JPJ

I’m a bit late on this one but I’ve got La Bella low tension flats on both my acoustic basses and the sound sweet to my ears. Mellower sounding than the Fender flats I used to use.

So in need of a quick late night practice on the EUB, I remembered that the Stanley Clarke has both a headphone out and an aux in socket. Tried it for the first time and I’m impressed. It’s certainly quicker than setting up the laptop, interface, etc. and great for a bit of late night noodling. Can’t believe I haven’t tried this earlier 🤦‍♂️

Both the Eminence and the BSX were on my wish list before I bought the NXT. Looks like you’ve scored a very nice bass. I’m sure I am not the only one who would be interested in hearing a few sound clips 😉

I second that. He's just made two cables up for me. Great comms, fast turn around, top quality cable and plugs, and a ridiculously good price.

Ooh Headlite 😍

Posted this in the Ashdown ABM owners thread but it’s worthy of posting here too. My rig this weekend, Ashdown ABM 400 Neo 1x15 combo, with Ashdown 1x15 Neo cab. Together for the southern rock band, the combo on its own for the Country/Americana band. Fretted, fretless and NS NXT EUB.

Years (and years) ago, we used an enormous valve Carlsboro PA mixer amp as we were too poor to afford back line. Everything went through that amp, guitars bass vocals, into a pair of H&H 4x12 columns. No back line, we were so ahead of the curve 😂 I remember my Bass as sounding full and fat.

And your £20 supports keeping the forum alive. I happily pay mine whether I intend buying or selling or not (but I do so its certainly value for money).

And todays winner is 😂😂😂

Sadly not as the neck has maple binding

So, I want to tell you a story. A few years ago I had an upcoming acoustic gig so I rushed out and bought a brand new four string Tanglewood acoustic. Now I know these things are marmite but I fell on the ‘like’ if not ‘love’ side of ownership so much so that shortly after I bought a secondhand Warwick Alien five string (Rockbass) off this very forum. Now owning two very similar instruments that have poor residual values has gotten me thinking of going fretless with the Tanglewood as I am mainly playing fretless electric and EUB these days. I have some purple heart strips ready to glue in place but I’ve been looking at fret pullers and nut files on line and there is huge price differential. So my question is, any recommendations for nut files and fret pullers please?

After years of avoiding one I eventually gave in and bought a SansAmp v2. This thing does a really good growl but will go all the way to full on distortion if you need it to. Warms up my fretless P bass beautifully, getting that early Cream era Jack Bruce sound spot on imho.

Gig was out in the wilds of Northumberland on a rainy foggy night and I was driving 😉

So tonight was the night, 20’ish song set, nine on EUB. First doubling gig in a few years and it passed off without issue. Left hand was very tired towards the end of the second set (EUB heavy) not helped by our leader starting a medium paced blues tune (Ma Rainey anyone?) in quadruple time 😂 The NS was very well received and got almost as many compliments as the fretless. Quote of the night “Don’t guitars usually have lines on them so you know where to play? Yes, but I couldn’t afford the lines so I had to get one without” 😂 Oh and here’s a picture of bass corner (don’t worry the Heineken zero moved off the amp straight after the photo 😉

On one of my gigs I double on EUB and fretless bass through a single channel amp. In this setting, and IMHO, a preamp or a true twin channel amp is almost essential if you want both instruments to sound at their best.

It does 😉

I hear you, and it’s also a useful check of your intonation when playing fretless or EUB but I found it distracting hence why I wanted it disabling.

So I received a reply from EBS tech support who told me of a dip switch inside which sets the tuner out to either mute activated or permanently on. A quick flick of the switch has mine now behaving as anticipated i.e. the tuner only active when the mute is on.

Thanks for this, I have shot an enquiry off to EBS directly before going back to Mark at Bass Direct. Let’s wait and see what they have to say, but I suspect I may have a duff unit 😔

Question for the EBS Stanley Clarke users - according to the manual, the tuner out only becomes active when the Mute is on. However, on mine, the tuner out is active irrespective of the setting of the mute switch. Is this normal behaviour or does mine have a problem?

So second rehearsal and the NXT just fits the music so well, so much so I’m playing her on a lot more of the set than I originally thought. Just about got the Stanley Clarke dialled in too and I’ve got to say I’m getting a pretty convincing double bass tone out of the NXT and the secret is definitely all in the fingers. If you play like a double bassist the NXT sounds like a double bass, whereas if you play like an electric bassist the NXT sounds like a fretless bass, albeit an extended range one. Oh and no thumb issues either, which confirms that the stand is the answer to my old problem.

This thread has got me thinking of sticking the original filter preamp back in my Overwater Original series 5 string 🤔

When I was researching before purchasing my NXT, a lot of NS owners recommend the NS Traditional strings as being a big improvement over the stock Contemporary fitted at the factory. I considered changing mine but at £163 a set I might wait awhile 😉

I’ve been using John’s J-Retro and Unipre preamps for years. The battery life is phenomenal suggesting they draw very little in operation. As far as I’m aware the Sims Quad pickups only need power for the built-in LED indicators and will run quite happily without a battery. That only leaves the neck LEDs of which I have no experience. My guess is you’ll be fine running all three from one 9v battery.