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molan

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Everything posted by molan

  1. molan
    Check out Alex Lofoco. He's seriously good at double thumbing and I know he teaches as well
  2. molan
    Good question, My '64 P came with its original case but the poor old thing has definitely seen better days and could do with some TLC. I've not come across anyone who can restore old cases
  3. molan
    Before you start opening it up it might be worth simply whacking a jack lead in and out of the socket over and over again. Then flip every rotary control back and forth repeatedly. It's amazing how sometimes a head can just 'lock up' in certain positions if it isn't used for ages or is simply left with every control pot in the same position. TBH it sounds like it needs more than this but it's worth a try anyway
  4. molan
    Just read a review that suggests it's possible to remove the AG500 head from the combo and use it separately. However a 'standard' AG500 head isn't usable in the combo because it's lacking the 6 hex bolt fixings to lock it into place. Do you knowif this is correct? Also - I think the cab might effectively be a GS212 (I know the 1x12 combo used a GS112 as a base) don't suppose you know if that is right as well?
  5. molan
    [quote name='1976fenderhead' timestamp='1338903178' post='1680820'] I do find that option very tempting... How do you find the 'Drive' in that amp? I had an Aguilar Agro and didn't like it, so if it's a similar character, it's not for me... Also, a bit annoying that you can't just footswitch that on or off... [/quote] The Agro is the same as the saturation circuit on the AG500. I used to have an AG500 & really struggled to get a usable sound from that channel (I now have the SC single channel version). The Th is a totally different beast. I set the drive about 11 o'clock and it adds some nice warmth without being over-powering. Have to wind it up a fair bit to bring any distortion in. It would be nice if it was footswitchable but it's really designed as an enhancement to the core sound rather than an 'effect' I think. I saw two guys at a masterclass recently and one of them was a pretty serious jazzy chordal type player with a through neck Wood & Tronics. Not really the sort of person you'd imagine liking a TH500 / SL112 rig but he sounded amazing & he really loved the rig (it was loaned to him). Playing along with him was a major slapping, double thumbing guy who also had the same set-up. Really very different styles but both had their heads set virtually identically & both sounded as good as each other. Really surprised me just how versatile these can be
  6. molan
    I've owned lightweight MarkBass, Genz Benz, GK, TC Electronics, SWR, Epifani, Bergantino, maybe a few more as well For my money the Aguilar TH500 paired with the SL 112 cabs offers the best core tone with a decent amount of flexibility. I have to say that matching the cabs with this head really seems to bring the best out of both. The head can be a bit too warm for some people (in fact I've just picked up an Aggie AG500 which is cleaner and crisper than the TH yet still works well with the cabs). I find the cabs a real revelation. Stupidly light yet they go seriously loud and sound great for all different types of music
  7. molan
    Any Glock love out there?
  8. molan
    If you liked the Xotic then BassGear have a lovely burgundy red 5 in the pre-owned section. There are so many 'super jazz' options out there though that it's difficult to recommend anything. Are you after something fairly true to the original J passive build or do you want a very variable on board active circuit? Having tried most of the super J's out there I've settled on an Alleva Coppolo RA4. It sounds great passive but you can dial in some sweet bass and treble boost if required. The RA is jimmy's take on an early 70's J. He also makes a '60's, the LG and a late '70's, the LM. The latter is getting great reviews everywhere at the moment
  9. molan
    Nice, quite rare to see a Monarch in this colour combination and with JJ pickups
  10. molan
    [quote name='mikeh' timestamp='1338756385' post='1678991'] I've just put it on the bathroom scales and it went 10lb 8 [/quote] Ouch - I can see how that might get wearing on a long gig Have you tried one of those really cool Mono straps? Might help your shoulder a little
  11. molan
    How heavy is it?
  12. molan
    Don't forum rules say you have to state a price in the for sale sections?
  13. molan
    Herbie's is autumn of '59, oldest one I've ever heard of (he paid well over the odds for it as well $79!).
  14. molan
    And now sold thanks to my friends at BassGear
  15. molan
    There's a big residential studio near me that looks amazing & was once owned by Trevor Horn. I know a couple of pros that use it. It was first used owned & used by Alvin Lee I think, then Dave Gilmour took it over & then Trevor Horn installed all of the high-tech stuff & lots of big names have used it since then for recording. http://www.hookendstudio.com/recording-studios.php
  16. molan
    [quote name='walbassist' timestamp='1338314912' post='1672656'] Indeed, it's incredibly loud (not that I need that), the lows are full yet controlled, and the tweeter control and "colour" give a nice sheen to the sound to avoid any danger of mudiness. Very happy.... Mind you, the 1x12 cab stack looks a good option too! [/quote] I always thought those 15's would work well as a pair. They can go pretty low on their own but they don't get 'boomy'. Running a 2nd one should fill the sound out nicely without it all becoming just low bass. I tried the pair of Bag End 15's when Phil had them & they sounded great. First time I've ever tried 2x15's together.
  17. molan
    Woo hoo - that looks great! I wondered about exactly this set up. I bet the 2x15's kill
  18. molan
    [quote name='walbassist' timestamp='1337348595' post='1658627'] [/quote] Did I hear that a second cab headed in your general direction as well? If so, I bet the stack looks awesome!
