VTypeV4

[quote name='longtimefred' timestamp='1365348626' post='2038320'] I think it's telling you need it sounding manly rather than a big wet gay sound that are obviously trying to make it sound. So stop being a homo and grind it up [/quote] As much as you know I like my clean sound, I'm with him on this just because I can!

[quote name='MoonBassAlpha' timestamp='1364923915' post='2032747'] Try linking the send and return sockets with a patch lead. Sometimes the return socket mutes the output if not used for ages. [/quote] Had this with a V-Type 4808 combo.. IRC, it wasn't the actual socket but a dry joint that connected it to the loop board.. Good luck with it

Makes me wonder whether Trace will do a lightweight option? Whilst I have no desire to own a lightweight amp, I do think that Trace Elliot need to look at making such a range. So many people have moved away to various amps, not because they didn't like the sound but becuase of that heavy iron and those ceramic magnets.. Maybe a compact MP11 / Superfly type thing?

They're awful! Ha!

Lovely, glad you found one!

[quote name='BassBod' timestamp='1364301841' post='2024533'] I'm not usually that interested in valve amps...but that Twin combo looks like a very handy little amp, and in good condition (compared to lot of the TE stuff that's still around) [/quote] It's a little stunner, one of the best amps I've plugged into for years. Sounds great and is very loud given its conservative 100 or so watts rating. This example is very clean with next to no marks on the covering or grille.

I have used many Cloud power amplifiers over the years from the multi-zone CX-A series through to the utterly bomb proof CV and VTX models.. Made in Sheffield! Personally I like the idea of British made stuff and will continue to use it but in all fairness, if it's a good product fit for purpose then I'm happy to use it. That includes Chinese made Celestions..

I'm sure a bit of TLC will see it right again..

With the exception of the Crest power amplifier and my Ashton, every other amp in my room is made in Britain.. Leak Stereo 20: London Linear L30: Nr Leeds Beavis 50: Nr Leeds / Stoke-on-Trent Laney VC30: Cradley Heath Trace Twin Valve: Essex Most of my speakers are too. WEM cabs, 2 x 15" goodmans, 2 x 15" Celestions and a 15" HH unit. I'll not count the Celestions in my Ashton cabs as they're probably Chinese.. As are yours in your Matamp cab, Mr Harris.. By the way, you MUST come and have a go of this Twin Valve, it'll blow your socks off!

Some better pix.. [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/TwinV1_zps04784ecb.jpg[/IMG] [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/TwinV2_zps77104a50.jpg[/IMG] [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/TwinV3_zps364d94c4.jpg[/IMG] I A / B against the Ashton the other day and found the results very interesting. The Trace has a lovely hollow / transparent thing going on whereas the Ashton is altogether 'thicker' and probably a bit more real world but which do I prefer? I'm not sure! Looks like I'll keep the Ashton and buy the Trace and have the best of both worlds!

CS800.. Legendary! I ran a CS1200X for a while too.. I'd be more inclined to run with a Peavey amplifier inspite of their weight. I've never had one die or fail. They can seem a bit 'underated' ie not as loud as one might percieve x amount of watts to be but they're reasonably inexpensive second hand. New ones are probably even better like the IPR series which are mega light and the PV series are the same as the budget model Crest as the two companies are now associated.. I've nothing against the Behringer amps but I've had plenty of experience with Peavey over the years.

Thought I'd put the lesser spotted Twin Valve on here.. It's a purchase I'm considering.. [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/TV2_zps02353bd0.jpg[/IMG]

Very interesting.. ^^

Another converted! I love my Streamer LX5, had it for 12 years now from new and haven't considered changing it once. I love it!

[quote name='chrismuzz' timestamp='1364064047' post='2021566'] Haha I know Not to mention you'd have had control over the overall sound anyway! And actually I partly disagree! Pretty much any bass tone can work in metal.. But a metal tone will sound crap in pretty much any other genre [/quote] Ha, Indeed I would! It's all good dude, hope you have a good'un at Mr Chapmans establishment on the 30th..

