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molan

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Everything posted by molan

  1. [quote name='discreet' timestamp='1381439835' post='2239281'] Do you think it's because people in the real world like to hear with their eyes? [/quote] To be honest I think it's the reverse - I keep meeting people who really, really, don't like how they sound. I've never known a single brand to polarise people so much. You get brands that people aren't keen on all the time but it's rare for people to have such a strong dislike of a brand's core sound. You see a lot of them for sale in the classifieds. . .
  2. I always knew there must be someone out there that actually likes the BF paint finish and now we know who
  3. I saw Vic live playing bass for Bootsy - he can be as funky as hell when he's in the mood He was so good Bootsy didn't even pick up a bass and just sang!
  4. [quote name='machinehead' timestamp='1381427521' post='2239044'] Seeing a Barefaced cab isn't what he needs - he needs to [u][i]hear[/i][/u] one, that's all........... Frank. [/quote] From a purely personal point of view I think seeing a BF in the flesh is really important - especially if comparing to a Bergantino. The quality of finish is leagues apart and really puts lots of people off. I genuinely can't understand why BF persist with the covering materials they use. I've never known a brand of speakers to get such a 'marmite' reception. People here on BC seem to love them but I meet so many people in the 'real world' who've bought some on spec and then sold them really quickly because they disliked them so much
  5. I'm hooked on 33.3" scale now - big money option though as I only know of Jens Ritter that makes them!
  6. [quote name='fretmeister' timestamp='1381313742' post='2237289'] Cool! I like Swamp Ash. Nice and resonant and light. I hate to think how much Fred's R8 cost though! [/quote] The ash one weighs just 7.25lbs! Which one is Fred's R8? I can price it up for you if you want
  7. [quote name='fretmeister' timestamp='1381310708' post='2237221'] It's a bit annoying that Jens doesn't just have a price list on his site. I'd like to know that I'm wasting my time with a click rather than an email!! [/quote] Jens used to have prices on the site but had a few issues with people getting confused over the base price vs options and, more importantly, international exchange rates. The exchange rate issue caused lots of problems in some of the larger sales markets like USA and Japan and it was too complicated, for a tiny luthier business, to keep updating prices in line with local markets. He had an online currency converter on the site for a while but it simply wasn't accurate in terms of actual costs of buying currency and, obviously, couldn't allow for shipping and import duties. In continental Europe he maintains a fixed price Euro quoting system. For UK, USA and Japan he has authorised dealers who handle everything for him. Base prices are the same as if you were to order direct - at least that's certainly the case in the UK. The system now is that you can zap an email via the site and get a quote back within 24 hours. Simplest way is to pick something in the history gallery and then ask for an estimate on how much it would cost to replicate. Prices start just over £4K for a 4 string Cora like the one pictured. The ash body is a standard price option but it has been stained and sandblasted which adds to the price. It also has a minor electronics upgrade to give a passive option with independent tone control.
  8. They've been pretty much 'dead' for a while but I kept seeing that they were looking for a new investor. Have they definitely shut up shop for good now? Prices have been rising over in the US but not so much over here yet.
  9. Great piece of kit and a good price - Nick really looks after his gear
  10. I always thought doing my own basic setup was fine. I'm comfortable with bridge height, truss rods, intonation etc. etc. However I've recently been working with one of those guys who does this for a living and charges for his services. He can really, really make a big difference and is much better than anything I can do by a margin that I think it's acceptable to pay for. I'd happily recommend him to anyone who really wants their bass to feel that bit better to play. One thing I would say is that the margins between what I can do and what he's able to do are greatest the lower the required action is. For light touch players who want a super low action right across the board his expertise makes a real difference. He took in a 7 string he other day that played well but the owner wanted it to go lower and be more even playing everywhere. He removed the neck, shimmed it slightly, filed the nut, sorted out some badly fitted frets, adjusted both truss rods, adjusted spacing, re-set the bridge, set intonation and matched pickup heights. It played superbly when he was finished and the owner was grinning from ear to ear when he picked it up. He couldn't believe the transformation. Cost was £60 and, in my opinion, worth every penny
  11. I hear that a rather fine bassist with a history of playing with Whitesnake, Sabbath, Brian May, Peter Green etc. etc is now using an ATS cab
  12. Be very, very careful about the TC RH450. It can be quite an 'immediate' sounding amp in a demo room but a total tone-sucker if not matched with the right cabs and can disappear completely in a live band mix
  13. I only caught a short clip of the show but the bass man didn't like Aaron James to me. Rest of the band were all the same guys I saw with Gregory this summer. This is Aaron
  14. [quote name='keeponehandloose' timestamp='1380867925' post='2231617'] I stall have a csar on my forehead [/quote] Hope it's not Ivan the Terrible
  15. I'd ask what he feels about US healthcare - you'd have to assume he was a pretty successful musician but the system is so poor that he can't get/afford decent healthcare and is really not at all well
  16. I recently had the misfortune to play a bass that was obviously some sort of school project abomination. The fret ends protruded so far and were so sharp that I cut my fingers on it! It also had fret markers at 3 5 7 9 11 13 15 etc
  17. I've had a few attempts to get Protec cases stocked - UK distributor not really very interested in actually 'distributing' them. . . I have no idea how these people stay in business
  18. [quote name='AKAK' timestamp='1380710376' post='2229217'] Tecamps are now being sold by Thomman at a remarkably good price and cheaper than they have ever been! [/quote] Either Thomann are selling these at very low margin or Tecamp have decided to become a bit more competitive. The two Puma heads are much more sensibly priced vs US made brands than they used to be.
  19. I've played this baby, nice bass indeed and, in my humble opinion, the Cunetto era instruments will rise in value over the next few years
  20. I had a good look at some basses with Babicz bridges the other day and I must admit I liked he design compared to a BadAss which, to me anyway, seems to be looking a bit dated now (and yes, I realise the irony of a bridge upgrade looking dated that's on a 1950's designed instrument, lol). The Bass Centre are importing Babicz and fitting them as standard on a lot of basses now. Seems like a really good idea
  21. That sounds like a lot of money for a '62RI. It would need to be particularly nice to play and sound great to warrant that sort of price. I played a brand new Fender Custom Shop recently that was in a similar price brackets and it sounded really, really nice and I think the CS models will hold value better. I've seen early 90's RI basses that have been excellent that have sold for around the £1,200 mark. Obviously this one is quite different but I'm not sure that the early '80's models are really commanding this sort of value at the moment?
  22. [quote name='tonyxtiger' timestamp='1380646217' post='2228413'] Westside expect these mid December. Hope no one is in a rush. I'm having to curtail my excitement now. [/quote] I hear there may be both models available then
  23. How does the neck profile compare to the Pino? I loved my Pino but it was a bit too chunky for me - I'm a slinky vintage J neck kinda guy
  24. As someone who helps out in a shop I have definitely noticed that adjustments are most likely to be needed in Spring and Autumn as the weather changes. It's really unlike The Gallery not to get something right so I wonder if it shifted a little since they worked on it. If they spot an obvious issue like a worn nut or uneven frets they will usually let you know whilst they have the bass. I've had them slightly adjust the action after a setup before but that was mostly down to the fact that I hadn't really given them clear instructions in the first place. Once I said what I was after they fixed it in a flash
  25. For anyone with a CMD121P (and I know there's a few of you out there) these make a great extension cab to add some more depth and move a bit of air. I used to gig with that combination and it worked really well
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