  19. molan
    [quote name='Jesso' timestamp='1338245816' post='1671704'] Ouch. I like that. [/quote]
  20. molan
    I'm listing these here on behalf of a friend who is currently in Italy (but also over here in the UK quite regularly). He bought this rig in June of 2011 and they've barely been used at all. Originally intended to demo various basses so even the little use they've had has been at 'home' volume levels. He estimates they've been used for just a few hours. As you can see from the pics below each item really is immaculate. Very rare over here in the UK. Here's some info on the Soul II head: [url="http://www.glockenklang.de/en/products/products_bass.htm"]http://www.glockenkl...oducts_bass.htm[/url] It's essentially a crystal clear 440W (into 4 ohms - which works well with this 4ohm cab) head with "articulate & powerful sound reproduction" - gets great reviews, real pro-quality piece of kit There's less information about the Double on their web site: [url="http://www.glockenklang.de/en/products/products_bass.htm"]http://www.glockenkl...oducts_bass.htm[/url] But there is a small review from Bass Player on a rig exactly like this with more details here: [url="http://www.glockenklang.de/en/products/products_bass.htm"]http://www.glockenkl...oducts_bass.htm[/url] Quite a few luthiers use Glock as their reference systems, Sandberg, Marleaux, Ritter, Clover, Human Base, MTD etc. etc. I think that if such A grade builders see fit to use Glocks to test their basses it kinda gives you an idea of not only how good they are but also how clean & clear they must be - designed to let the bass' natural characteristics shine though without loads of colouration Here's what Bass Player mag said about Glock gear in a review: [size=4][color=#000000][font=Arial, Helvetica, sans-serif]"[b]Even with the EQ set flat, it's hard to imagine a more detailed, hi-fi, deep, and overall pleasing bass tone.[/b]"[/font][/color] [color=#000000][font=Arial, Helvetica, sans-serif]"[b]if only the very best will satisfy your gear tones, check out a Glock—if for no other reason than to hear what near-perfect tone sounds like.[/b]"[/font][/color][/size] [b][size=4][color=#000000][font=Arial, Helvetica, sans-serif]"The Soul head and Double cab are an excellent match. With the EQ bypassed the Glock rig sounds smooth, effortless, and relaxed, with exceptionally refined detail and a clear focus. Transient response is quick and well controlled without sounding clinical or dry. It really brought out the low-string growl of our Lakland 5-string, and it's one of the few amps we've tried with our Underwood-equipped German upright that didn't require an external preamp to sound really good. "The upright sound is very natural, open, and musical—the Glock reveals the true character of every bass you play through it.[/font][/color][/size][/b] [color=#000000][font=Arial, Helvetica, sans-serif][size=3][b][size=4]If you have an expensive high-end bass or a fine vintage axe and you're looking for an amp that enhances its subtleties, the Glockenklang Soul and Double should be on your must-audition list—if you have four grand to spend."[/size][/b][/size][/font][/color] Priced at €1,900 (about £1,520 at current Euro exchange rates) - these literally are 'as new' items. Shipping will be on top of this and will depend on location. Not looking to split these at the moment as they just work so well together i
  21. molan
    Lol about the use of drummers The DB751 is a great head - real 'set it & forget it' type thing. Most people run them completely flat, maybe engaging bass boost if required (but I don't think you'll need that with your cab setup!). I know BassGear in Twyford, near Reading has just placed an order for a 751 - I was talking to the buyer yesterday. Could probably get another in if you're buying new.
  22. molan
    [quote name='woodyratm' timestamp='1338067079' post='1669323'] I think the US and Skylines can vary majorly - i personally prefer my skyline to the US one. Still feels better than most of the fenders i've tried imo of course! If you're not happy with the MM i would trade. Laklands have brilliant necks - not sure on the width of the JO5, but my DJ4 has a lovely thin one. Trade, then if you find its not for you - trade it again. [/quote] It's definitely a personal choice on US vs Korean/Indonesian Laklands. Personally I think the US ones blow the Asian ones away, way nicer to play & much better fit & finish than any of the far eastern ones I've owned. I don't think they are worth twice the price but you pays your money & makes your choice Nut width on the DJ & JO 5 should be the same. I must admit that, having owned both in 4 string format, I would have said the DJ has a slinkier feel to it than the JO. Could be neck profile or that dinky little body that just makes the whole bass feel smaller
  23. molan
    £5K for a transition P is a lot of money in this market. The 'celebrity owned' reference adds very little to the value unless there's a stack of authentication &, ideally, some recorded songs and/or videos with it. Definitely over-priced either way. . .
  24. molan
    The JO is a fine bass. American Laklands are better than the Asian ones, IMHO, but this doesn't mean they aren't really well put together. I wouldn't have thought there's any difference in value. If anything I'd think the JO was potentially worth more (unless the MM has been modded with something like a John East pre-amp - these are seriously good by the way).
  25. molan
    Only if you have a very strong back - or a couple of roadies The 751 is pretty weighty but it's still a one man lift, those Eden cabs are some serious weight 90-95lbs for an XST 4x10 & about 75lbs for the 1x18. Unless you're playing massive stages or festivals (and with little on stage monitoring) I'd say this really is overkill The 751 is a great head, personally I'd marry it up with Aguilar DB series cabs though.
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