tauzero

I believe a tutu is the approved apparel. Although perhaps in the interest of differentiation, a leotard would suffice.

Is it good for metal?

OK. All I have to do is upgrade the vocal-only PA so it'll take bass too, find somewhere to store the active sub and employ a slave to move it, mic up the drums, and either mic up the guitar amps or persuade the guitarists to go through the PA. A couple of thousand quid and an extra hour of setting up per night should cover it.

Alternatively, just get a Zoom MS-60B (not a Plus) and set it up to cycle between patches. Use the Tonelib Zoom editor to set up the patches.

https://yoshblog.com/en/review/b2-four/ From looking over the various reviews of the B2 Four, buyers seem to be very happy with it. There's a very detailed 4* review at Amazon.com that's worth looking at - https://www.amazon.com/product-reviews/B0BW6BSPLV/ref=cm_cr_unknown?ie=UTF8&filterByStar=four_star&reviewerType=all_reviews&pageNumber=1#reviews-filter-bar

Haven't played with a 5-piece since 2010 except for one dep gig with them in 2016, just consulted photos and I was second row on the drummer's right, one side or the other of the rhythm guitarist. Although now my smart-alec answer would be "I don't, I sit down".

Fretlesses also have markers, whether they're lined or unlined. Go figure. I prefer unlined but I'd rather have my lined fretless Sei than no fretless Sei.

This is something I've been complaining about ever since the Zoom MS-100BT which only had an iOS app. Zoom are ignoring the majority of smartphones and tablets.

Tonelib doesn't support the B6 or B2-Four yet and there doesn't seem to be any response from them on the subject - they're a commercial operation and Tonelib-Zoom is freeware so they might not feel any great impetus to update it. Zoom GuitarLab was last updated in 2022. I think Zoom have just lost a sale.

Also listed at Thomann: https://www.thomann.de/gb/zoom_multi_stomp_ms_60b_590550.htm - £138 plus a tenner shipping, availability listed as "on request". The Bax listing now says "Delivery within approx 15 workdays" and it's down to £135.

Just noticed that the Cort is down to £649 at Thomann.

Beware, he may suddenly shout out "checkmate!" at an inopportune moment.

That's all very well, but what if he gets hypnotised by the light and never starts?

Their website filtering seems a bit odd - if you filter on basses that are in stock, a lot of the results are marked as "sold".

https://zoomcorp.com/en/gb/multi-effects/multistomp-pedals/ms-60b-plus/ - the Zoom GB offering on the MS-60B+.

Are you looking for a set and forget type or do you want multiple patches for assorted sounds? What is "not too expensive"? Have you had a look at the Zoom B2-Four? Similar capabilities to the B6, not as many switches and no touch screen but half the price.

That buyer must be crackers.

If your eyesight is as blurry as mine, check resistor and capacitor values before putting them in. Something like https://www.ebay.co.uk/itm/166388291985 is really useful.

I always use one except when I'm using the Nux Mighty Plug. Leads just get in the way. With bug-type wirelesses, it's hardly any more onerous than plugging a lead in.

As the setup has worked without noise elsewhere, the lack of an isolated power supply wouldn't seem to be the problem.

With most other jack socket types the contacts are accessible so you can bend them a bit if they start getting baggy. You can't do that with barrel jacks, hence them being consumable items.

Why aren't you respecting my opinion?

Get a 5-string and use conventional music paper.

Headstocks are truly awful things. Make a bass unbalanced, add a load of unnecessary weight, make it less convenient to tune, all for the sake of putting an advertising hoarding at the end of the neck. I feel that headstock addicts are to be pitied rather than raged at, poor creatures, clinging on desperately to those awful relics of the past. It isn't as if they can even agree on what is a good shape for a headstock, they argue about them endlessly, which shape will satisfy their terrible craving, which shape repels them utterly. And then trying to repair the damage done to the instrument's balance by paying hundreds of pounds for super-light tuners.

The only real limitations with basses tuned E-G (4), B-G (5), B-C (6) are that you can't play below a bottom E on the 4, or more than around 2 octaves above top G on the 4 or 5 (depending on number of frets). Plus the number of strings dictates the maximum number of notes in a chord, if you're that way inclined. Everything else is optional.