
  3. Just popped into Bassgear and while I was there the deal was being done for the sale of this bass. I had a bit of a chat with the buyer who was a really nice chap. You heard it here first!
  4. Packing up after a gig, hopped up onto the lowish stage but slipped and barked my shin - under my full weight. It was painful for days. Another time I was opening a gig bag pocket and caught the velcro down the side of one fingernail. It made a painful cut which then became infected. D'oh!
  5. Come on down, the price is right!
  6. I don't know whether you're familiar with the Tubetone control on TC amps but it adds a layer of overdrive to your clean sound. Is the OB1 capable of adding just a little lightly-driven signal to the clean, almost as 'colour'?
  7. [quote name='dogload' timestamp='1428484612' post='2741647'] I'm very interested in this (although I have no idea how I would collect it...) but what do you mean by "...[color=#282828][font=helvetica, arial, sans-serif] there is still the occasional click here and there."?[/font][/color] [/quote] My original description refers to background noise - the level of hiss is a fair bit higher than what we are used to from modern amps, plus there is some random low-level snap, crackle and pop going on. You would notice this if no other sounds were going on, but not whilst playing, especially with other instruments. When I fired it up yesterday it was a bit worse than that, because there was also a crackle on each note. It is the same on both channels, so I swapped out the two 12AX7 valves in the common signal path but there was no improvement. Valves can be noisy but still test ok so ideally I would like to try swapping out the EL34 output valves and seeing whether that makes a difference. Until I can do that or otherwise get it sorted, here is the deal: [u]Potential buyer can try the amp at my place or within 20 miles of Swindon and I will consider [b]reasonable offers[/b] based on the likelihood of some remedial work being necessary.[/u] If you have a pair of EL34s you can bring, so much the better! Thanks for your interest
  8. Pics aren't working for me in Chrome, Firefox, or Safari.
  9. So did any of you [i]buy[/i] anything?
  10. [quote name='bertbass' timestamp='1428359010' post='2740630'] I ended up with an amp that was only half the wattage ... [/quote] I wouldn't be too hung up on that, it should still be plenty loud - the perceived difference between 500W and 900W is not all that much. [quote name='bertbass' timestamp='1428359010' post='2740630'] The most annoying thing is that for about a year I had a spare Streamliner just in case but as the original one seemed to be reliable and I was short of cash I sold it a few weeks before this one died. [/quote] Now that is annoying!
  11. Freddie's a nice bloke (I've met him), and he's got some great [url="http://basschat.co.uk/topic/227935-freddie75/page__p__2543442__hl__freddie75__fromsearch__1#entry2543442"]feedback[/url]. If you want a Streamliner, get in now while you still can! GLWTS
  12. [quote name='Bobthedog' timestamp='1427911822' post='2735837'] Perhaps it is just because I have just bought one, but am I seeing more 5s for sale than usual at the moment? Are they really that hard to switch too? I am slowly getting into mine and yes it tough due to string spacing but it does not seem too hard. I have read some technical bumph about why studios do not like the B string, but why are there so many for sale? Thoughts anyone (humorous ones too are acceptable)? [/quote] Reverting to the OP, I am sure it is not uncommon for a 4-string player to buy a 5-er and then not get on with it. The number for sale in the BC market place could be a reflection of this, or of their continuing popularity. You do see quite a few people saying 'great bass but I've decided to stick to 4 strings'. As has been mentioned, there are various factors that can make the 5-er that bit harder, chiefly neck width and continually going for the wrong string. I have to admit I have only gigged my 5-er once in the 18 months that I've owned it, and that was because I wanted to prove to myself that I could do it. It went OK except on the songs where I had to take lead vocal, and then there just seemed to be too much to compute! Nothing that can't be overcome with practice though.
  13. Great - now I have Super Compact envy! Seriously, thanks for that review, seems to be a boss bit of kit.
  14. [quote name='planer' timestamp='1428354148' post='2740573'] I reckon that's well worth the current price... 99p [/quote] ...except no-one has yet bid 99p!
  15. Plywood eh? Quality!
  16. Now reduced to [size=5][b]£375[/b][/size] delivered.
  17. Now reduced to [size=5][b]£160[/b][/size]. It's a steal!
  18. [s]Here's why I sold my Rickenbacker[/s] No no no NO [b]NO![/b]
  19. I gig my '73 Precision, and indeed bought it [i]to[/i] gig. Just make sure you check it out in person before you buy. And if the electrics work, they work.
  20. [quote name='Andrej' timestamp='1428151365' post='2738525'] I know this is a noob question... ...[list] [*]When and why do you look at the drummer or at the other instruments? What triggers that decision? [/list] [/quote] Just gone back over this thread. (1) Your questions are very good ones, and many 'noobs' would not even think to ask the, so +1 to you for that. (2) We all seem to have ignored the last question. Some the best advice I've ever heard was 'watch the singer, listen to the drummer' - they will give you your cues for stops, change of section etc.
  21. [quote name='discreet' timestamp='1428266054' post='2739801'] Yes, there exists some ridiculous post-punk stuff from 1979 which found its way onto YouTube. So this is how the 19-year-old me played bass. I like to think I've improved since then... [media]http://youtu.be/hiI1zUsY2O0[/media] [/quote] I note (1) an abiding fondness for moody monochrome semi-profiles, and (2) a bit of a Tom Verlaine influence?
  22. I was supposed to be playing tonight but a bout of sickness & diarrhoea has put paid to that
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