lowregisterhead

Yorkshire blancmange? Is it strawberry or chocolate??

It's pretty much impossible to avoid all string noise, but it probably has more to do with your chosen eq settings/bass/pickups. Try rolling off some of the high mids.

I bought Mike's pedal in April, but as it turned out I didn't use it much. As luck would have it, Mike really missed it, so he bought it back off me again! A great guy to deal with, buy/sell/trade with complete confidence.

A wonderfully original, inventive, expressive bass player. The live version of 'Mr Big' is number 1 on my list of best bass solos of all time...

http://www.youtube.com/watch?v=c918A5OzRqM Quite understated playing here, but somehow always holding your attention, in spite of the camera focussing mostly on the gorgeous Ms. Paris...

[quote name='Monckyman' timestamp='1372980378' post='2132555'] Utter bollocks. [/quote][quote name='Conan' timestamp='1373009267' post='2132644'] That's bordering on trolling man. Where is your evidence for this assertion? [/quote] [size=4]As Christopher Hitchins once said, "That which can be asserted without evidence, can be dismissed without evidence." The robust language is simply proof of his belief in his [/size]position.

[quote name='fatback' timestamp='1372940129' post='2131857'] Jump-up-and-down-with-your-friends is a great term for a particular kind of folky thing that always does well. You might say it's a vacancy in folky music that's always there for the taking. What the pogues did really. [/quote] Bloody hell - we've only gone and discovered a new genre... JUADWYF. A bit like NWOBHM, but with less spandex.

[quote name='mike257' timestamp='1372893744' post='2131469'] Hey, I'm not fussed on Mumford either way but I won't stand for all this flagrant anti-beard posturing. Desist at once, or I'll rub my hairy chin on your face until it's red and itchy! [/quote] Some people will pay good money for you to do that!

[quote name='dlloyd' timestamp='1372836815' post='2130406'] I don't really see the need to analyse it, but it's simple, well-crafted, danceable Indie Rock/Pop songs with banjos. Some people won't like it because they don't like Indie Rock. Some people won't like it because they don't like banjos. Some people won't like it because it's popular. Some people won't like it because they're folk fans, they see it being proclaimed as folk and don't see it as authentic enough. [/quote] Indie Rock/Pop? I thought they were English Folk/Rock! I'm confused!

[quote name='fatback' timestamp='1372851420' post='2130629'] They're a live band above all. When I first saw them on TV (on Jules I think) my reaction was there's a bunch of guys who work hard at kicking a show's ass, and I love that. Huge energy. Add an exceptional ability to write uplifting choruses and that's a good recipe for success. But what is this thing now with beards? [/quote] I know - Ted Dwayne did have more than a passing resemblance to one of the Clampett family... all that was missing was a jug of moonshine. He was clearly having a ball, though!

[quote name='fumps' timestamp='1372838270' post='2130426'] I'd never heard of them before I watched the coverage & I have to say I loved their set. People seem to forget that Glastonbury is a huge party, it may have a professional stage set up at one end but the punters are there to sing, dance, drink, laugh & have the time of their lives with their best mates. you may see a gig that looks & sounds crap on TV but is fantastic to be there. Munford & sons was one of them gigs. It probably looked & sounded not so great but after being a Glastonbury regular I knew they would go down really well. Last night my mate rang me as he'd just got back (He stayed for the after party that happens every year) and I asked him about Munford & son's, he told me that being in the crowd was a massive dancing knees up, people jigged, linked arms jumped around, laughed & played silly buggers all the way through their set. he said it was by far the best fun he'd ever had in front of the pyramid stage in all the years he'd been going. Some people will always see something different to what the people there are seeing & hearing. which is the real shame of the Glastonbury coverage. I did love their set, I admit I would not buy their music, but so what ? music is fun & to get joy out of music is the most amazing thing in the world, without that feeling of joy I would never bother making & listening to music anymore. because without that feeling of joy & surprise what is the point ? If people hate/strongly dislike this band then fine, but why bitch about them for being offered & accepting the biggest gig of their lives ? If someone offered me this opportunity I would snap their hand off because that gig will stay with them for the rest of their lives....hats off to them because they did their best with what they had. God bless not only Glastonbury but god bless new music & the joy it brings. [/quote] +1 Now, I get that completely!

[quote name='MiltyG565' timestamp='1372803086' post='2130300'] I just like the music. That's all that matters. If you don't, fair enough, I'll not question that. I like quite folksy music. [/quote] That's great, but I was hoping for a bit more than that. Although perhaps I should have foreseen it, I wasn't intending to start a hate thread (others have taken that upon themselves). All I wanted was a bit of perspective on what appeals to millions on both sides of the Atlantic who clearly love them. I haven't made any personal criticism of them or their music, other than referencing Charlie Brooker's caustic wit, which is his stock-in-trade, after all. I can generally define what it is about the music I love that does it, but although they're not the first, M&S genuinely puzzle me - it just seems a bit too simplistic to put it down to 'taste'. You say you like folksy music, OK, what about it exactly? Can you be more precise?

I just had my cheap-and-cheerful Yamaha BB615 backup bass de-fretted because it was dull and not very nice to play as a fretted bass, and it's turned out beautifully. I can't put it down! Mind you, Martin Petersen at The Gallery did the work, which undoubtedly has a lot to do with the great result. I've owned a few fretless basses over the years, a couple of which have had plain fingerboards (out of sheer vanity) but now I've realised that unless I'm going to be playing fretless a LOT, lines are the way to go. Nowadays I prefer to concentrate on the sound, not the looks...