redbandit599

Hi all I like to have control of our lights and change scenes etc. regularly through a gig - I currently use a Eurolite Bigfoot DMX foot controller - it has enough channels to cope with our LED Pars and Moving Heads and is pretty easy to operate live. However, like all manual DMX controllers it is a PITA to program/adjust and set up or change scenes etc. Hours programming each step onto the light rig set up in my spare bedroom 😵 I'm drawn to the ADJ Mydmx Go - but that still seems beset with connection problems even years after launch. Just wondering what anybody else does that would enable easier programming (software based) and then enable different scenes/chases to be selected either via app or hardwired to a tablet or PC. There looks to be loads of options for software but obviously I need something pretty easy to trigger live and a lot of software looks more DJ/ light engineer focused. Lastly, yes I know I could just use the built in programs and leave them to it - but they (in my experience) never look much cop and, with a couple of mates bands I know that do this, the constant repetitive 'school disco' flashing is actually unpleasant to watch. Cheers!

I live in Brightlingsea - population evidently 8679. We've got Sam Ryder and When Rivers Meet. So that's a 1 in 2893 chance of being a 'known' musician. Take that city boys....🤣

Thanks, that's great insight.🙂

Yep, I get that. In my case we are gigging mostly now with subs, so backline doesn't have to be 'premium' - I have some awesome Bergantino cabs already, they tend to overpower the PA in smaller venues, so weirdly I'm thinking about something less capable.

Hi all Has anyone tried the Warwick Gnome cabs? Seem like they might be a less expensive alternative to the TE Elf cabs. Cheers 🙂

Ain't gonna bump no more ( with no big fat woman) - Joe Tex

I think I mentioned it above, but I got dropouts in busy pubs. Happened with my Smoothhound too. Ok if stood within a couple of meters but much further sometimes became glitchy. Since being on 5.8 with the HB it's been fine and I can get about a bit. Shame because the other units were very nice and seem to work well for most, but very happy with the unit.

It's fine. We usually play two sets, anything up to about 2 1/2 hours in total. I tend to stick the transmitter on to the unit to top it up in the break, but I have forgotten before and it's been fine. The Shure has epic battery life, but just didn't work well for me.

I sold my GLXD and Smoothhound and went for one of these. It's been great.

Scott's Bass Lessons - during which he educates fish. Scots Bass Lessons - same format as usual but wearing a kilt.

Hi, our singer and his daughter (sorry she's already got a band, duo and solo thing going) are from Ipswich way and Roma (daughter) went to Music College in Norwich. I can ask them if they know anyone suitable. Can you let me know your band name/Facebook link etc. presumably with live vids on there and I'll see if they might know anyone? Also where you rehearse. You never know 🙂

Without doubt, my best pre-gig 'doping' is an afternoon nap....🥱

Nice! We use a tough one of these as a kind of barrier on the floor in front of the band in lively pubs, not perfect but it helps. Looks cool too.

Little Willy - The Sweet (sorry, couldn't resist...) 😉

That's great - thanks very much!

Sorry for the diversion - I'd like to do this to my Mezzo but have never ventured into electronics before. Have you got any steer on how you did this? I'm thinking VVTT might be handy. Cheers!

First and only time (so far in 30 years) just this Saturday as we were doing a quick change at a festival - horrible minutes thinking it was the wireless, then the amp (I'd put a new battery in the day before so thought that couldn't be it) but popped the cover and found the soldered joint had come away on the battery clip. Spare bass - TICK - back in business - phew. The sound guys reckon it happens all the time and 9/10 people don't even have a spare battery, let alone a bass.

Yes, I did wonder about the wireless DMX dongles, so I set up with cables instead one night and still got drop outs. Mine may well be an isolated case as the Shure has a great rep.

I had the Shure GLXD - it was a lovely well made unit. It was fine on the occasional 'big stage' that I used it on, but would cut out in busy pubs. I did wonder if it was our own wifi and other wirelesses that caused it, or even my wireless dmx controls for the lights. But I could go to a good 20 metres away during sound check in some pubs with no issue (with all the above on) and it was great, as soon as the pub filled I'd frequently get issues. Had the same with the Smoothound, which was also a great little unit (and Chris is a top bloke.) I did find that the aerials on the receiver station got in the way on a pedal board though if you 'get about a bit.' I do still use the little strap mounted holder that I got to go with my Smoothound for the dongle, I just prefer it tucked up out of the way than sticking out of the bass. Personally, I wouldn't touch 2.4 again. I better not have put the kiss of death on it now! 😁

I've had both the Shure and Smoothhound, great when setting up and sound checking.... but numerous drop outs on both as soon as the pub filled with people ( and phones.) My guitarist sometimes gets this on his Boss unit too. I sold both and went cheap and 5.8ghz with a Harley Benton version that has a built in tuner on the receiver station. Not a single drop out since.

It's an AER wedge, similar to the Markbass one but cheaper. Got it from Thomann when I ordered the table/stand. https://www.thomann.de/gb/aer_tiltsystemschraegsteller.htm It folds up flat and stows away easily - I think it might be a bit smaller than the Mark Bass version, but it works fine. My Bergs are the 'old school' ceramic 12s so not lightweight, it works fine. This is the stand - a lot cheaper than other fancier makes but very solid https://www.thomann.de/gb/millenium_mixer_stand.htm

This on link below is how I do it. I also use a tip I got from here and use an IKEA laptop stand hooked over the cab for when I use my lighter and smaller GK head.

Hi Tony, that was me 😉

@Ashdown Engineering This looks to be available now direct from Ashdown and is an interesting package. Billed as a 250w 210. I can't however find any clear stats on the head or cab. i.e. Is the cab 4ohm? Do you get the full 250w into the one 210 cab? What are the specs of the cab? Ported/sealed/power rating etc? There is a demo video online but nothing much in terms of detail. Will it be available through dealers so we might be able to give one a go?

My wife has this CD - it's pretty festive - but that version of Fairytale sets my teeth on edge - horribly twee.