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M@23
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34”. Great B though ☺️ -
Pink label, serial dates it to July 1997. I love the sounds of this chorus, it is warm and lush and I’ll probably regret selling it, but as is, everything not nailed down needs selling! Located Isle of Wight, price includes recorded delivery. Also, it was quite difficult to price. So please let me know if I’m miles off here. -
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Times are tough, so unfortunately I have to make attempts to sell my bass. Made in Japan Yamaha BBP35 with Yamaha hard case. The bass sounds excellent, plays wonderfully and is in good condition. Yamaha say: Made in Japan, this is the ultimate BB, featuring an Alder/Maple/Alder construction treated with Yamaha’s unique IRA technology, a six-bolt miter neck joint, and a diagonally strung convertible bridge. I’d say it is in “good player’s condition”. It came from Bass Bros as it is today, described and sold as “immaculate”. Which it isn’t, if you’re a collector. The pick guard and pickup covers have dulled from play and there is a mark behind the bridge where the previous owner had let the B string rub the finish when changing strings. At least, that seems mostly likely cause to me. the neck and headstock ARE immaculate. There are no dings, chips, dents of any kind. It’s just a really lovely bass, they’re my favourite and this one feels and sounds (somewhat) like a vintage instrument. It does everything well in its own BB-esque way. Weighs in at a shade under 8.9lbs, which is pretty light for a BB! Located Isle of Wight, collection from here, Southampton/Portsmouth/Lymington preferred.
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Apologies wrong forum!
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Exactly this, nailed it. What a stupid thread.
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Can work brilliantly. I did it for years in the last band. There’s a huuuge thread on the subject:
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I bought a Sadowsky MV5, Japanese one that was superbly built - as they all are/were, but after the initial excitement of having a Sadowsky subsided, on gigging it, it just wasn’t for me. I bought a Sire V7 as backup and preferred mostly everything about it. So while I agree the Sadowsky was objectively “better”, I didn’t prefer it and it wasn’t a better gigging tool, for me. These “what’s better” threads are a great way to build a shortlist of stuff to try - but if you’re like I was at the time and just trying things on a whim based on internet praise and appreciation, it may not be a keeper, even though it is the “best”.
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- 5 string bass
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Grabbed this from Facebook for less than the cost of 3 pints! Surprised to see it’s from July 97 - it’s in great nick and sounds wonderful.
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Cool 🙂 be nice to see a passive 5 string P bass, please.
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Yep, one at BassBros, which has some fairly distinctive marks - so worth a look. Do you have a record of the serial number?
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I’ve had lots of their products, like many here. Only ever a LM2/3 and Ninja head, but multiple variations on the 122, 112, 102 cabs and have had great experiences of them all. The piezo is annoying playing at home, but I’ve never struggled for top end. I’ve always liked the sound of them and never had to work at it or add EQ pedals or ext preamps. Perhaps a bit marmite, but if you like, you like.
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Yes, Fender flats definitely have green silks. Made by D’addario, maybe. I really like ‘em.
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SVT-CL, in the lead because it’s just right. Then there’s loads that do a great job, but I’d tip my hat to Markbass, prob the LM3, as IME, it’s super reliable and sounds great for every gig. Then, the Fender Rumble, as above.
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Shame that shell pink is reserved for the 4’s.
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This used to be my bass before it was Ian’s. As he’s already said, it was fantastic. Seeing that picture fills me with regret at selling! This was an Am Pro I. A few months ago I bought an Am Pro 2 to fill that gap and it fell well short. I love Fender and bought the Pro I blind, and it couldn’t have turned out any better. But the II was terrible. I have no idea how it got past QC. So I would suggest, as with all mass produced basses, from all non-specialist retailers, try a few and buy the best. That black Pro I, I would put against any bass I’ve owned. The look, feel, sound, low B, top to bottom it was just class.
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Gibson 1974 Ripper Alder Old Shape £750 - *SOLD*
M@23 replied to spinynorman's topic in Basses For Sale
That’s a nice price for a nice bass! -
Price includes postage. Great pedal, as new condition, just have figured that it makes sense for me to go back to a multi like the Stomp, rather than build a new board. -
The combo is ace. Let us know how it goes for you, but I found it plenty as a standalone. Kept up with drums, projected well and sounded great. Sure, it’s a super 4x10, but the combo alone is very capable.
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Ace, great write up. Frightening warm up act to follow there! Wow. Also, Yampeg. Dunno why I’ve not heard that previously, but it’s a part of my vocab now. Would love to try one of these rigs, I play that same Yamaha bass (well, the 5) and love what they’re producing right now.
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The 210 cab is about 4kg heavier owing to the ceramic magnets, but I actually find it an easier carry as the inset side handles are solid.
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Same for me 😂🤦🏻♂️ The combo is very capable, the weight/tone/power made it a clear winner.
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I’m pleased with mine too Lozz, just a really solid bass amp aren’t they. Very easy to get a good sound out of. I just added the Rumble 210, for no other reason than I thought it’d be fun. The combo is plenty loud enough, mind you and really punches beyond its 13kg!
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Same for me with the 735 vs P35. The 7 was cool, looked and felt great, but I just didn’t love it, unlike the passive P35. I’m now on the hunt for an older 415/425/1025 too! I’d bite your hand off for that vintage white 1025 now 😂
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Hmm, tempting. I’ve recently acquired an MXR EF and love it. Will ponder this, please don’t hesitate should a buyer come forward though!
