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lowregisterhead

⭐Supporting Member⭐
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Everything posted by lowregisterhead

  1. [quote name='nottswarwick' timestamp='1375085643' post='2156400'] Can this hang in a band setting, volume wise? [/quote] I've used it in rehearsals just with the internal 12" and it was great. It depends how loud you play, of course! You would probably need an extension cab for louder gigs, but it's got a surprising amount of power. The tech specs are here: http://www.roland.co.uk/products/productdetails.aspx?p=1144
  2. I bought Mike's pedal in April, but as it turned out I didn't use it much. As luck would have it, Mike really missed it, so he bought it back off me again! A great guy to deal with, buy/sell/trade with complete confidence.
  3. Sorry - both just sold today!
  4. A wonderfully original, inventive, expressive bass player. The live version of 'Mr Big' is number 1 on my list of best bass solos of all time...
  5. [quote name='ian' timestamp='1374170779' post='2146125'] fancy a 2x10 neo ? [/quote] No, sorry, I'm looking for a straight sale.
  6. A cracking bass, I'm amazed it's still here! Have a bump...
  7. http://www.youtube.com/watch?v=c918A5OzRqM Quite understated playing here, but somehow always holding your attention, in spite of the camera focussing mostly on the gorgeous Ms. Paris...
  8. [quote name='Monckyman' timestamp='1372980378' post='2132555'] Utter bollocks. [/quote][quote name='Conan' timestamp='1373009267' post='2132644'] That's bordering on trolling man. Where is your evidence for this assertion? [/quote] [size=4]As Christopher Hitchins once said, "That which can be asserted without evidence, can be dismissed without evidence." The robust language is simply proof of his belief in his [/size]position.
  9. [quote name='fatback' timestamp='1372940129' post='2131857'] Jump-up-and-down-with-your-friends is a great term for a particular kind of folky thing that always does well. You might say it's a vacancy in folky music that's always there for the taking. What the pogues did really. [/quote] Bloody hell - we've only gone and discovered a new genre... JUADWYF. A bit like NWOBHM, but with less spandex.
  10. [quote name='mike257' timestamp='1372893744' post='2131469'] Hey, I'm not fussed on Mumford either way but I won't stand for all this flagrant anti-beard posturing. Desist at once, or I'll rub my hairy chin on your face until it's red and itchy! [/quote] Some people will pay good money for you to do that!
  11. [quote name='dlloyd' timestamp='1372836815' post='2130406'] I don't really see the need to analyse it, but it's simple, well-crafted, danceable Indie Rock/Pop songs with banjos. Some people won't like it because they don't like Indie Rock. Some people won't like it because they don't like banjos. Some people won't like it because it's popular. Some people won't like it because they're folk fans, they see it being proclaimed as folk and don't see it as authentic enough. [/quote] Indie Rock/Pop? I thought they were English Folk/Rock! I'm confused!
  12. [quote name='fatback' timestamp='1372851420' post='2130629'] They're a live band above all. When I first saw them on TV (on Jules I think) my reaction was there's a bunch of guys who work hard at kicking a show's ass, and I love that. Huge energy. Add an exceptional ability to write uplifting choruses and that's a good recipe for success. But what is this thing now with beards? [/quote] I know - Ted Dwayne did have more than a passing resemblance to one of the Clampett family... all that was missing was a jug of moonshine. He was clearly having a ball, though!
  13. [quote name='fumps' timestamp='1372838270' post='2130426'] I'd never heard of them before I watched the coverage & I have to say I loved their set. People seem to forget that Glastonbury is a huge party, it may have a professional stage set up at one end but the punters are there to sing, dance, drink, laugh & have the time of their lives with their best mates. you may see a gig that looks & sounds crap on TV but is fantastic to be there. Munford & sons was one of them gigs. It probably looked & sounded not so great but after being a Glastonbury regular I knew they would go down really well. Last night my mate rang me as he'd just got back (He stayed for the after party that happens every year) and I asked him about Munford & son's, he told me that being in the crowd was a massive dancing knees up, people jigged, linked arms jumped around, laughed & played silly buggers all the way through their set. he said it was by far the best fun he'd ever had in front of the pyramid stage in all the years he'd been going. Some people will always see something different to what the people there are seeing & hearing. which is the real shame of the Glastonbury coverage. I did love their set, I admit I would not buy their music, but so what ? music is fun & to get joy out of music is the most amazing thing in the world, without that feeling of joy I would never bother making & listening to music anymore. because without that feeling of joy & surprise what is the point ? If people hate/strongly dislike this band then fine, but why bitch about them for being offered & accepting the biggest gig of their lives ? If someone offered me this opportunity I would snap their hand off because that gig will stay with them for the rest of their lives....hats off to them because they did their best with what they had. God bless not only Glastonbury but god bless new music & the joy it brings. [/quote] +1 Now, I get that completely!
