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Tripehound

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Everything posted by Tripehound

  1. Consensus seems in favour of the white one. The sunburst looked nice in the 'unpacking' video but that seems a finish that can be make or break. Has anyone seem a sunburst one?
  2. Thanks folks - there are some really interesting suggestions in here and it should help pin one down. To answer the question of why I struggled with a five-string the first time around.... I'm getting on a bit now and the muscle-memory is engrained, I have some lovely 4 string instruments that I love playing and probably most significantly I'm the singer in the band. I find it tough enough to do two things reasonably well (if at all) at the best of times! Maybe persistence would pay off but life's short and I felt I was holding things back by making mistakes. The second band is a different matter as all I have to do is play bass and that presents the opportunity to focus on playing. I also listened to Summer of 69 - which I have been asked to learn - and noted that it goes from D up to A at the start and that means.... Of the suggestions made it looks like there are plenty to look at - Yamaha and Ibanez seem very highly regarded. I had the pleasure of meeting Dave Pegg last year and he was telling me that he uses and swears by his Ibanez Sr505. It sounded great but I suspect he could have made a ten bob bass sound good. I'm particularly interested in Laklands (the 5501 or the DJ5) as I've owned a couple and the Sire Marcus Miller looks very interesting indeed. I note that the latter is 34" - should I worry about length? (Fnnarr Fnnarr!)
  3. Hi there I wonder if anyone could give me some suggestions on 5 string basses. I had one a while back (an Italia Imola) but found getting used to it more of a challenge than expected and soon returned to familiar 4-string territory. Thing is, I'm playing for a second band (classic rock stuff) and it really looks like that big bottom end is needed so I've started to look again. I don't want to spend more that £400 and am happy to look at 'pre-loved'. Any suggestions as to make/model? I'm using a Fender Bassman TV15 for amplification... ESP? Schecter? Spector?
  4. I too have a Lakkie Hollowbody and can confirm that all the good stuff said about them above is absolutely true. Everyone should have a least one hollow bodied bass in the fleet and this is a cracker.
  5. Looks fantastic! If only money wasn't involved.... Have a bump on me.
  6. Incidentally, is that a flat or a gloss black?
  7. Lovely - and they get great reviews. I have a P90 Midtown Standard and it's a fabulous guitar. If this is anything like it'ill be top notch.
  8. This is a fabulous Strat offering bags of tone, resonance and sustain and its condition is as good as the day it came out of Fender's Custom Shop in 2011. It comes in its original blond Tolex case with the Custom Shop Certificate of Authenticity and all the original case candy. It’s a joy to play and although the look is classic sunburst Strat, there are subtle yet significant improvements such as a hand-selected, lightweight, one-piece ash body finished in faded three-tone sunburst nitrocellulose lacquer. You don't get that kind of attention to detail on factory production-line Strats and I apologise for the amateur quality of my photos, which don't do the guitar full justice. If you do have any questions I'd be glad to answer them for you. Other premium Custom Shop features and improvements include:[list] [*]Master Built Fat ‘50s pickups (6.5K output) with five-way switching and modern wiring i.e. the second tone control affects the bridge as well as the middle pickup [*]AA grade, figured maple, C-shaped quartersawn neck sporting the Fender Custom Shop’s new hand-oiled neck finish. This provides a smooth, played-in feeling – and really shows-off the birdseye maple [*]A dark Indian rosewood fretboard with a 9.5” radius, abalone markers and 6105 medium-jumbo frets [*]A beautifully figured headstock bearing locking tuners and the Custom Shop logo on the reverse [*]A modern two-point fulcrum tremolo unit with polished solid stainless-steel bridge saddles and trem block [*]A sculptured neck/body heel for easy access to top frets with Custom Shop logo stamped on the heel plate. [/list] These features represent the best updates available for the Strat’s time-honoured, classic design. Best of all, this guitar fulfils all the Custom Shop’s promise in terms of classic looks, playability and TONE. These Custom Deluxe Stratocasters retail for more than £2,000 so here is a genuine chance to save a reasonable amount of money. Sensible offers invited. Collection from Stanton by Dale - halfway between Nottingham and Derby. A mile from J25 of the M1.
  9. I've got a Midtown 6 string - it's fabulous. I suspect this is too. GLWTS
  10. Fantastic feedback from Henry - many thanks. It's a happy end to the story - the Curlee went to the luthier and got sorted out functionally if not cosmetically. Shopping list included neck adjustment (the truss rod was fine), fret polish, intonation (the bridge needed freeing up but was OK), electrics cleaned, new flatwounds on and a general clean and polish. I'm now considering whether I should keep this and sell all the others - it sounds fantastic! So no longer available although might consider trade for an immaculate Wal Mk II plus cash my way
  11. Bugger - fancied one of these for ages and one comes up when I'm skint. Having only seen pics/videos I'd be very interested in any feedback on the hands-on experience.
