Kiwi

I've got my sound. Its warmth and growly with soft, clean attack like a Ken Smith but with more midrange bark. Other basses I own are for other sounds but MY sound is the one I've created by modding the Spectors.

The heaviest bass I've ever owned was the Alembic Elan 6. It weighed something in the region of 13-14lb.

[quote name='Musicman20' post='1124446' date='Feb 11 2011, 10:17 PM']A HH will give you the option for a big fat neck H tone [/quote] I played one and was hoping to find this, but was bitterly disappointed.

Do you plan to make the finish look as oxidised as Herbies bass?

+1 EB started rationalising and updating the design very subtley once they took over, as the musicman.org site will clearly show. The specification sort of stabilised around the mid 90's.

...or a bit like puberty, you shouldn't avoid it.

I've played one a couple of times and didn't like it. The tone was nasal, lacked lows and reminded me of countless cheap 80's japanese basses with agathis or basswood bodies. Bleuch! OK flameproof coat is on...

I tend to assume all strings are crap so buy the cheapest I can find. I've found the Olympia and Hartke sets pretty damn good value and failing that I'll go for Warwick Red Label. Had them all on the basses for the last 18 months and only changed the main Spector 5's last week because they were getting a little dull, rather than they were dead sounding.

[quote name='stingrayPete1977' post='1124143' date='Feb 11 2011, 06:04 PM']I haven't seen a bad quality pre EB yet, crazed finish yes but my 82' is a well made as my 2010, neck pocket and nuns chuff spring to mind on mine [/quote] There were neck issues with SOME (but not all) of the Stingray guitars from around 83 and 84. Leo made them without truss rods in protest at various issues within the company at the time. Not sure if the same issues cropped up with the basses though. There was one '83 bass for sale on here a while back that seemed to be perfectly ok. Best EB basses are late 80's, early 90's IMO. Great build quality as they had something to prove back then. These days I think the company is paying too much attention to superficial aspects and marketing. I think their forum has given them a really distorted view of their potential market and they're losing their way. Give it another 2 years and I expect they'll be loudly trumpeting a back to basics approach.

Not too bad! I noticed Herbies bass has a lot of chipping rather than rubbing wear, maybe because the paint was applied fairly thickly?

Fatboytoo

Plantation Lullabies and Peace Beyond Passion are the best in my view.

I've followed her since her second album, and have seen her live a couple of times. I haven't been so keen with her more recent forays into rock but her attitude is that she's on a journey and you're either with her or not.

PEEYOW! Gone in the last 5 hours. Gotta be in it to win it.

[i]"Yakshemash! Rybski is polished fish bass, yes? Is ultimate in fish bass. Good for practice of scalings I think..."[/i]

[quote name='Bankai' post='1117323' date='Feb 6 2011, 04:05 AM']What actually makes a keeper is an emotional attachment. Instead people use keeper as a adjective for a bass that is technically good.[/quote] Interesting point! I can't logically disagree with it, even though I feel emotionally compelled to. Emotional dependency vs being happy and grateful for what you have...?

You only have to tolerate what you accept in others. I see someone giving their kids a valuable lesson in taking responsibility for their behaviour. Yes they're young, but they'll get over the stress and feeling sorry for themselves so long as its short lived. Hopefully this lesson will stay with them as they become teenagers...

I don't think any of us are in a position to judge...

[quote name='Happy Jack' post='1117146' date='Feb 5 2011, 10:28 PM']Getting back OT, I entirely agree that there's no such thing (for most people) as a genuine keeper but I [i][b]do [/b][/i]think there is such a thing as a "category killer". If you keep trading and keep trading, eventually you find yourself with a bass that simply isn't worth replacing because there's nothing significantly better out there. Two years ago I never dreamed that I'd end up owning a 1966 Precision; now that I do, it's pretty unlikely that I'll be buying any more Precisions for the foreseeable future.[/quote] All my basses technically are category killers. The graphite necked Alembic is virtually irreplacable. If I let that go, I'd have a snowballs chance in hell of finding another, let alone another for what I paid for mine now that the US market understands how unusual they are. The '00 Spector NS5CR in natural is irreplacable because no other bass sounds like it. Even another Spector. The rest are technically replacable but still best in their class (in my view).

That was superb. Nice nod to Jaco at the end too.

[quote name='wateroftyne' post='1114902' date='Feb 4 2011, 08:22 AM']...which isn't a great trait to have if you're on a mission to 'educate'.[/quote] I think it depends on teaching style From what I understand Jeff tends to teach in person and is hands on. His written communication style tends to be how he speaks but doesn't carry any body language or non verbal cues. So while he's speaking he relies on body language to impart emotional context to support what he's saying, his written communication is effectively deprived of half its emotional content. Its not an uncommon problem on forums...