  14. [quote name='MiltyG565' timestamp='1372803086' post='2130300'] I just like the music. That's all that matters. If you don't, fair enough, I'll not question that. I like quite folksy music. [/quote] That's great, but I was hoping for a bit more than that. Although perhaps I should have foreseen it, I wasn't intending to start a hate thread (others have taken that upon themselves). All I wanted was a bit of perspective on what appeals to millions on both sides of the Atlantic who clearly love them. I haven't made any personal criticism of them or their music, other than referencing Charlie Brooker's caustic wit, which is his stock-in-trade, after all. I can generally define what it is about the music I love that does it, but although they're not the first, M&S genuinely puzzle me - it just seems a bit too simplistic to put it down to 'taste'. You say you like folksy music, OK, what about it exactly? Can you be more precise?
  15. ...and if it helps, 2006 will still be the superior (IMHO) Korean made version, not the current Indonesian made ones.
  16. I just had my cheap-and-cheerful Yamaha BB615 backup bass de-fretted because it was dull and not very nice to play as a fretted bass, and it's turned out beautifully. I can't put it down! Mind you, Martin Petersen at The Gallery did the work, which undoubtedly has a lot to do with the great result. I've owned a few fretless basses over the years, a couple of which have had plain fingerboards (out of sheer vanity) but now I've realised that unless I'm going to be playing fretless a LOT, lines are the way to go. Nowadays I prefer to concentrate on the sound, not the looks...
  17. I have one of these in black sparkle with the J-Retro, fantastic basses. Have a bump.
  18. Blimey, I just caught up with the thread... my query was a simple question of what it was that people LIKE about them, to try and help me grasp what it is that has made them so hugely popular - i.e. fastest selling album of 2012 in the US, etc. I'd just like to understand what their appeal is, because I'm afraid it passes me by completely. No need for the all this vitriol being spewed forth. As my dear old Scottish grandad used to say with a twinkle in his eye "If ye canna say somethin' nice, shut yer feckin' hole!"
  19. Despite being in my 6th decade on this little rock, I still try and stay informed about the latest trends and musical fashions, and I've heard the above mentioned talked about a lot, but I've never really given them a chance, so I sat down and watched at least 20 minutes of their Glastonbury Festival performance tonight. Despite being a little older, I'm not uneducated musically, and I've always considered my tastes to be pretty catholic, but try as I might, I just don't get it. Even my dear lady wife, who's not especially musical bless 'er, looked up from her copy of Sporting Life and commented "All the songs sounds the same - and I haven't heard one I can remember." So could someone please enlighten me as to what it is that so many find commendable, memorable, edifying or uplifting about them. I must admit I'm veering towards agreeing with Charlie Brooker's somewhat uncharitable but perhaps not completely inaccurate appraisal of them, quoted elsewhere on here, as "Trust Fund Wurzels". They are posh boys from Wimbledon, I suppose. It was nice to see bassist Ted Dwayne looking hale and hearty after his recent health scare, though. He was having a great time. Y'see, I'm not completely heartless.
  20. [quote name='dlloyd' timestamp='1372082728' post='2121324'] Anyone have a link to the Martin Taylor/Eddie Gomez thing that went round the bass forums a few years ago? [/quote] I have an mp3 of it - not sure how to post it though!
  21. Wonderful work, gentlemen. Last night, in a moment of rare clarity, I presented our findings to She Who Must Be Obeyed, and within minutes was handed a sheet of paper with the following typed on it: "Bollocks." I'm not certain what that means, but I'm fairly sure it's not an equation.
  22. [color=#282828][font=helvetica, arial, sans-serif]EBS Neoline 410 in mint condition with Roqsolid cover, very loud, crisp and incredibly light.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Collection preferred (near junction 10 of the M25) but will ship within the UK.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]NOW SOLD[/font][/color]
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