  12. I'm the proud owner of a TV15 and a fine piece of kit it is too in all its tweedy goodness! I tend to play it with master volume full up then use the gain to regulate volume as I'm after clean and warm but reversing that will give you some nice growl from the valve preamp. Agree that side handles would be very practical but would affect aesthetics and this amp is big on looks as well as sound. Here's Mr Ed. https://www.youtube.com/watch?v=A93b2V7ymf8
  13. [quote name='JazzBassfreak' timestamp='1398198067' post='2431622'] It really annoys me when vintage, rare basses like this come up and idiots on other websites such as tumblr decide to steal the pictures and post them for themselves to get popularity. Just seen it on my dash. Anyway GLWS. [/quote] Blimey - do people do that? Sounds like a job for my lawyer - if I had a lawyer. I've had a lot of interest in the old Curlee - many thanks folks - but I feel I should get a professional opinion on the situation regarding neck relief before going further. I don't like having to be vague about something so important so I'll update on this next week.
  14. Hi Kev I believe that it's the latter but I'll have to check at the weekend as I'm away on holiday at the moment. If it's not the case, then I'll post a retraction.
  15. [size=4][font=arial,helvetica,sans-serif][color=#000000]This is a US-made S.D. Curlee bass with through neck construction and is not to be confused with the Hondo models produced after the company was sold. It was sometimes described as the 'poor man's Alembic' and is, in this country at least, quite rare - I've only seen one other in the flesh. [/color][color=#000000]Twin Di Marzio pickups with coil switching option. Independent volumes and tone control. Badass II bridge and Grover machine heads complete the hardware. I would guess it's worth over £100 in components alone.[/color][/font][/size] [size=4][font=arial,helvetica,sans-serif][color=#000000]The electrics seem OK but cosmetically it has seen much better days. Bumps and scratches are liberally spread over the whole instrument (it wasn't me that let it get like that ) and it would be disingenuous to describe it as roadworn or 'heavy relic'. Battered is what it is. But it still plays well and sounds awesome. I'm a bit OCD with my gear these days, probably because I'm keenly aware of how long I had to work to get the money to pay for them, so I like them nice and shiny but I know that a lot of people like that lived-in-mojo thing so this may just turn you on.[/color][/font][/size] [size=4][font=arial,helvetica,sans-serif][color=#000000]It's sat at the back of the spare room for a long while whilst I agonised about whether to have it restored or to finally part company with it. Whilst still quite playable, the action is high for my tastes and I don't know how much travel, if any, is available on the truss rod. I favour hollow-bodied basses these days and I have to accept that even if I had it done up, it probably wouldn't get played a great deal. I'm having to take a wild guess at potential value because I think these are pretty rare. My brief research showed up a couple of people who asked for 650 and 800 Euros for in-very-good-nick examples but I don't know whether they were successful with their sales.[/color][/font][/size] [size=4][font=arial,helvetica,sans-serif]In the absence of a valuation, and I'm not sure one could be given, I'm open to any trade suggestions. [/font][/size]
  16. What a lovely bloke. Sold me a fabulous Lakland Hollowbody at a sane price and put the kettle on the moment I stepped through the door! Would recommend him without hesitation.
  17. Make that two rogue units! [color=#282828][font=helvetica, arial, sans-serif]Bought one on Saturday after reading and watching a lot of good things said about this amp. I love my Bassman TV15 but I can feel my dodgy knee going when I lift it so the BG250-112 looked just the ticket for smaller gigs, home practice, messing with the effects and so on. Drove from Derby to Sheffield to get it and took it straight to the gig. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I should have known better. [/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Twenty minutes into the gig, said amp (which everyone had been admiring and commenting on what a smart chap I am) decides to cut out mid song.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]I did what any self-respecting bass player would do under the circumstances - I accused the keyboard player of touching it. He proclaimed his innocence, we switched it off and on again and it started working. A situation that lasted around 5 minutes before it did it again. Then again. Abandoned set and took 20 minute break whilst we shot back to our rehearsal rooms to pick up the trusty Fender. Played the rest of the gig through that and of course it sounded great.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Went back to Richtone who exchanged it without a quibble and number two awaits a more thorough QA session at this week's rehearsal. I'm sure lightning can't strike twice....[/font][/color] [font="helvetica, arial, sans-serif"][color="#282828"]Before all the BS started it seemed pretty competent and certainly held its own in a large-ish pub room with guitar, drums and keyboard/sax. Shifts plenty of air through a single 12" speaker and, although I just went with flat settings having not had chance to experiment, sounded pretty good. The weight thing does seem to trade off against ruggedness and think it will need a decent padded cover at the very least. A flightcase would rather defeat the object.[/color][/font]
  18. I'm one of those who had a bad experience with the BG250 but I collected a replacement today so the jury is still out. It will take a number of trouble-free rehearsal spankings before it joins me in front of an audience. Anyway, back in the day I had a Rumble 100w - very good amp for the money (you can pick them up for less than a 100 squid), light, decent tone. Good for small to medium pub gigs and the like.
  19. I’m thinking of putting a new speaker in my 25 watt Rumble, but so far the smallest speaker I can find is 100watt. The impedance is 8ohms and so are a lot of speakers that I’ve seen, am I right in thinking that a 25 watt amp is too small to drive a 100watt speaker, I have seen suggestions on a techie forum that a 50watt speaker works well on the rumble... any advice chaps?
  20. I played it in the shop for about 10-15 minutes and it was fine. At 20 minutes the trouble started - presumably as it warmed up? Volume could not have been above 5 max.
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