Born 2B Mild

[quote name='jacko' post='504957' date='Jun 3 2009, 07:22 PM']ignoring the tosser replies, Hutch is a brilliant player. As a long time Bonnie raitt fan I've got to hear how huthch's playing has developed over the years. Live, he has a perfect tone and despite what was said above, every bass change resulted in a different tone that ws just right for the song. His fretless playing is sublime.[/quote] +1 ...not just because he's one of my top inspirations for bass but he has to be defended on the bass changing comment. I've seen him play live a few times but watch a Bonnie Raitt video if you don't believe me. He goes from a Modulus to a Washburn electro-acoustic to a fretless or whatever because he's responding to the song and its needs for a different texture. The result is noticeable and complimentary.

Great name for a band ...The Global Mods lol All sounds good Ped 'n Kiwi.

is the 1212L a 4ohm? If it is I'd of thought it could go damn loud.

[quote name='warwickhunt' post='501736' date='May 30 2009, 04:13 PM']If you are considering a change why not get a seperate preamp and a digi power section that will do 2 ohms?[/quote] Mmmm. I believe the Shuttle can work as a pre-amp. What sort of wonga is needed to add such a power amp? I've got a feeling I'm not going to like the answer! Edited to say a big [i]thanks [/i]to all other suggestions, which I have found most useful, whilst I way up the options. I'm not sure how soon I might want to change things now, but I intend to go on researching it.

I do like my Shuttle, it's the best (and loudest) amp I've ever had, but there are times when I'd like to use three 8ohm cabs. If I replaced it for an amp head that could do 2ohms, what should it be? The lighter the better. Your suggestions are sought.

Jake, come to Harrogate for a weekend and get free B&B at my place!!!

I'd love to have lessons on this stuff. I don't work well on voluntary learning, so deadlines and embarrassment help my motivation. Anyone in Harrogate hot on this stuff? (Sorry for a slight hijack of this thread)

I've had, from fellow BC members, a 1210R & two Bergo 1x12. All were great, but have now moved on (to other BC members). I'd really like an 8 ohm 1212L to sit on top of my Eden D115, but can't afford a new one at the mo. Interestingly, on the Schroeder website, there are comments to the effect that you don't need a 15" as their 12"s have a lot of bottom ...then they sell 15" cabs!

Have you considered [url="http://www.eden-electronics.com/products/amps/indiv/wtx500.aspx"]the lightweight Eden amp?[/url]

[quote name='skankdelvar' post='490207' date='May 16 2009, 10:34 PM']Kiwi! [i]You [/i]could do it![/quote] It's true. It is your destiny CK. You have the insight, NZ has the timber. Don't let us down.

[quote name='The Bass Doc' post='489949' date='May 16 2009, 05:09 PM']The nut Slots can be cut down to close to zero to assist the hard work of 'fretting' at that end. The whole idea of the correct nut height is to clear the first fret so now that it's not there you can go lower. Hope this helps - can't see any benefit in shimming at this stage .[/quote] Good tip. I'll try that too.

[quote name='greyparrot' post='489140' date='May 15 2009, 05:54 PM']Pc recording is great and this unit can also be a front end for DAW programs, but this is a dedicated recording unit, and unless you have a high speced super quite pc pref not running internet or anything else, and dedicated top notch flat sounding soundcard i would prefer this unit. Pcs have endless gliches and data loss etc, this will not. Of course there is a mac, but they are around £800. TO BE FAIR PC RECORDING is great, with endless possibliltiys, but take an age to set up and keep them running glitch free is not always easy. I have worked in recording studios as an engineer, and the problems that happen using pc recording is awful and sometimes mind blowing to say the least. For no fuss H.Q. recording direct to CD this really takes some beating.[/quote] I think that's very well put. I use both PC and hard disc recorder. But for keeping focussed on the music, in a basic record and mix way, I think a dedicated unit like this is just right. And, it gets me out of buying (my son) a new Mac or PC

I'm signed up for BCTV too. BTW, is there a Basschat Myspace?

[quote name='grimbeaver' post='483259' date='May 8 2009, 07:57 PM']Hiya, I have an eden metro combo and 115 extension cab, I have them set up in my garage/rehursal room with a PA, drums etc, you will be more than welcome to come over and have a thrash and a brew. I have a 215, and 210xlt, 210xst,410xst and wt550 by eden and you can bash away with the lot. be nice to have a chat with a fellow basser, I may be selling the metro if its what you want, no problem if not. I am in Blackburn so its about an hour from harrogate Rob[/quote] Hi Rob, Thanks for the invite. I will take you up on it if I may, though previous commitments may mean it will be a few weeks away. I'll PM you when I can see a gap. Cheers.

[quote name='jwbassman' post='482876' date='May 8 2009, 12:52 PM']I've got an MRS-1266 (earlier version of what you're looking at - 12 tracks not 16) - had it a few years now and it's been great. Managed to get some good results, it has good on-board effects and is pretty intuitive. The learning curve is not too steep and once you master the basics it's easy. Recording is pretty straight forward and you don't need to be a rocket scientist to get to grips with the editing and mixing side of things either. I would imagine that the newer version has some better components (bigger HD, better connectivity etc) so if the price is within your budget it provides a good alternative to the Computer based approach IMO. If you've got further specific questions drop me a PM...[/quote] Cheers. I'm thinking of it for my son. I've already got a similar machine ...the Yamaha AW16G, but rather used his own!

[quote name='slaphappygarry' post='481427' date='May 6 2009, 09:27 PM'][url="http://www.soundonsound.com/sos/aug07/articles/zoom_hd16.htm"]http://www.soundonsound.com/sos/aug07/articles/zoom_hd16.htm[/url] They did a review last year and said some good things. G[/quote] That's useful, thanks. My googling didn't pick that up

Just found this being advertised for £399 at PMT [url="http://www.pmtonline.co.uk/index.asp?oid=2677"]http://www.pmtonline.co.uk/index.asp?oid=2677[/url] I've searched around Basschat, but can't find a previous reference. I was hoping someone might say if they're worth buying. Full spec on [url="http://www.zoom.co.jp/english/products/hd16_8/index.php"]http://www.zoom.co.jp/english/products/hd16_8/index.php[/url]

[quote name='jonthebass' post='481017' date='May 6 2009, 02:15 PM']What about hiring a decent pair? Also be aware of P.A. volume and feedback issues with lapel mic's - it can be awkward to get the levels you need.[/quote] Mmm. I just hope I can sort the feedback bit out in situ. I have just got a price on a week's hire for a pair of Seinheisers: including VAT & Insurance £230. If I can beat that for an actual purchase, I hope to persuade the treasurer to let us buy rather than hire, on the basis that it will save money over two or more of our conferences. And I'm assuming that within the price I get all the gubbins to make 'em work!

[quote name='maxrossell' post='480141' date='May 5 2009, 05:32 PM']Nah man, fifty apiece should get you something pretty decent. Look at Shure, Sennheiser and AKG, three brands which all do good and reasonably-priced stuff. There's other brands too, but I don't know as much about them although they may have some cool stuff.[/quote] Thanks, I'll start Googling for a reputable supplier.

[quote name='crez5150' post='480114' date='May 5 2009, 05:17 PM']What's your budget?[/quote] Is £100 for both too cheap? Maybe more if it can be shown to save money over two conferences.