[quote name='chrismuzz' timestamp='1364053585' post='2021433'] Are you saying I have a crap sound??? [/quote] Not at all, I'd say if I thought so, I'd not beat around the bush, you have met me! Ha! Your sound works well with material you play, very much 'fit for purpose' within the rock / metal genre. My personal tastes are much more modern jazz / funk so our individual sounds probably aren't cross-compatible anyways..

[quote name='chrismuzz' timestamp='1364047419' post='2021286'] The thing is, I've heard other players make some mouth wateringly amazing sounds come out of Trace gear, so a lot of it comes down to how well the gear works with your technique. [/quote] And I guess thats what keeps it inetersting. if we all liked the same thing it'd be awful dull. I know you're very proud of your MarkBass setup and glad it works with/and/for what you do however, I just didn't quite 'get' it if you know what I mean. Trace stuff on the other hand has always been a reference point for me, I love to this very day. I'm with you on Peavey stuff and Ashdown cabs though, I borrowed a Peavey Firebass (or such similar?) and it was really good, everything just sat right with it somehow.. And the MAG 210 I owned and hammered for a while was a belter and seemingly indesctructable..

I have used many of their rack mounted signal processors from gates and compressors to the digital EQ and FX units. My experience is that thy all work perfectly well especially given their price point. The FX unit doesn't sound as clever nor is it as flexible as my TC M1 but it costs 6 times less. Out of all the Behringer products, I've never had one fail but I did have to have my TC fixed last year after it went mad.. As a general label, all the companies suffer IMO. Some Peavey stuff is labelled as heavy and not great sounding, Ashdown gets the wooly thing, Trace gets the heavy and clanky badge etc.. Most of it (as we've seen previously discussed) is based on hear-say or 'a mate of mine said' rather than first hand experience.. My Ashton is another case in point. Ashton? Must be cheap rubbish badly designed and poorly executed from the far east? I ate my words when I walked out of the shop with it. To this day, it's been perfectly reliable and is even well made..

[quote name='Mr. Foxen' timestamp='1364007739' post='2020929'] Pretty much their own thing. The 3 knob channel has a Fender type tone stack with a fixed mid, the gain channel has an active mid which is a separate circuit to the bass and treble controls, the 3 stage gain control gives massive scope for colours of gain, and its without noise even with silly distortion. Much more a no expense spared sort of design and build rather than the cheapest end of good enough like Fender. [/quote] Good to know, cheers for that!

I remember trying an EBS rig many years ago at the guitar show in Brum.. It was the best slap noise I'd ever heard at the time..

Roland, I read about your amp on Johns site! Fantastic! Thanks for the S/C info Mr F. Nice Burmans by the way, what are they a modded bassman type design? Real nice compact setup with that Matamp although I bet it still roars!

[IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/DSCN1985_zpsfb24e037.jpg[/IMG] Little bottles with the big ones at the back. Note the laminations of the output transformer and the driver tube on the right.. [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/DSCN1984_zps8768c7d1.jpg[/IMG] Big bottles! [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/DSCN1980_zpscf9c235a.jpg[/IMG] They're all labelled on this photo! [IMG]http://i778.photobucket.com/albums/yy70/VTypeV4/DSCN1979_zps582d54b2.jpg[/IMG] Old-skool GZ34 in the ST20..

Thanks for the offer, I might well take you up on that! Interesting that the chassis is configured different than mine was. Your valves looks to be 'in a row' whereas mine was '3 + 3'.. I'm gonna take some pics and get some more chassis / valve shots this afternoon.

I had a Sound City 120 but it was the 'Energizer 120' which was simply a power amp unit. With it's 6 x EL34 and huge transformers, it was massively powerful and was capable of hurting speakers. A true monster! I'd love to try your amp, doug, looks to be a lovely example.. Stu, shame you had to sell the Laney but that Carlsboro looks a lovely (and no doubt heavy) little monster..

Hiwatt 200! Wicked!